Unique & New in 2022

See theatre in new ways at these unique shows. 

Unique and New

Broadway COVID Protocol

The Little Prince on Broadway - NYC

TLP 3

The Little Prince on Broadway

The Broadway Theatre is one of only five playhouses situated directly on the street named Broadway. Designed by Eugene De Rosa, the building officially opened on December 25, 1924, as B. S. Moss’s Colony, a premier film house. The building underwent a series of name changes, including to Universal's Colony Theatre, B.S. Moss' Broadway Theatre, and Earl Carroll's Broadway Theatre.

The theatre was used for stage productions and was re-christened simply as the Broadway Theatre on December 30, 1930. The Shubert Organization purchased the property in 1939 and have since completed two renovations in 1956 and 1986. The theatre houses an extremely large stage at 60 feet deep.

## How to get to the Broadway Theatre in New York

The Broadway Theatre, located at 53rd Street and Broadway, is closest to the 50th Street subway stop on the 1 line. The nearest bus stop to the theatre is 7th Ave/W 53rd St. on the M7, M20, and M104 lines.

Broadway Theatre - NY

Broadway Theatre

Drunk Shakespeare

Drunk Shakespeare - NYC [152] 

[Poster] Drunk Shakespeare 152

The Ruby Theatre

Company XIV

Seven Sins Rush

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Company may offer programs whereby the Company would make available certain features of the Services when you share information about the Services through an SNS or click on the “Unlock without sharing” button in the Application. When you are considering purchasing a ticket for a specific show or after you purchase a ticket, if you select the “Share” button in the Application, Company will make available to you a personalized link to a Digital Property with text stating, for example, “Check out {show} on TodayTix! I’m thinking of going…” or something similar, which you may choose to share with your friends via SNS. Once you have shared the personalized link through an SNS using the Application or selected the “Unlock without sharing” button in the Application, Company will make available to you the RUSH feature, which will provide you with otherwise unavailable offers for tickets to live events occurring in the next week. The opportunity to take advantage of these offers is only available to users who share a personalized link to an SNS through the Application or select the “Unlock without sharing” button in the Application.

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Seven Sins by Company XIV - NYC  

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Seven Sins by Company XIV

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We all know how [*Seven Sins*](https://www.newyorktheatreguide.com/show/20950-seven-sins-tickets) will end. It's the legend of Adam and Eve: from the Garden of Eden they fell after the devil cajoled them into eating the forbidden fruit. But at the end of Company XIV's burlesque rendition of the tale, when the illusion of guiltless sin has shattered and Adam and Eve dance a disenchanted pas de deux in an empty Eden, it's tough to believe all the tantalizing displays of pleasure up to this point were a mere fantasy.

Because, of course, they aren't. These performers, their talents, and the glee derived from watching them are real. Company XIV has created a flourishing paradise in Brooklyn where the only sin is to resist its charms — or to not go at all.

The devil (played commandingly by Lexxe) is our emcee for the night, presenting all seven deadly sins as wondrous virtues. It's a marvel that it takes all seven to convince Adam and Eve, because the first number alone should do it. Red-hot lights and a sultry live cover of Frank Sinatra's "Bang Bang" bring wrath alive. The accompanying choreography isn't exactly rageful, but the dancers, led by Nicholas Katen, perform it with attack and make anger feel empowering.

That number is a personal favorite, but that doesn't mean the others are any less spectacular. Vanity erupts with a flurry of peacock-feathered dancers (costumes are by Zane Pihlström). A sensual belly dance signifies lust, and jealousy, greed, and sloth all get aerial numbers that fly between the stage and the audience.

The final sin, gluttony, offers a decadent feast for the eyes and ears, with Brandon Looney leading the full company in a bonkers song-dance-and-slapstick act that ends in a can-can and confetti. Pihlström's candy-colored costumes look good enough to eat — and if you got a VIP seat, your hunger will be satisfied with the appearance of your own not-so-forbidden fruit. (Snacks and beverages are on sale throughout, so everyone else can still indulge their inner glutton.)

Led by creator/director/choreographer Austin McCormick, Company XIV has put on burlesque variety shows since 2006. They've found their niche and tuned it to perfection. Even *Seven Sins* is on its second run after premiering last year, and it's running right across the street from the company's equally intoxicating [*Cocktail Magique*](https://www.newyorktheatreguide.com/reviews/cocktail-magique-off-broadway-review).

But what makes *Seven Sins* stand out in particular is its deliberate and gleeful queering of its source material. These characters aren't people so much as manifestations of desire, so their fantastical costumes don't so much live in between the masculine-feminine spectrum as fly off it altogether. Performers of all genders tease, tempt, and seduce Adam and Eve, and they're more than happy to give in.

The show may end on a somber note, in keeping with the ancient story, but the real takeaway from *Seven Sins* is that sometimes, what's considered sinful outside the theatre's four walls is actually worth indulging in — and unapologetically celebrating. Pleasure. Self-expression. Confidence. Beauty.

If that's a sin, then send me to hell — or at least to [Théâtre XIV](https://www.newyorktheatreguide.com/theatres/theatre-xiv).

[*Seven Sins* is at Théâtre XIV through August 19. Get *Seven Sins* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/20950-seven-sins-tickets)

*Photo credit: Lexxe as the Devil in Seven Sins by Company XIV. (Photo by Deneka Peniston)*

'Seven Sins' review — a night of not-so-guilty pleasures

Read our five-star review of *Seven Sins*, Company XIV's acclaimed burlesque variety show, which is playing a second season at Théâtre XIV through August 19.

Théâtre XIV is the home of Company XIV, known for its burlesque variety shows, including its annual holiday-themed production, Nutcracker Rouge. The Brooklyn venue is a 21+ establishment. It is an accessible venue; all seats in Row D are ADA compliant and wheelchair accessible.

The venue has a bar where audience members can purchase drinks and snacks themed to each show, and the actors in Company XIV's shows perform in front of, above, and among the audience during shows at the venue.

Across the street from Théâtre XIV is the Cocktail Magique Theatre, a separate venue that houses the company's show of the same name. All other Company XIV shows take place at Théâtre XIV.

## How to get to Théâtre XIV off Broadway

Théâtre XIV is closest to the Jefferson St. subway stop on the L line. The closest bus stop is Flushing Av./Wyckoff Av. on the B57 line.

Théâtre XIV - NYC

Théâtre XIV

Between the Lines

Between The Lines RUSH

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Company may offer programs whereby the Company would make available certain features of the Services when you share information about the Services through an SNS or click on the “Unlock without sharing” button in the Application.  When you are considering purchasing a ticket for a specific show or after you purchase a ticket, if you select the “Share” button in the Application, Company will make available to you a personalized link to a Digital Property with text stating, for example, “Check out {show} on TodayTix! I’m thinking of going…” or something similar, which you may choose to share with your friends via SNS.  Once you have shared the personalized link through an SNS using the Application or selected the “Unlock without sharing” button in the Application, Company will make available to you the RUSH feature, which will provide you with otherwise unavailable offers for tickets to live events. The opportunity to take advantage of these offers is only available to users who share a personalized link to an SNS through the Application or select the “Unlock without sharing” button in the Application.


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Between the Lines - NYC 

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BTL Poster

We've all heard the time-worn remark about leaving a show humming the scenery. After the final note of <a href="https://www.newyorktheatreguide.com/show/between-the-lines" target="_blank">Between the Lines</a>, a new musical about 17-year-old Delilah who escapes into books (in more ways than one), you're bound to exit buzzing about the projections.These show-stealing visual effects ingeniously depict what's happening in a children's fairytale also titled Between the Lines. Actors stand in for the illustrations on pages of the book thanks to stage magic and strategic lighting. It makes for surprising and delicious eye candy.Based on the 2012 young adult novel by the mother-and-daughter writing duo Jodi Picoult and Samantha van Leer, there's more to like about the show. That includes the top-notch company deftly assembled and guided by director Jeff Calhoun. Most of the actors play more than one role as the plot moves back and forth between two worlds.In one of them downcast Delilah (an outstanding Arielle Jacobs) yearns to rewrite reality. In the wake of her parents' divorce, she's dealing with her overburdened, under-attentive single mom (Julia Murney), student bullies, and odd-lot teachers and counselors.In the storybook universe Oliver (Jake David Smith), a prince with deep dimples and tight tights, chases a royal destiny that's been written for him that he'd like to edit. Delilah, who's fascinated with Between the Lines even if it's for kids, thinks he's "hot."Really? Turned on by an actual illustrated man? It gets weirder. Delilah discovers that when the book is open she and Ollie can talk to each other. A mutual attraction emerges, and complications ensue as she finds herself drawn into the book. Is it all in a lonely teen's head — or is it real? You decide.Elyssa Samsel and Kate Anderson's songs are easy to like, and Jacobs shines in various solos. Some of the best numbers belong to secondary and peripheral characters, including one in which mermaids Marina (Jerusha Cavazos), Ondine (Wren Rivera), and Kyrie (Vicki Lewis) deliver a wave of feminist-fueled straight talk.Another keeper is "Inner Thoughts." It slyly gets inside the minds of Delilah's nemesis, Allie (Hillary Fisher), who considers the burden of being a high school queen bee; Allie's pal Janice (Jarusha Cavazos), who muses about a same-sex crush; and teen techie Martin (Sean Stack), who reveals he's hacked into about the principal's email. Meanwhile, Allie's dopey boyfriend Ryan (Will Burton) is as empty-headed as he appears.Timothy McDonald's script could use tightening in act one, but it's also peppered with spicy one-liners. "If Allie was on fire, and I had a glass of water, I'd drink it," zings Delilah's almost-friend Jules (Rivera). Another finds the fairy tale Queen Maureen (Murney) and her Lady in Waiting (Lewis) trading insults. "Spinster." "Wench." "Lush." The royal gets the last word with a withering, "Supporting character."For all of the show's charms and pleasures, there's a nagging haze of familiarity hanging over it. Characters and situations conjure up everything from <a href="https://www.newyorktheatreguide.com/show/mean-girls" target="_blank">Mean Girls</a> and <a href="https://www.newyorktheatreguide.com/show/dear-evan-hansen" target="_blank">Dear Evan Hansen</a> to Matilda and <a href="https://www.newyorktheatreguide.com/show/into-the-woods" target="_blank">Into the Woods</a>.Beyond the derivative echoes, the production shines. In addition to Caite Hevner's cheer-worthy projections, Tobin Ost's book-lined set features secret doors and compartments that transform before your eyes into rooftops and upright pianos. Gregg Barnes's vibrant fairytale costumes pop like gems in a jewelry box.Likely to appeal to young audiences, Between the Lines ultimately is a celebration of the surprising and even game-changing payoffs of reading. That's a message that hits the right note.<a href="https://www.newyorktheatreguide.com/show/between-the-lines" target="_blank">Between the Lines is at the Tony Kiser Theater through October 2. Get tickets to Between the Lines on New York Theatre Guide.</a>Photo credit:&nbsp;Jake David Smith and&nbsp;Arielle Jacobs in Between The Lines. (Photo by Matthew Murphy)

'Between the Lines' review — Jodi Picoult's novel makes for a surprising and celebratory musical

Between the Lines is at the Tony Kiser Theater through October 2. Get tickets to Between the Lines on New York Theatre Guide.

Between the Lines Review | New York Theatre Guide

The nonprofit company Second Stage Theater was founded in 1979 to produce “second stagings” of contemporary American plays by living playwrights. Second Stage Theater now also presents world premieres, musicals, and solo performances.

The 296-seat Tony Kiser Theater is Second Stage’s main Off-Broadway venue. The company also presents Off-Broadway shows in the [McGinn/Cazale Theater](https://www.newyorktheatreguide.com/theatres/mcginncazale-theater) during the summer, and it owns and operates the [Hayes Theater](https://www.newyorktheatreguide.com/theatres/hayes-theater) on Broadway.

## How to get to the Tony Kiser Theater off Broadway

The Tony Kiser Theater is closest to the 42nd St. - Port Authority Bus Terminal subway stop on the A, C, and E lines. The closest bus stop is 8 Av./W 43 St. on the M20 and M104 lines.

## Restaurants near the Tony Kiser Theater

Popular restaurants near the Tony Kiser Theater include Peachy Keen (American), Nizza (Italian), Marseille (French), and Five Napkin Burger (American).

Second Stage Theater - Tony Kiser Theater - NY

Tony Kiser Theater

The Rose Room Speakeasy - NYC

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The Rose Room Speakeasy

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The Rose Room Club at The Producers Lounge

New Ohio Theatre

Jane Anger - NYC

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Jane Anger

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Symphony Space - YES VAX

Molly Shannon: Hello, Molly! - NYC

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Symphony Space

Park Avenue Covid Protocol

Upload - NYC

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The Park Avenue Armory is also known as the Seventh Regiment Armory and is a National Guard Armory building. The New York State’s Seventh Regiment of the National Guard, a volunteer militia, built Park Avenue Armory in 1861.

Shows at Park Avenue Armory blend visual art exhibitions and the performing arts in its unique space. The first production at Park Avenue Armory was in 2007 — artist Aaron Young choreographed 12 motorcycles to create a painting. In recent years, the venue has hosted celebrated New York premieres including the Tony Award-winning *The Lehman Trilogy*.

## How to get to the Park Avenue Armory off Broadway

The Park Avenue Armory is closest to the 68th St. - Hunter College subway stop on the 6 line. The closest bus stops are E 68 St./Lexington Av. and Madison Av./68th St. on the M66 line, and Lexington Av./E 70 St. on the M101, M102, and M103 lines.

## Restaurants near Park Avenue Armory

Popular restaurants near Park Avenue Armory include The East Pole (American), Alice's Tea Cup, Chapter 2 (tea and sandwiches), Match 65 Brasserie (French), Daniel (French), and Bar Italia (Italian).

[Learn more about the Armory's history, nearby attractions, famous productions, and more.](https://www.newyorktheatreguide.com/theatre-news/news/park-avenue-armory-guide-everything-to-know-about-the-upper-east-side-theatre)

## Park Avenue Armory hours

Park Avenue Armory hours vary. The Armory is open during the hours when artistic programming — a show, an art exhibition, etc. — is taking place. Check the venue's website for a full list of events and their dates and start times.

Park Avenue Armory - NYC

Park Avenue Armory

Sleep No More

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The McKittrick Hotel is an event space located in Manhattan's Chelsea neighborhood. The space was first home to nightclubs and later warehouses, but the immersive theatre company Punchdrunk bought the space in 2011 and refashioned it to resemble a hotel for its show *Sleep No More*, which runs there today. The company also created a fictional backstory for the McKittrick: It was a luxury hotel built in the 1930s, got shuttered just before opening, and went unused for decades until *Sleep No More* arrived.

The McKittrick is named for a fictional hotel in the Alfred Hitchcock movie *Vertigo*. The venue houses a restaurant, the Gallow Green; a bar, the Manderley; and a lounge and performance space, the Club Car.

## How to get to the McKittrick Hotel off Broadway

The McKittrick Hotel is closest to the 28th Street Station on the 1 line and the 34th Street - Hudson Yards station on the 7 line. The closest bus stops are 10 Av./West 27 St. on the M11 line and 11 Av./W 26 St. on the M12 line.

## Where is *Sleep No More* playing?

*Sleep No More* is playing at the McKittrick Hotel, which was fashioned in a 1930s style specifically for the show. *Sleep No More* is an immersive retelling of Shakespeare's *Macbeth* with an Alfred Hitchcock-style noir design, and audiences freely explore the building and interact with the actors as they perform.

The McKittrick Hotel is also home to Speakeasy Magick, a 21+ magic show at the Club Car lounge, and a rotating lineup of other limited-run events.

The McKittrick Hotel - NYC

The McKittrick Hotel

Bubble lovers of all ages are delighted with an unbubblievable experience, awashed with a bubble tide, and perhaps even find themselves inside a bubble. (2+)

New World Stages

Gazillion Bubble Show [13514]

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Gazillion Bubble Show

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Located beneath the Worldwide Plaza between Times Square and Hell’s Kitchen, New World Stages is a modern performing arts complex with five theatres for Off-Broadway productions.

The building was constructed in 1994 on the site of the third Madison Square Garden. It first opened as a Loews Cineplex Entertainment multiplex cinema, which closed in 2001.

For the next three years, the building underwent substantial renovations and finally reopened as Dodger Stages in 2004, designed by architects Beyer, Blinder, and Belle. The theatre complex was renamed New World Stages on March 16, 2006, and Stage Entertainment assumed sole ownership of the property. The Shubert Organization took over ownership and operation on November 17, 2017.

All five spaces have between 100 and 500 seats, officially deeming New World Stages an Off-Broadway venue. Stage 1 and Stage 3 are the largest theatres in the complex with 499 seats. Stages 2 and 4 offer a 350-seat capacity. Stage 5 is the smallest venue with 199 seats. The Green Room is the official bar and lounge for New World Stages, but it can also be a performance space.

## How to get to New World Stages off Broadway

New World Stages is closest to the 50th St. subway stop on the C and E lines. The nearest bus stop is 9 Av./W 50 St. on the M11 line.

## Where is *The Play That Goes Wrong* playing?

*The Play That Goes Wrong* is at New World Stages' Stage 4. The comedy play made its Broadway debut in 2017, and after running there for two years, it transferred off Broadway.

Previous productions that enjoyed long Off-Broadway runs at New World Stages after closing on Broadway are *Jersey Boys* and *Avenue Q*.

New World Stages - NYC

New. Victory Theatre

Air Play - NYC

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Air Play

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The New Victory Theater

The Patsy Rush

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Company may offer programs whereby the Company would make available certain features of the Services when you share information about the Services through an SNS or click on the “Unlock without sharing” button in the Application.  When you are considering purchasing a ticket for a specific show or after you purchase a ticket, if you select the “Share” button in the Application, Company will make available to you a personalized link to a Digital Property with text stating, for example, “Check out {show} on TodayTix! I’m thinking of going…” or something similar, which you may choose to share with your friends via SNS.  Once you have shared the personalized link through an SNS using the Application or selected the “Unlock without sharing” button in the Application, Company will make available to you the RUSH feature, which will provide you with otherwise unavailable offers for tickets to live events occurring in the next week. The opportunity to take advantage of these offers is only available to users who share a personalized link to an SNS through the Application or select the “Unlock without sharing” button in the Application.


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The Patsy - NYC 

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The Patsy

Abrons Arts Center, Playhouse Theater

Off Broadway Covid Protocol Update as of 2/1 - Fully vaccinated

Debate: Baldwin vs Buckley - NYC

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Debate: Baldwin vs Buckley

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ART/NY Great Room South Oxford Space

Help Rush

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Company may offer programs whereby the Company would make available certain features of the Services when you share information about the Services through an SNS or click on the “Unlock without sharing” button in the Application.  When you are considering purchasing a ticket for a specific show or after you purchase a ticket, if you select the “Share” button in the Application, Company will make available to you a personalized link to a Digital Property with text stating, for example, “Check out {show} on TodayTix! I’m thinking of going…” or something similar, which you may choose to share with your friends via SNS.  Once you have shared the personalized link through an SNS using the Application or selected the “Unlock without sharing” button in the Application, Company will make available to you the RUSH feature, which will provide you with otherwise unavailable offers for tickets to live events occurring in the next week.  The opportunity to take advantage of these offers is only available to users who share a personalized link to an SNS through the Application or select the “Unlock without sharing” button in the Application.


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Help - NYC 

22 TODAYTIX HELP 1600x1200

Help

If there was ever a show that speaks to the current moment, it's <a href="https://www.newyorktheatreguide.com/show/help" target="_blank">Help</a>. Or perhaps speaking the current moment is a better phrasing. It's almost uncanny that Claudia Rankine first premiered the very urgent&nbsp;Help&nbsp;at <a href="https://www.newyorktheatreguide.com/theatres/the-shed" target="_blank">The Shed</a> in 2020, before history's most seismic racial reckoning erupted across the U.S. and the world. The show feels very much like a product of that reckoning, not least of all because real-life political moments feature heavily in the script. They're as recent as Ketanji Brown Jackson's Supreme Court nomination and Senate Minority Leader Mitch McConnell's differentiation between "African American" and "American" voters at a January press conference.Then again, Help's premiere date shouldn't be a shock. Just because&nbsp;call to actions to dismantle whiteness made national headlines in 2020 doesn't mean that people, especially Black people, haven't made these calls long before. This is evidenced by the original genesis of the play: Rankine's pre-pandemic conversations with white men about the privilege they hold, first made into a <a href="https://www.nytimes.com/2019/07/17/magazine/white-men-privilege.html" target="_blank">New York Times Magazine article</a>. Most of these conversations took place in airports and on planes, replicated on stage in Mimi Lien's set. (Its stark whiteness is surely not an accident.)Many of Rankine's&nbsp;lines — narrated by a charismatic yet mission-driven April Matthis, representative of Black women, in direct audience address — are pulled verbatim from her article, too, right down to the play's title. Rankine astutely wrote about whiteness there, not as a skin color, but a learned mindset. Whiteness, she explains, makes people see themselves as the default, with an inalienable right to take up space and power, unquestioned, at the expense of all others.&nbsp;(It's the system that likely allows me, a white critic, for example, to review a show centered on a Black woman's experience without people dismissing my credibility out of hand.)Help retains this thesis and&nbsp;expertly expands upon it. Within 90 minutes, "help" transforms from a knowing, sarcastic utterance (as in "Spare me from these people's ignorance") to a dire call, and her timeless observations on the pervasiveness of whiteness become time-sensitive. Not just for Rankine, or Matthis, or Black women, but everyone. She explains, with statistics and stylized movement (performed by the 11-person white ensemble behind her), that alongside Black people getting killed, incarcerated, and targeted are white men committing suicide at the highest rates. It's all for the same reason, Matthis says, steely but sorrowful: "Whiteness is worth dying for."That line is the core of&nbsp;Help.&nbsp;It's empathetic without being unduly soft on the ugliness of whiteness and those who perpetuate it. Lest you think that, you can look to Taibi Magar and Shamel Pitts's fluid direction and choreography, respectively, that seamlessly blend Rankine's airplane conversations (some more open to discussions of privilege than others) with one-off quotes from white political leaders with full-on reenactments of the January 6 insurrection and the police diversity workshop in which a female captain was verbally attacked for calling out "white male privilege." "If white women can get reprimanded for calling out the system of white male privilege, I should be more terrified than I am of my neighbors, colleagues, and seatmates," Matthis notes after that scene; the staging physicalizes the links between small and large acts of whiteness Rankine writes about.Every element of&nbsp;Help&nbsp;coheres to create something you can't look away from. (Of course, that's the mark of any great theatre.) You can change the news channel, you can avoid difficult conversations, but you can't escape being in what Matthis calls "the hold" while at the show. The hold of history, of accountability, and hopefully of change, which looks a lot like an airport terminal. Fasten your seatbelts.<a href="https://www.newyorktheatreguide.com/show/help" target="_blank">Help&nbsp;is at The Shed through April 10. Get&nbsp;Help&nbsp;tickets on New York Theatre Guide.</a>Photo credit: April Matthis and the cast of Help. (Photo by Kate Glicksberg, courtesy of The Shed)

'Help' review — timely, timeless, and time-sensitive

Help is at The Shed through April 10. Get Help tickets on New York Theatre Guide.

Help Off-Broadway Review | New York Theatre Guide

The Shed is a multipurpose arts space located in the Hudson Yards area of Manhattan. Since the venue opened on April 5, 2019, it has showcased a wide range of theatrical performances, visual art displays, and other pop culture-centered events.

The complex includes the 500-seat Griffin Theatre and two levels of exhibition space. A retractable shell built into the architecture creates The McCourt, a space for large-scale shows, installations, and events. The building was commissioned as part of the creation of the Hudson Yards area at large, which has been designated for cultural use.

## How to get to The Shed off Broadway

The Shed is closest to the 34th Street - Hudson Yards subway stop on the 7 line. The closest bus stops are 11 Av./W 29 St. on the M12 line and 10 Av./ W 30 St. on the M11 line.

## Restaurants near The Shed

The Shed has an in-house bar and eatery called Cedric's, which serves drinks and bites in the venue's lobby. Other popular restaurants near The Shed in NYC include Mercado Little Spain, Jib's (seafood), and Kahlo (Mexican). Near The Shed in the Hudson Yards complex is also a shopping center with multiple eateries inside.

The Shed - NY

The Shed

Hart Island - NYC

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Hart Island

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The Gym at Judson

Irish Art Center

Mufutau Yusuf: Òwe - NYC

Mufutau 3

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Irish Arts Center

Distorted Diznee

Distorted Diznee - NYC

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The Laurie Beechman Theatre - NY

The Laurie Beechman Theatre

NT Live: Follies - NYC

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NT Live: Follies

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Green-wood Cemetery

Hanami Festival - NYC

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Hanami Festival

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The Green-Wood Cemetery

André & Dorine - NYC

André & Dorine

Theatre at St. Clement's - NY

Theatre at St. Clement's

That Golden Girls Show! A Puppet Parody

Golden Girls Rush

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Company may offer programs whereby the Company would make available certain features of the Services when you share information about the Services through an SNS or click on the “Unlock without sharing” button in the Application.  When you are considering purchasing a ticket for a specific show or after you purchase a ticket, if you select the “Share” button in the Application, Company will make available to you a personalized link to a Digital Property with text stating, for example, “Check out {show} on TodayTix! I’m thinking of going…” or something similar, which you may choose to share with your friends via SNS.  Once you have shared the personalized link through an SNS using the Application or selected the “Unlock without sharing” button in the Application, Company will make available to you the RUSH feature, which will provide you with otherwise unavailable offers for tickets to live events occurring in the next week.  The opportunity to take advantage of these offers is only available to users who share a personalized link to an SNS through the Application or select the “Unlock without sharing” button in the Application.

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That Golden Girls Show! A Puppet Parody - NYC

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The Theatre Row building houses six small theatres. Theatre Three, formerly the Acorn Theatre, is the largest with a capacity of 199 seats. Theatre Two (formerly the Kirk Theatre, named after Manhattan Plaza developer Rodney Kirk), Theatre Four (formerly the Beckett Theatre, named after acclaimed playwright Samuel Beckett), and Theatre Five (formerly the Clurman Theatre, named after Henry Clurman), each have a capacity of 99 seats.

The complex also contains two smaller venues: Theatre One (formerly the Lion Theatre, named after former residents The Lion Theatre Company), which holds 88 seats, and the Studio Theatre, with a 55-seat capacity.

Theatre Row is home to a small variety of Off-Broadway production companies including The Keen Company, TACT (The Actors Company Theatre), and The Mint Theater Company.

Theatre Row is also the name of the block the building sits on, that of 42nd Street between Ninth and 10th Avenues. It was so named because of the plethora of theatres that line the street. Playwrights Horizons, the Pershing Square Signature Center, and Stage 42 all neighbor the Theatre Row building.

## How to get to Theatre Row off Broadway

Theatre Row is closest to the 42nd St. - Port Authority subway stop on the A, C, and E lines. The closest bus stop is 9th Av./W 42nd St. on the M11 line.

Theatre Row - NY

Theatre Row

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