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Dog Day Afternoon on Broadway - NYC [44515]

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Dog Day Afternoon on Broadway

The August Wilson Theatre, located in the heart of Manhattan, is one of New York's iconic historical landmarks. Named after Pulitzer Prize-winning playwright August Wilson, the venue hosts an array of award-winning Broadway performances. This theatre has an expansive total seating capacity of 1,222, making it an ideal environment for large scale performances. The interior reflects an Art Nouveau style featuring a grand lobby with high ceilings and intricately designed walls. The theatre’s plush seating, opulent detailing, and great acoustics create an intimate experience for viewers, compelling them to feel a part of the performance. It has managed to preserve its early 20th-century charm while presenting modern productions. **How to get to the venue**: The August Wilson Theatre is centrally located at 245 W 52nd St, making it easily accessible via numerous transportation means. Visitors can take the 1, C, E subway lines to 50th Street or the N, Q, R, W lines to 57th Street. If you prefer to bus, the M104, M20 or M7 bus lines have nearby stops. If you choose to drive, commercial parking garages are available around the theatre district. Those choosing to ride-share can set their destination to the theatre directly.

August Wilson Theatre - NY

August Wilson Theatre

The August Wilson Theatre is a historic venue in New York known for its large capacity and award-winning Broadway performances.

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Ages 13+. Parental advisory: this show contains explicit language. Children under 5 are not allowed in the theatre.

The Book of Mormon on Broadway - NYC [127]

The Book of Mormon on Broadway

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An old friend of mine turned Mormon on me a few years ago to the extent that I no longer know who this woman is. I felt like I was watching a perfectly intelligent person be kidnapped by people who believe that God lives on a planet called Kolob, an angel called Moroni delivered golden tablets to Joseph Smith in upstate New York that are the secret basis for this religion, and oh yeah — there is the hair shirt thing. So it was with some trepidation that I saw this show. Even though everyone has been raving about it, I was still cautious.

The good news is that this production bowls you over. You don't have a chance to not like it because it, like the Mormons it depicts, is positive that something good will happen if you just hang around for awhile. And the message is that, in the words of Dr. Seuss, "We are all a little weird, and life's a little weird, and when we find someone whose weirdness is compatible with ours, we join up with them and fall in mutual weirdness and call it love."

Two little Mormon missionaries - are they all white men? - are paired up together and sent to Uganda. Elder Price (Andrew Rannells), who could be the Ken to anyone's Barbie, was hoping for Orlando. Elder Cunningham (Josh Gad) is a sad sack grateful to be chosen for anything at all. Disappointment and enthusiasm are thus bound together and shipped east, way east.

Upon their arrival they meet villagers who are suffering from AIDS, drought, disease, and dictators. The villagers teach the two missionaries their favorite uplifting song, "Hasa Diga Eebowai." As life batters them in the head over and over again, it is this song that keeps them going. Price and Cunningham join in with that old-fashioned Mormon enthusiasm, only to find out that this song means, "F--k you, God." Welcome to the world, boys.

At missionary HQ they meet a randy bunch of also white boys led by Elder McKinley (Rory O'Malley) who have nothing to show for their time in Uganda - no Baptisms, no nothin'. But they do have one thing: their own musical theme song to aid them in times of question and doubt. "Turn It Off" - as in, turn off anything that means questioning the Mormon path: thoughts of homosexuality, memories of abuse, guilt of any kind. Welcome to another world, boys.

What follows is a love story where Price and Cunningham have to find their own paths without the other's help. Price tries to flee his fate while Cunningham deals fast and loose with his proselytizing. On the other side of the story, the villagers are caught between swallowing the Book of Mormon (the Third Testament of the Bible) as told by Cunningham, and making it through another day without being killed or having a clitoridectomy.

As a matter of fact, the clitoris is a focal point of this story and is mentioned, oh, about 30 times as a point of focus in Uganda. Here girls are raped and then circumcised (read: genital mutilation) to keep them from getting any ideas or pleasure for the rest of their lives. This subject is bandied about like a beach ball throughout the show along with child rape, frog rape, AIDS, maggot infestation, Spooky Mormon Hell, and Jesus. It is mentioned just enough to get people's attention, but I hope not so much that it will be dismissed as incidental or worse, a myth.

In the end everyone here is gullible and worthy of a dope-slap. From the Mormons to General Butt F--king Naked (Brian Tyree Henry) to the young woman Nabulungi (Nikki M. James), whose name Cunningham never gets right in a running joke that somehow works every time. The Mormons will figure out an answer to any argument. The General would rather kill than argue and wants everything and everyone to belong — to him. Nabulungi — kind of like the Little Mermaid — wants to get out of Dodge and go to Salt Lake City ("Sal Tlay Ka Siti"). Like the rest of us, the gal just wants to belong, period.

Ain't no one or nothing safe in *The Book of Mormon*, least of all the audience. This show makes you realize that when you are pointing one finger to make fun of someone, there are three fingers pointed back at you. And this news is delivered with a smile — a real one. Parker, Lopez, and Stone have a laser beam precision with the aim of a 10-year-old boy just discovering he can write his name in the snow when he pees. You don't know whether to laugh at the boy's delight or duck and cover. No matter. Either way, you're going to get some on you.

(Photo by Joan Marcus)<hr />"A newborn, old-fashioned, pleasure-giving musical has arrived." Ben Brantley for New York Times"The show is blissfully original, irreverent, outspoken and hilarious. And all that's tucked inside good -- no, great -- old-fashioned musical." Joe Dziemianowicz for New York Daily News"It's a fiendishly well-crafted, hilariously smart — or maybe smartly hilarious — song-and-dance extravaganza. The show's a hoot. The show's a hit." Elisabeth Vincentelli for New York Post"Like several shows this season, "Book of Mormon" is too long and comes close to wearing out its welcome before redeeming itself with a strong second act. And like most 12-year-old-boys, it isn't nearly as nasty as it would have us believe. Not that there's anything wrong with that." Jeremy Gerald for Bloomberg"Manages to combine outrageous parody, solid storytelling, and sympathetic yet goofy characters." David Sheward for Back Stage"One of the most purely enjoyable musicals in years." Robert Feldberg for The Record"Brilliantly original, hysterically funny and tunefully irresistible." Roma Torre for NY1"In a season of tuners mostly derived from old movies, stories and songs, it's a gold-plated Broadway miracle to encounter something so new and audaciously fresh in every respect of the word." Michael Sommers for Newsroom Jersey"The defining quality of this hugely entertaining show is its sweetness... One of the freshest original musicals in recent memory. It has tuneful songs, clever lyrics, winning characters, explosive laughs and disarmingly intimate moments." David Rooney for Hollywood Reporter"Every song enhances the hilarity, expert staging heightens every gag, and the cast of fresh faces is blissfully good... Approaches musical-comedy Rapture" Steven Suskin for VarietyExternal links to full reviews from popular press...<a href="http://theater.nytimes.com/2011/03/25/theater/reviews/the-book-of-mormon-at-eugene-oneill-theater-review.html" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/arts/2011/03/25/2011-03-25_book_of_mormon_review_south_park_team_matt_stone_and_trey_parker_produce_heavenl.html" target="Top">New York Daily News</a> - <a href="http://www.nypost.com/p/entertainment/theater/mormon_conquest_twlCrNAUI2E2z4l2tOqAWM" target="Top">New York Post</a> - <a href="http://www.bloomberg.com/news/2011-03-25/raunchy-book-of-mormon-spoofs-missionaries-lion-king-jeremy-gerard.html" target="Top">Bloomberg</a> - <a href="http://www.backstage.com/bso/content_display/reviews/ny-theatre-reviews/e3i5369f68f9c4d1e2f03b5f235adbbccc8" target="Top">Back Stage</a> - <a href="http://www.northjersey.com/arts_entertainment/theater/118635044_The_gods_mustbe_laughing.html" target="top">The Record</a> - <a href="http://www.newjerseynewsroom.com/movies/review-south-park-makers-open-the-book-of-mormon" target="Top">Newsroom Jersey</a> - <a href="http://www.hollywoodreporter.com/review/book-mormon-theater-review-171210" target="Top">Hollywood Reporter</a> - <a href="http://www.variety.com/review/VE1117944886" target="Top">Variety</a>

'The Book of Mormon' review

Read our five-star review of *The Book of Mormon* on Broadway at the Eugene O'Neill Theatre.

The Eugene O'Neill Theatre is one of the most prestigious and renowned performance venues in New York City. From its inauguration in 1925, it has been home to countless mesmerizing performances and continues to be a hub of creativity and artistry. The Theatre is conveniently located in the bustling heart of the city, nestled among an ensemble of iconic hotspots that fashion the city's distinctive cultural milieu. With a seating capacity of about 1,100, this playhouse exudes an intimate and one-of-a-kind atmosphere, ensuring an immersive and memorable experience for every patron. Over the years, the theatre has staged various Box Office hits including the award-winning musical ‘Book of Mormon.' The palatial interiors and the breathtaking architectural genius is a sight to behold — a testament to the grandeur of the Broadway epoch. The theatre is also recognized for its excellent acoustics, comfortable seating, and top-tier amenities that elevate the overall customer experience. Its experienced staff provides courteous and efficient service, ensuring an all-rounded, enjoyable outing for theatre-goers. ## Getting to Eugene O'Neill Theatre: The theatre is accessible by various modes of transportation. Subway services 1,2,3,7,N,Q,R,W are the closest stop - Times Square-42nd Street. If arriving by bus, services M7, M20, M104 drop off at W 46 St/7 Av. There is parking available near the theatre for those who prefer to drive. Do check the traffic and parking situation online before you embark on your journey.

Eugene O’Neill Theatre - NY

Eugene O’Neill Theatre

The Eugene O'Neill Theatre is a prestigious venue in New York known for its iconic performances and intimate atmosphere.

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Genre: Musical (US and AUS)

Broadway

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In *The Book of Mormon* musical, Kevin Price is raring to go on a two-year mission to Orlando, Florida. But he’s shocked to be paired with the less-than-popular Arnold Cunningham and instead sent to Uganda, where no missionary has successfully converted anyone. Price is determined to do what no Mormon has done before, but Cunningham connects with the locals best once he starts “Making Things Up Again” on his own. 

Technically, you could say the history of *The Book of Mormon* goes back to 1830, when the Mormon Church was founded. The musical is a little newer. Parker and Stone started working with Lopez in 2003 after seeing his Tony-winning Best Musical *Avenue Q*. The *South Park* duo wanted to make a *Book of Mormon* movie, but Lopez insisted on making a musical.

The show’s first reading was in 2008, and an Off-Broadway world premiere was set for 2010. The producers canceled that production to give the creators more time to refine the show. Premiering *The Book of Mormon* on Broadway directly was a leap of faith — and it paid off.

*The Book of Mormon* got 14 Tony nominations and won for Best Musical, Best Book of a Musical, Best Original Score, Best Direction of a Musical, and more. The show also won the Grammy Award for Best Musical Theater Album, and the London and Melbourne productions won Best Musical at the Olivier and Helpmann Award ceremonies, respectively.

## What to watch for

- At one point in developing *The Book of Mormon* on Broadway, the writers thought about killing off Elder Price at the end of Act 1. However, that idea was quickly scrapped, as killing off the lead character wouldn't work in a musical comedy. 
- Robert Lopez, who wrote the music and lyrics, is the youngest EGOT (Emmy, Grammy, Oscar, Tony) winner in history. Robert Lopez received his second Tony for Best Score for *The Book of Mormon*, and at age 36, he won his fourth for Best Original Song for “Let It Go” from *Frozen*. He also became a double EGOT when he won his second Oscar for "Remember Me" from the Disney film *Coco*.
- Parker, Stone, and Lopez took a trip to Salt Lake City and spoke with real Mormon missionaries as research for the musical. They definitely said "Hello!"
- The song “All-American Prophet” used to be called “The Bible is a Trilogy." The original title is referenced in Elder Cunningham’s line “Wow, so the Bible is actually a trilogy, and the Book of Mormon is *Return of the Jedi*.”
- The Church of Jesus Christ of Latter-day Saints took out advertisements in the program with taglines like “You’ve seen the show, now read the book” and “The book is always better.”

__Audio Described / Captioned Performances__  
The theatre offers automated closed captioning and audio description via I-Caption or on your personal mobile device with the GalaPro App.

The Book of Mormon on Broadway [127] - TodayTix

The Book of Mormon on Broadway Tickets | New York | TodayTix

Say hello to the Tony Award-winning Best Musical by the creators of *South Park* and *Avenue Q*. The story of two Mormon missionaries who get more than they bargained for when sent to convert an African village has spread the good word on Broadway for more than a decade.

Jam-packed with satirical humor by South Park writers Trey Parker and Matt Stone, as well as Avenue Q writer Robert Lopez, The Book of Mormon on Broadway is a fast-paced, no-holds-barred production that will make you laugh like hell. Get The Book of Mormon tickets in New York now and see why audiences have joined the Broadway congregation since 2011.

## What is the *Book of Mormon* musical about?

*The Book of Mormon* is a musical about Elders Price and Cunningham, two Mormon missionaries sent to a remote village in Uganda to convert the locals. (It's a far cry from Orlando, Florida, where Elder Price hoped to be sent.) Poverty, injustice, and an oppressive warlord made the villagers lose faith in God long ago — but the elders are determined to succeed, even if it means bending the teachings of the holy book a little.

The Book of Mormon premiered directly on Broadway, unlike most musicals that play off Broadway or in a different city first. But the outrageous musical comedy immediately took Broadway and the rest of the world by storm when it opened at the <a href="/theatres/eugene-o-neill-theatre">Eugene O'Neill Theatre</a> in 2011. The New York Times hailed The Book of Mormon on Broadway as "the best musical of the century." The show went on to collect nine Tony Awards that year, including Best Musical. Original cast members <a href="/stars-on-stage/andrew-rannells">Andrew Rannells</a> and Josh Gad (Elder Price and Elder Cunningham, respectively) became instant Broadway favorites, and Nikki M. James picked up a Tony for starring as Nabulungi.

The musical's score is best known for its the signature introduction number, "Hello," where the Mormons greet the audience. Other fan favorites include the outrageous and infectious lament "Hasa Diga Eebowai," the show-stopping "Spooky Mormon Hell Dream," the smooth "Baptize Me," and the comedy anthem "I Believe."

The The Book of Mormon is known for its raunchy, irreverent humor, which is par for the course for its creators. Trey Parker and Matt Stone are best known for writing the adult animated TV show South Park, and Robert Lopez co-created the adult puppet musical Avenue Q. Lopez is also notable for being the youngest person in history to achieve EGOT status and the only person to win all four requisite awards — an Emmy, Grammy, Oscar, and Tony — more than once. In fact, he is one Oscar away from a triple EGOT.

The Book of Mormon features choreography and co-direction (alongside Parker) by Casey Nicholaw, known for helming other musical comedies including Something Rotten, The Producers, and The Prom.

## How long is *The Book of Mormon*?

*The Book of Mormon* runs 2 hours and 30 minutes, including an intermission.

Ascend to musical theatre heaven and get tickets to *The Book of Mormon* in New York now.

The Book of Mormon&nbsp;contains offensive language and adult themes that may be unsuitable for younger theatregoers.&nbsp;(Photos by Joan Marcus)

The Book of Mormon - NYC - New York Theatre Guide

Get tickets to The Book of Mormon on Broadway from the official New York Theatre Guide. Laugh out loud at this raucous musical comedy from South Park's creators.		

Book of Mormon Broadway Tickets | Official NY Theatre Guide

South Park creators Trey Parker and Matt Stone, and Oscar-winning Frozen and Avenue Q composer Bobby Lopez are a match made in heaven. The hilarious Broadway smash *The Book of Mormon* features the misadventures of two Mormon missionaries who go to wacky lengths to convert an African village. Get tickets to the nine-time Tony-winning Best Musical.

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