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Ages 12+. Children under the age of 4 are not permitted in the theatre.

CATS: The Jellicle Ball on Broadway - NYC [39754]

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The Broadhurst Theatre is a prestigious, century-old Broadway venue located in Midtown Manhattan, New York. It was named after the renowned playwright George H. Broadhurst, an Anglo-American who was originally from Bristol, England. Constructed by the Shubert Brothers and designed by the architectural firm Kirchoff & Rose, Broadhurst Theatre opened its doors to the public on September 27, 1917, with its first-ever staged play, George Bernard Shaw’s 'Misalliance'. Spanning over a wide space of 20,000 square feet, it can comfortably seat slightly over 1,100 spectators on two levels. With its decorative ceilings, excellent acoustics, central location, and intimate seating arrangement, the Broadhurst Theatre has been attracting Broadway artists and audience for over 100 years. 
 
##How to get to the venue
The Broadhurst Theatre is centrally located at 235 West 44th Street, and this strategic location makes it easily accessible from all parts of the city. If you're using public transportation, Times Square's 42nd Street subway station is the closest, served by various train lines such as the 1, 2, 3, 7, N, Q, R, W, S. Also, multiple buses serve 44th Street, including the M20 and M104 lines. Hence, reaching the Broadhurst Theatre isn't difficult regardless of where you are starting your journey.

Broadhurst Theatre - NY

Broadhurst Theatre

Broadhurst Theatre is a historic Broadway venue in Manhattan, renowned for its intimate seating, excellent acoustics, and accessible location.

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Proof on Broadway - NYC [45003]

Proof on Broadway

Ages 10+. Due to its vampire-themed content, which may be scary for young children.

The Lost Boys on Broadway - NYC [43812]

The Lost Boys on Broadway

Titanique on Broadway - NYC [25241]

Titanique on Broadway

Set sail on the Ship of Dreams with Celine Dion, who has the inside scoop on what really happened to Jack and Rose on the doomed Titanic. Dion's greatest hits and up-to-the-minute pop culture jokes power this zany spoof on James Cameron's Oscar-winning film.

Dog Day Afternoon on Broadway - NYC [44515]

Dog Day Afternoon on Broadway

Children under 8 years old will not be admitted.

Just in Time on Broadway - NYC [42905]

Just in Time on Broadway

Ages 10+.  Children under the age of 5 are not permitted.

Ragtime on Broadway - NYC [41025]

Ragtime on Broadway

Touch - NYC [46217]

Touch

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Chess on Broadway - NYC [44447]

Chess on Broadway

Every Brilliant Thing on Broadway - NYC [45675]

Every Brilliant Thing on Broadway

Ages 13+. Children under 4 years old will not be admitted.

The 25th Annual Putnam County Spelling Bee - NYC [44388]

The 25th Annual Putnam County Spelling Bee

Ages 12+. Children under 4 are not permitted in the theatre.

Two Strangers (Carry a Cake Across New York) on Broadway - NYC [45002]

Two Strangers (Carry a Cake Across New York) on Broadway

Data - NYC [45765]

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Arthur Miller's Death of a Salesman on Broadway - NYC [45916]

Arthur Miller's Death of a Salesman on Broadway

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Ages 10+. Infants are not permitted in the theater.

Hamilton on Broadway - NYC [384]

Genre: Musical (US and AUS)

Hamilton on Broadway

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Three women in 18th-century-style dresses perform on stage, with their arms raised and fingers pointing upward. Two men in similar period costumes pose energetically in the background.

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This epic show follows Alexander Hamilton’s rise from nothing to become George Washington’s right-hand man, America’s first Secretary of the Treasury, and friend-turned-enemy of Aaron Burr – the man who would eventually kill him in an infamous duel.

Surrounding *Hamilton* in the musical are plenty of real-life historical figures: Thomas Jefferson, James Madison, the Marquis de Lafayette, and more. They make mischief throughout the show as they navigate the behemoth task of founding a new country and creating a government.

Miranda was first inspired to write an Alexander Hamilton musical in 2008 after reading Ron Chernow’s 700-page biography of the Founding Father on vacation. Miranda had just won the Best Musical Tony Award for *In the Heights* that year, so then-President Barack Obama invited him to perform a song from the show at the 2009 White House Poetry Jam. Instead, Miranda surprised everyone by busting out an early version of his budding musical’s opening number.

The rest, as they say, is history. *Hamilton* premiered off Broadway at The Public Theater in 2015, transferring later that year to the Richard Rodgers Theatre. For writing *Hamilton's* book, music, and lyrics, Miranda would become a household name. 

It seemed ludicrous at first, but to Miranda, Alexander Hamilton embodied hip-hop. *Hamilton* director Thomas Kail later explained in an interview: “You have someone born into very difficult circumstances — profound poverty, no parents, no support — who used words to elevate himself out of those circumstances, and then died violently because of those words. That’s a classic hip-hop story. It’s the story of Tupac or Big.” 

## What to watch for

- Miranda initially conceived *Hamilton* as a record called *The Hamilton Mixtape*, but Kail encouraged him to develop a full musical. *The Hamilton Mixtape* was later released as a companion album to the show.
- *In the Heights*, about a small community in New York’s Washington Heights, has lots of parallels with *Hamilton*. Miranda’s longtime collaborators Kail and Andy Blankenbuehler (*Hamilton*’s choreographer) were involved in that production, and *In the Heights* also played at the Richard Rodgers Theatre.
- The show has real cred in the music industry: Questlove and Black Thought of The Roots executive produced the show’s original cast recording.
- *Hamilton* is full of homages to other shows. The lyric “Nobody needs to know” comes directly from Jason Robert Brown’s *The Last Five Years*. George Washington’s line “I’m the model of a modern major general” is from Gilbert and Sullivan’s *Pirates of Penzance*. *Hamilton* also quotes a line from *Macbeth*: "Tomorrow and tomorrow and tomorrow creeps in this petty pace from day to day."
- *Hamilton* made history musicals cool and fresh, but Miranda’s isn’t the first musical about the American Revolution. His show is predated by the 1969 Best Musical winner *1776*, which follows John Adams as he tries to convince his fellow politicians to declare independence from Britain. 

__Audio Described / Captioned Performances__  
The theatre offers automated closed captioning and audio description via I-Caption or on your personal mobile device with the GalaPro App. Download from the App Store or Google Play.

Hamilton on Broadway [384] - TodayTix

Hamilton on Broadway Tickets | New York | TodayTix

How does a show about an American Founding Father go on to revolutionize Broadway? Experience Lin-Manuel Miranda's Pulitzer- and Tony-winning hip-hop musical about how Alexander Hamilton fought, feuded, and financed his way into the history books.

Leslie Odom Jr. rejoins the cast as Aaron Burr from September 9 to November 26!

Hamilton on Broadway is the smash hit of the century. After premiering off Broadway at The Public Theater in February 2015 for a sold-out limited engagement, Lin-Manuel Miranda's juggernaut musical quickly made the leap uptown and revolutionized theatre. Get Hamilton tickets now and see what the non-stop hype is all about.

The Hamilton musical is about Founding Father Alexander Hamilton, who most people know as the face of the $10 bill. What they might not know is how he fought alongside George Washington in the Revolutionary War, shaped the American financial system as we know it, and even became the first politician involved in a sex scandal.

The key story, however, is that of Hamilton and fellow politician Aaron Burr. In Miranda's reimagining, which takes some liberties with history, had a fraught, on-and-off friendship that would eventually lead to their famous duel. All this and more is dramatized in Hamilton on Broadway, which is almost entirely sung and rapped through and features a diverse cast to reflect the makeup of modern-day America.

The show's creator and original leading man, Lin-Manuel Miranda, made his mark in the Broadway theatre community for his work on In The Heights&nbsp;in 2008 and Bring It On in 2012,&nbsp;but Hamilton made him a household name&nbsp;in&nbsp;mainstream American pop culture. Hamilton also made top Broadway stars out of original cast members Leslie Odom, Jr., Renée Elise Goldsberry, and Daveed Diggs (who each took home a Tony Award in their respective categories), as well as Phillipa Soo, Christopher Jackson, and Okieriete Onaodowan. All original principal cast members have now left the Broadway production, but that hasn't stopped fans who continue to flock to the theatre for sold-out performances.

Miranda's idea to tell the story of Alexander Hamilton through hip hop, rap, and R&amp;B,and with a multi-racial cast, captured the imagination of Americans coast to coast. For students, Hamilton would become the most revolutionary and exciting history lesson they would ever attend. The musical combines 18th-century-inspired, Tony-winning costumes by Paul Tazewell and slick, modern, Tony-winning choreography by Andy Blankenbuehler to create a fresh&nbsp;Broadway production to appeal to those outside the Broadway community and hardened theatregoers in equal measure.

## When did *Hamilton* come out on Broadway?

Hamilton on Broadway premiered in July 2015, a few months after receiving its Off-Broadway world premiere. The show went on to earn a record-breaking 16 Tony Award nominations in 2016 and tied with The Producers for most Tony wins with a total of 11, including Best Musical. (That year's ceremony was dubbed "The Hamil-Tonys" since the musical had so much success.) Miranda also won the Pulitzer Prize for Drama, and the original Broadway cast recording&nbsp;won a Grammy after reaching number 3&nbsp;on the Billboard charts at one point. Its companion album, The Hamilton Mixtape, later debuted at the top spot in December 2016.

## How long is *Hamilton* the musical?

*Hamilton* runs 2 hours and 45 minutes, including an intermission.

If you have yet to witness "The Story of Tonight," then take your shot and get Hamilton Broadway tickets today.

Photos by Joan Marcus

Hamilton - NYC - New York Theatre Guide

Get tickets to Hamilton on Broadway from the official New York Theatre Guide. Be in the room where it happens for Lin-Manuel Miranda's historic musical.

Hamilton Broadway Tickets | The Official NY Theatre Guide

A sensation that made Lin-Manuel Miranda a household name, *Hamilton* made history with 11 Tony wins. A diverse cast and hip-hop music reimagine the story of Founding Father Alexander Hamilton for today. Sharp wordplay, an evocative story, and emotional performances make *Hamilton* revolutionary. Experience history anew and get *Hamilton* tickets.

I saw *Hamilton* Wednesday last at the Richard Rogers Theatre. Last night I went to bed with *Hamilton*. I had Lin-Manuel Miranda's script all to myself and devoured it. There is so much information, not to mention plain old smarts, that is packed into this show that reading the text is an exercise in pure pleasure. And once again I came away with the same conclusion. This is a story ABOUT Alexander Hamilton while at the same time it is the story OF Aaron Burr.

Burr (Leslie Odom, Jr.) welcomes us to the evening almost purring:

How does a b*st*rd, orphan, son of a wh*re And a Scotsman dropped in the middle of a forgotten spot In the Caribbean, by Providence impoverished, to squalor Grow up to be a hero and a scholar?

Who did this immigrant Hamilton (Lin-Manuel Miranda) think he was? Burr was the son of money. Hamilton was the son of chance and fortune. Burr was willing to wait for his just rewards; Hamilton preferred the direct route.

... I'm just like my country I'm young, scrappy and hungry And I'm not throwing away my shot

Hamilton arrives from Nevis in the Bahamas just as the country is splintering into a new incarnation. He lands in New York, the center of everything, and works his way up the revolutionary ladder. He sits at the right hand of God in the person of George Washington (Christopher Jackson) and pines for a command that is denied him until there is no other option.

Hamilton did not live in a vacuum, however. Events and people were moving around him like a hurricane. The women in his life were a match in every way to the men. "The Schuyler Sisters," Angelica (Renée Elise Goldsberry), Eliza (Phillipa Soo), and Peggy (Alysha Deslorieux on the night I was there), are the center of New York's solar system. While Washington in planning battle, there is a social life to be created. Angelica is looking for a mind at work, and when both she and her sister, Eliza, are smitten by Hamilton, she steps aside in a scene that is tragic and gallant.

As each element is added to the story, the tapestry becomes richer and more dense. Family brings new responsibility but does not alter Hamilton's trajectory. As the new country is formed, he stays in the inner circle, annoying Thomas Jefferson (Daveed Diggs) who was in France for most of the war, and drives Burr just a little mad. Burr's thirst for the power that Hamilton has is palpable, and as his frustration explodes in the second act with "The Room Where It Happens," the experience is visceral for us all and becomes a showstopper.

Over and over again we see the tragedy that is coming. The rules of dueling are spelled out more than one time. The future is seen as a place where these folks may not walk but in which they will be remembered. The tension and terror of the time fill the theatre. This is balanced by Miranda's eye for the absurd, the ridiculous and the insidious which evoke belly laughs, winces and mental high-fives. He gives a generous nod to King George (Jonathan Groff, who is the only white person playing a main character) who smiles and winks through three pop numbers that remind us in the nicest possible way that the little people are just that:

Cus when push comes to shove I will kill your friends and family to remind you of my love

Hamilton was smart and driven - and he was a writer. It was his pen that got him out of his home, and it would be his pen that brought him to the side of Washington. Today he would have been tweeting (as is Miranda) several times a day. If the telegraph had been around he would have been tapping until the machine melted in his hands. But these were the days of longhand, quills, ink, and parchment. And delivery was by foot or, if you were lucky, horseback. Still, what Hamilton managed to crank out was not only impressive, it was world-altering. His accomplishments are listed like it was an awards banquet. He crafted a financial system. Created the national debt to save the country. Wrote *The Federalist Papers*. He wrote as if he were running out of time. And he was.

The last moments of Hamilton's life are perhaps the most delicately crafted. "I imagine death so much it seems like a memory," Hamilton sings as the bullet travels through time and relationships to reach him. And when it does, we hear the lament of Aaron Burr, still at the center of the tale, who didn't realize the world was wide enough for them both, and the chorus that delivers us back into our seats singing and asking us, "Who lives? Who dies? Who tells your story?"

Hamilton is a magnificent tapestry where all the elements of theatre are called upon to be their very best. The choreography by Andy Blankenbuehler is nothing short of mesmerizing. His work makes the entire piece pulse. Alex Lacamoire's musical direction and orchestration lifts us into the stratosphere. The scenic design by David Korins, costumes by Paul Tazewell, and lights by Howard Binkley are seamlessly integrated and a visual feast. Finally, Thomas Kail's direction is impeccable. Under his guidance this show has been pieced together into a living, breathing entity. *Hamilton* is not just a show, it is an experience - which is always the goal of art. This is not a show that you sit and watch. It is a show that takes you by the hand and pulls you into its embrace.

The end result is something much more than the story of one man. It is the story of how we each create our destiny and our mark on the world. You leave the theater thinking about what you would like to do that you have not done. You leave the theatre filled with possibility.

(Photo by Joan Marcus)&nbsp;<hr />"'Hamilton' makes us feel the unstoppable, urgent rhythm of a nation being born." Ben Brantley for New York Times"With 'Hamilton,' Broadway is officially the coolest place on the planet. And the smartest. And most exhilarating." Joe Dziemianowicz for New York Daily News"Lin-Manuel Miranda's 'In the Heights' may have been a hit — but his 'Hamilton' is a phenomenon." Elisabeth Vincentelli for New York Post"The greatest American musical in decades." David Cote for Time Out New York"It was phenomenal off-Broadway. It's even better now. 'Hamilton' is that rare musical that fires on all cylinders, even ones we never knew existed." Roma Torre for NY1"This is a musical often stunning in its audaciousness." Mark Kennedy for Associated Press"This enormously ambitious and entertaining musical history lesson is even more impressive on a second viewing." Frank Scheck for The Hollywood Reporter"This innovative show is shaping up to be just as much of a phenomenon uptown, playing in a Broadway house with four times the seating capacity, and to a more traditional but no less enthusiastic audience. That universal appeal to crossover audiences is one unmistakable sign of a groundbreaking show." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="http://www.nytimes.com/2015/08/07/theater/review-hamilton-young-rebels-changing-history-and-theater.html?_r=0" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/theater-arts/hamilton-musical-mint-condition-broadway-article-1.2316761" target="Top">New York Daily News</a> - <a href="http://nypost.com/2015/08/06/hamilton-isnt-quite-revolutionary/" target="Top">New York Post</a> - <a href="http://www.timeout.com/newyork/theater/hamilton-1" target="Top">Time Out</a> - <a href="http://www.ny1.com/nyc/all-boroughs/lifestyles/2015/08/6/ny1-theater-review---hamilton-.html" target="Top">NY1</a> - <a href="http://www.hollywoodreporter.com/review/lin-manuel-mirandas-hamilton-theater-813145" target="Top">Hollywood Reporter</a> - <a href="http://variety.com/2015/legit/reviews/hamilton-review-broadway-1201557679/" target="Top">Variety</a>

'Hamilton' review

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Broadway

Read our five-star review of *Hamilton* on Broadway at the Richard Rodgers Theatre.

The Richard Rodgers Theatre, named after one of the most influential composers in American history, is a Broadway theatre located in New York City. It was originally opened in 1925 as 'Chanin's 46th Street Theatre' and was later renamed in honor of prolific composer Richard Rodgers in 1990. At over 14,000 square feet, it is the highest grossing venue on Broadway, with a seating capacity for an audience of over 1,300 people. Offering a variety of shows, it is best known for the ongoing run of the critically acclaimed musical, 'Hamilton'. Not only does this theatre provide top-notch entertainment, but it also offers an array of amenities for its guests, including wheelchair accessible seating, assistive listening devices, and more. 

*How to get there*: The Richard Rodgers Theatre is conveniently located at 226 W 46th Street, near Times Square. Access to the theatre is easy and convenient with several modes of public transportation available. The nearest subway stations are 49th Street (N, R, and W lines) and 42nd Street - Times Square (A, C, E, N, R, W, 1, 2, 3, 7, and S lines). Alternatively, visitors can take a bus to West 46th Street and 8th Avenue, which is just a short walk to the theatre.

Richard Rodgers Theatre - NY

Richard Rodgers Theatre

Richard Rodgers Theatre is a historic Broadway venue in New York, notable for Hamilton performances. Easy access via subway or bus.

NY | TT | Carousel - Web Homepage | Beaches | 46037

Children under 4 years old will not be admitted.

Beaches on Broadway - NYC [46037]

Beaches on Broadway

Beaches on Broadway - NYC [46037] - Product Media

The Majestic Theatre, located on Broadway in New York City, is a truly historical masterpiece. Originally opened on March 28, 1927, it was designed by renowned architect Herbert J. Krapp. The grandeur of the building's architecture and interior decor is evident from the moment you step through the doors. With a seating capacity of 1,681, the Majestic is one of the largest Broadway venues, making it the ideal location for prominent productions.

The theatre has been most notably associated with Andrew Lloyd Webber’s *The Phantom of the Opera*, which played there from 1988 to 2023. Every little detail of the Majestic Theatre adds up to an unforgettable overall experience. From the ornate moldings of the proscenium arch to the majestic mezzanine and balcony, the venue, renovated in 2024, inspires awe in visitors.

__How to get there:__ The Majestic Theatre is located at 245 West 44th Street, Manhattan. It’s easy to get to either by car, subway, or bus. The closest subway station is Times Square - 42nd Street/Port Authority Bus Terminal, serving Lines 1, 2, 3, 7, N, Q, R, W, and S. If you're driving, there are numerous parking lots nearby. Be warned that NYC traffic can be tricky, so give yourself extra time to arrive.

Majestic Theatre - NY

Majestic Theatre 

The Majestic Theatre is a historical landmark on Broadway, located in the heart of the Theatre District in New York City.

NY | TT | Carousel - Web Homepage | Great Gatsby | 38749

Ages 10+. Children under 4 are not permitted in the theatre.

The Great Gatsby on Broadway - NYC [38749]

The Great Gatsby on Broadway

The Great Gatsby on Broadway - NYC [38749] Product Media

The Broadway Theatre is one of the most iconic and popular theatre venues in New York. Located at 1681 Broadway, the theatre is home to multitude of critically acclaimed Broadway musicals and plays. Since its inception in 1924, the Broadway theatre has been a pillar of the New York theatre industry, consistently presenting audiences with captivating performances and a wide variety of shows. The theatre boasts a large seating capacity of 1765, setting it apart from other Broadway theatres. Its key defining feature, the exceptional stage size, allows for large-scale musical productions. Notable performances that graced the theatre include 'South Pacific', 'The Color Purple', 'Miss Saigon', the revival of 'Evita' and 'Cinderella'. With a unique blend of classic architecture and modern technology, the Broadway Theatre not only delivers magnificent visual appeal but also excellent acoustics and comfortable seating. This combination creates an immersive viewing experience few other venues can rival.

## How to Get Here
The Broadway Theatre is easily accessible via public transportation. It’s easy to reach by subway. You can take the C, E, or 1 train to 50th Street or the N, R, or Q train to 57th Street. Alternatively, the theatre is served by buses M104, M10, M27/M50. If you prefer to drive, there are numerous public parking lots within a short walk. Bicycle parking is also available nearby.

Broadway Theatre - NY

Broadway Theatre

The Broadway Theatre, an iconic New York venue, hosts a plethora of captivating performances and is easily accessible via various transport.

NY | TT | Carousel - Web Homepage | Wicked | 1

Ages 8+. Children under 5 will not be admitted.

Wicked on Broadway - NYC [1]

Wicked on Broadway

Wicked Production Hero

Wicked on Broadway [1] Product Media

There have been moments in the history of musical theater when, like a twister, the sheer talent and whirling spectacle of a production have flattened any negative criticism that stood to get in its way. Take October, 2003 for example. That was the month that <a href="/show/wicked">Wicked </a>opened in New York to generally dour reviews. But since then, more than 8.8 million people have found the heart, nerve and wisdom to pay a visit, resulting in the happy scene of a Broadway house filled with as many teens as adults, and making a tale, born from a 115-year-old children's novel, one of the top five highest grossing shows of all time.The latest incarnation of this impeccably oiled entertainment machine finds a new gear courtesy of a British import. Reprising the role she played on the West End for three years, Rachel Tucker steps in as the green-skinned Elphaba, a.k.a. the Wicked Witch of the West, and nearly blows the roof off the massive Gershwin Theatre with her opening number, "The Wizard and I." As the song reaches its climax, Tucker raises her arms, not especially high, but in a crooked witchly fashion, showing off the kind of smart physicality she brings throughout the evening. Opposite her, as Glinda the Good, Kara Lindsay aces the delicate assignment of being both ditzy blonde and sensitive friend while showing off her clear soprano and great comic chops.Among the show's many happy surprises, Michele Lee turns up, in fine form, as the scheming Madame Morrible, and Arielle Jacobs charms us from a wheelchair as Nessarose, until that unfortunate incident with a falling house. James Lynn Abbott's best moment of choreography comes not from any of the numerous, raucous ensemble pieces, but from a beautifully rendered bit of quiet ballet that arrives unexpectedly during the energetic "Dancing Through Life." And Stephen Schwartz's classic score provides a wonderful playground for the cast to swing upon, while reminding us of this composer's important history. Close your eyes and hear strains of Pippin in "As Long as You're Mine." Find the hint of Godspell playfulness in the staccato beats of "What is this Feeling."The Wikipedia plot summary for Wicked is over 2100 words long, which speaks not only to the show's dedicated fan base, but to the fact that this is a musical with a lot going on. It's a romantic comedy with strong political undertones, an animal rights treatise with a talking goat and flying monkeys, a parable on the pitfalls of getting what you want, a warning on the limits of friendship, and an homage to a classic film. In the realm of mythology, green-hued creatures have never had a simple time of it (see Shrek, Hulk, et al.), and rare is the story, let alone the musical, that is centered on two women who are unrelated, yet have a complex emotional attachment, while still remaining starkly unique individuals. But Eugene Lee's epic scenic design provides the framework to tie everything together. The show is completely set within the machinations of a huge clock, the Clock of the Time Dragon to be precise. And whether or not you are up on your Oz lore, this seems, at first, incongruous with the magical proceedings on stage. Why is Glinda's bubble-mobile so pendulum like? But then the metaphor becomes clearer. "I would do anything to turn back the clock," laments Elphaba, and later she demands, "Wait just a clock tick!" Once a spell is cast, it cannot be undone. Life moves forward, and Wicked reveals itself to be, more than anything else, a cautionary tale about learning to live with one's choices.(Photo by Joan Marcus)

'Wicked' review

The Gershwin Theatre is a breathtakingly stunning Broadway theater located in the heart of New York City. Named in honor of renowned composer George Gershwin and his brother lyricist Ira Gershwin, it was opened in 1972 and currently remains the largest Broadway theater with a capacity of around 1933 seats. Designed by set designer Ralph Alswang, the architectural aesthetics of the theater are a delightful blend of Art Nouveau and Art Deco styles. Over the years, it has hosted some of the most iconic and award-winning Broadway shows including 'Show Boat', 'Sweeney Todd', and its longest running show, the 'Wicked' that has been playing since 2003. The interior is beautifully adorned with ornate details and offers modern technological features promising a remarkable theatrical experience. In addition to its captivating beauty and grandeur, the theater is also known for exceptional acoustics which enhances the enjoyment of each performance. 

**How to get to the venue**

The Gershwin Theatre is readily accessible by public transport with the closest subway stations being 50th Street on the 1 line and 50th Street on the C and E lines. Several bus lines also serve the area. If you prefer to drive, there are multiple paid parking lots in proximity to the theater. It is situated at 222 W. 51st St., perfectly positioned between Broadway and 8th Ave.

Gershwin Theatre - NY

Gershwin Theatre

The Gershwin Theatre, the largest Broadway venue, in New York City is known for its stunning aesthetics, exceptional acoustics, and iconic performances.

NY | TT | Carousel - Web Homepage | Rocky Horror | 43905

The Rocky Horror Show on Broadway - NYC [43905]

The Rocky Horror Show on Broadway

The Rocky Horror Show on Broadway - NYC [43905] - Product Media

The **Studio 54 theatre** in New York is legendary in its status as America's most famous nightclub from history. In the '70s, the venue was a beacon for A-list celebrities, artists, and musicians to gather under its mesmerising disco ball. Today, as part of the Roundabout Theatre Company, **Studio 54** is a home to captivating theatrical performances. The theatre, located on 254 W 54th Street, maintains its historical charm with the restored auditorium that evokes an intense feel for the remarkable history it's borne witness to. The theatre has a seating capacity of 1006 and has been the stage for numerous notable productions such as 'Cabaret', 'Sunday in the Park with George', and 'Kiss Me, Kate'. The elegance from its original 1927 construction blends seamlessly with its more modern renovations, helping keep Studio 54 an iconic and desired destination in the Big Apple. 

 **How to get to the venue** 

 Getting to Studio 54 is quite straightforward. Located in Manhattan, it's easily accessible by subway. The closest station is 7 Avenue, which is just a short two-minute walk from the theatre. For those preferring a taxi ride or self-drive, there are several parking garages nearby like the 'Icon Parking' on 851 8th Ave or the 'SP+' on 1700 Broadway.

Studio 54 - NY

Studio 54

Studio 54 theatre in New York, known for its past as a celebrity club, is now a popular venue for theatrical performances.

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Titanique - NYC Product Media

The new Off-Broadway musical&nbsp;<a href="https://www.newyorktheatreguide.com/show/titanique" target="_blank">Titanique</a>&nbsp;has a&nbsp;cast and creative team of Broadway vets. But they, led by director/co-writer Tye Blue, also share a background doing pop parody musicals and dinner theatre in LA. This is the cozy, campy world from which&nbsp;Titanique&nbsp;hails, and it's now docked here on the East Coast through September. Don't go expecting a piece of high art or a faithful recreation of the&nbsp;James Cameron&nbsp;film it's based on, but do expect a titanic amount of pure joy.You'll get that vibe immediately upon entering the Asylum Theatre — a casual comedy venue that perfectly fits the show — when you hear the pre-show playlist that includes "Bootylicious," "This Will Be," and "We Are Family." Nostalgic-meets-contemporary is the name of the game, and so it is with the 100-minute show that follows.Titanique&nbsp;launches from a Titanic museum tour, where visitors are gawking over the Heart of the Ocean (here an oversized Party City decoration). Suddenly, a woman appears and reveals herself to be Celine Dion, shedding her trash-covered cloak to reveal a glittery gold gown that looks like it cost more than the entire rest of the production. She takes over the tour, and the narration of the show, to share what really happened on board the Titanic — namely, to Jack and Rose.Her tale is as much a love letter to the&nbsp;Titanic&nbsp;movie as it is to the people obsessed with that movie: pop culture-savvy, queer theatre kids, or so the creators presume from experience. (Happy Pride indeed.) References to TikTok trends (like Julia Fox's pronunciation of "uncut gems") and niche theatre jokes (a life-size <a href="https://www.newyorktheatreguide.com/show/company" target="_blank">Patti LuPone</a> cutout makes multiple appearances) abound. Older and/or less theatre-obsessed audiences will find more of their enjoyment in the recreations of all the major&nbsp;Titanic&nbsp;movie moments and the Dion hits that score the show.Some of those songs are more cleverly slotted in than others, but they're all gorgeously performed. The&nbsp;Titanique&nbsp;cast's Broadway-grade talent shines at its fullest through their voices.&nbsp;Rose (Alex Ellis) and The Unsinkable Molly Brown (Kathy Deitch) get the powerhouse duet "Tell Him," which starts as a heartfelt encouragement and ends as an extended innuendo involving an eggplant prop. As a "bedazzled metrosexual" version of Rose's fiance Cal, John Riddle gets a late-show solo that also brings the house down. As Celine, the over-the-top Marla Mindelle harmonizes with nearly everyone's songs (they are technically hers, after all), and though her voice has a different tonal quality than the real Dion's, there's a brief moment in "My Heart Will Go On" when she sounds uncannily like the singer.Alongside them, Constantine Rousouli cuts a dashing, boyish figure as Jack (with the same swoopy hair as Titanic-era Leo DiCaprio), and Frankie Grande steals every scene he's in as Victor Garber, a mashup of a few Titanic&nbsp;side characters. Jaye Alexander plays his right-hand seamen (the source of many double entendres) but gets a late showcase as "the Iceberg bitch," who's dressed as Tina Turner and hosts a&nbsp;RuPaul's Drag Race&nbsp;lip-sync battle to decide who will make it on the lifeboat. Because why not?Titanique&nbsp;is one of those shows where anything can happen, so it does, up until the final twists that you surely won't see coming. It's best just to grab your friends, grab some drinks (the show sells them in buckets), and just get on board. The cast and creators' enthusiasm is infectious, and if you just let it wash over you, you'll have a boatload of fun.<a href="https://www.newyorktheatreguide.com/show/titanique" target="_blank">Titanique&nbsp;is at the Asylum Theatre through September 25. Get&nbsp;Titanique&nbsp;tickets on New York Theatre Guide.</a>Photo credit: Constantine Rousouli, Marla Mindelle &amp; Alex Ellis in Titanique. (Photo by Emilio Madrid)

'Titanique' review — a boatload of campy fun

Titanique is at the Daryl Roth Theatre. Get Titanique tickets on New York Theatre Guide.

Titanique Off-Broadway Review | New York Theatre Guide

Located in the heart of New York City, the iconic St. James Theatre is a testament to the magical allure of Broadway. Since its inception in 1927, the St. James Theatre has hosted many unforgettable Broadway hits, featuring stars from Ethel Merman to Hugh Jackman. The interior is a marvel in itself, punctuated by a royal color scheme, gold-leaf accents, and stunning chandeliers that encapsulate the golden age of Broadway. The theatre has a seating capacity of 1,710, allowing for a wide audience range without compromising the intimate, immersive theatrical experience. In its near-century history, the St. James Theatre has seen the debut of many Broadway classics, including Oklahoma!, The King and I, and The Producers, thereby solidifying its milestone status in Broadway history.

**How to Get to the Venue**
St. James Theatre is located at 246 W. 44th Street. It's easily accessible via public transport. If you're traveling by subway, you can take the 1, 2, 3, 7, N, Q, R, W, or S trains to Times Square. Alternatively, buses M7, M20, M42, and M104 also stop nearby. For those who prefer driving, numerous paid parking lots are available in the vicinity.

St. James Theatre - NY

St. James Theatre

The historic St. James Theatre, located in New York City, has hosted iconic Broadway shows since 1927 and is easily accessible via various modes of transport.

NY | TT | Carousel - Web Homepage | Proof | 45003

Proof on Broadway- NYC [45003]

The Booth Theatre, named in honor of the legendary 19th-century actor Edwin Booth, is a historical theater venue in New York City, specifically located in the heart of the theatre district on Broadway. It was first opened on October 16, 1913. This venue loves to exhibit plays and has been home to a string of widely acclaimed productions since its establishment. It is known for its intimate setting, having only 766 seats distributed between the orchestra and mezzanine levels. The interior is beautifully ornamented, showcasing Italian Renaissance detailing and a warm, old-world atmosphere. The Booth Theatre is currently owned by the Shubert Organization. Over the years, it has housed multiple award-winning plays such as 'Sunday in the Park with George', 'Next to Normal', and 'The Elephant Man'. 

**How to get there:** The Booth Theater is located at 222 West 45th Street, between 7th and 8th Avenues. It is easily accessible by public transit. For subway riders, it is close to the Times Square-42nd Street station, where the 1, 2, 3, 7, N, Q, R, W, and S trains stop. It is possible to park your car in a nearby garage but remember that the theatre district can be quite busy, especially during show hours.

Booth Theatre - NY

Booth Theatre

The Booth Theatre is a historically significant venue in New York's theatre district known for showcasing acclaimed plays and having an intimate setting.

What would happen after *Romeo & Juliet* if Juliet didn't die? That's the question this pop-fueled musical, from songwriting icon Max Martin and a writer on *Schitt’s Creek*, asks. Jam out to tunes made famous by Britney Spears, the Backstreet Boys, Pink, and more.

& Juliet on Broadway

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The Lion King on Broadway

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Chicago on Broadway

*Just in Time* is a new, six-time Tony Award-nominated bio-musical about Grammy Hall of Fame Award winner Bobby Darin. This jukebox show traces the singer’s rise to stardom, marriage to Sandra Dee, and the personal surprises that upended his life.

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Get *Stranger Things: The First Shadow* tickets and see the world before it turns upside down. The origin story of the hit Netflix series follows younger versions of fan-favorite characters as they deal with unusual happenings in Hawkins. Now nominated for five Tony Awards.

Stranger Things: The First Shadow on Broadway

Greek mythology gets a folksy, jazzy twist at this eight-time Tony-winning Best Musical. The story of the musician Orpheus's journey to the underworld to rescue his lover, Eurydice, takes on new depths of life and emotion in Anaïs Mitchell's show.

Hadestown on Broadway

Based on the bestselling novel, *Ragtime* is a musical epic that features three fictional families as they move through a rapidly changing New York in pursuit of the American Dream.

This Tony Award-winning pop musical gives 16th-century drama a 21st-century feminist twist. The six wives of Henry VIII become a fierce girl group who take back their crowns and rewrite their histories in the style of a rousing arena concert.

SIX on Broadway

*Every Brilliant Thing* is a play about a man who creates a gratitude list to help his mother cope with depression before adopting the practice himself.

How did the Wicked Witch of the West become wicked? This *Wizard of Oz* prequel musical explores her and Glinda the Good Witch's untold origin stories. Hear now-classic showtunes like "Defying Gravity" at Broadway's fourth-longest-running show.

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