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What We Did Before Our Moth Days - NYC [45208]

What We Did Before Our Moth Days

Ages 5+. Children under 4 years old will not be admitted.

Rob Lake Magic with Special Guests The Muppets on Broadway - NYC [45066]

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Liberation on Broadway - NYC [38588]

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NY - TT - Book of Mormon Homepage Lead

Ages 13+. Parental advisory: this show contains explicit language. Children under 5 are not allowed in the theatre.

The Book of Mormon on Broadway - NYC [127]

The Book of Mormon on Broadway

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The Book of Mormon on Broadway [127] Product Media

An old friend of mine turned Mormon on me a few years ago to the extent that I no longer know who this woman is. I felt like I was watching a perfectly intelligent person be kidnapped by people who believe that God lives on a planet called Kolob, an angel called Moroni delivered golden tablets to Joseph Smith in upstate New York that are the secret basis for this religion, and oh yeah — there is the hair shirt thing. So it was with some trepidation that I saw this show. Even though everyone has been raving about it, I was still cautious.

The good news is that this production bowls you over. You don't have a chance to not like it because it, like the Mormons it depicts, is positive that something good will happen if you just hang around for awhile. And the message is that, in the words of Dr. Seuss, "We are all a little weird, and life's a little weird, and when we find someone whose weirdness is compatible with ours, we join up with them and fall in mutual weirdness and call it love."

Two little Mormon missionaries - are they all white men? - are paired up together and sent to Uganda. Elder Price (Andrew Rannells), who could be the Ken to anyone's Barbie, was hoping for Orlando. Elder Cunningham (Josh Gad) is a sad sack grateful to be chosen for anything at all. Disappointment and enthusiasm are thus bound together and shipped east, way east.

Upon their arrival they meet villagers who are suffering from AIDS, drought, disease, and dictators. The villagers teach the two missionaries their favorite uplifting song, "Hasa Diga Eebowai." As life batters them in the head over and over again, it is this song that keeps them going. Price and Cunningham join in with that old-fashioned Mormon enthusiasm, only to find out that this song means, "F--k you, God." Welcome to the world, boys.

At missionary HQ they meet a randy bunch of also white boys led by Elder McKinley (Rory O'Malley) who have nothing to show for their time in Uganda - no Baptisms, no nothin'. But they do have one thing: their own musical theme song to aid them in times of question and doubt. "Turn It Off" - as in, turn off anything that means questioning the Mormon path: thoughts of homosexuality, memories of abuse, guilt of any kind. Welcome to another world, boys.

What follows is a love story where Price and Cunningham have to find their own paths without the other's help. Price tries to flee his fate while Cunningham deals fast and loose with his proselytizing. On the other side of the story, the villagers are caught between swallowing the Book of Mormon (the Third Testament of the Bible) as told by Cunningham, and making it through another day without being killed or having a clitoridectomy.

As a matter of fact, the clitoris is a focal point of this story and is mentioned, oh, about 30 times as a point of focus in Uganda. Here girls are raped and then circumcised (read: genital mutilation) to keep them from getting any ideas or pleasure for the rest of their lives. This subject is bandied about like a beach ball throughout the show along with child rape, frog rape, AIDS, maggot infestation, Spooky Mormon Hell, and Jesus. It is mentioned just enough to get people's attention, but I hope not so much that it will be dismissed as incidental or worse, a myth.

In the end everyone here is gullible and worthy of a dope-slap. From the Mormons to General Butt F--king Naked (Brian Tyree Henry) to the young woman Nabulungi (Nikki M. James), whose name Cunningham never gets right in a running joke that somehow works every time. The Mormons will figure out an answer to any argument. The General would rather kill than argue and wants everything and everyone to belong — to him. Nabulungi — kind of like the Little Mermaid — wants to get out of Dodge and go to Salt Lake City ("Sal Tlay Ka Siti"). Like the rest of us, the gal just wants to belong, period.

Ain't no one or nothing safe in *The Book of Mormon*, least of all the audience. This show makes you realize that when you are pointing one finger to make fun of someone, there are three fingers pointed back at you. And this news is delivered with a smile — a real one. Parker, Lopez, and Stone have a laser beam precision with the aim of a 10-year-old boy just discovering he can write his name in the snow when he pees. You don't know whether to laugh at the boy's delight or duck and cover. No matter. Either way, you're going to get some on you.

(Photo by Joan Marcus)<hr />"A newborn, old-fashioned, pleasure-giving musical has arrived." Ben Brantley for New York Times"The show is blissfully original, irreverent, outspoken and hilarious. And all that's tucked inside good -- no, great -- old-fashioned musical." Joe Dziemianowicz for New York Daily News"It's a fiendishly well-crafted, hilariously smart — or maybe smartly hilarious — song-and-dance extravaganza. The show's a hoot. The show's a hit." Elisabeth Vincentelli for New York Post"Like several shows this season, "Book of Mormon" is too long and comes close to wearing out its welcome before redeeming itself with a strong second act. And like most 12-year-old-boys, it isn't nearly as nasty as it would have us believe. Not that there's anything wrong with that." Jeremy Gerald for Bloomberg"Manages to combine outrageous parody, solid storytelling, and sympathetic yet goofy characters." David Sheward for Back Stage"One of the most purely enjoyable musicals in years." Robert Feldberg for The Record"Brilliantly original, hysterically funny and tunefully irresistible." Roma Torre for NY1"In a season of tuners mostly derived from old movies, stories and songs, it's a gold-plated Broadway miracle to encounter something so new and audaciously fresh in every respect of the word." Michael Sommers for Newsroom Jersey"The defining quality of this hugely entertaining show is its sweetness... One of the freshest original musicals in recent memory. It has tuneful songs, clever lyrics, winning characters, explosive laughs and disarmingly intimate moments." David Rooney for Hollywood Reporter"Every song enhances the hilarity, expert staging heightens every gag, and the cast of fresh faces is blissfully good... Approaches musical-comedy Rapture" Steven Suskin for VarietyExternal links to full reviews from popular press...<a href="http://theater.nytimes.com/2011/03/25/theater/reviews/the-book-of-mormon-at-eugene-oneill-theater-review.html" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/arts/2011/03/25/2011-03-25_book_of_mormon_review_south_park_team_matt_stone_and_trey_parker_produce_heavenl.html" target="Top">New York Daily News</a> - <a href="http://www.nypost.com/p/entertainment/theater/mormon_conquest_twlCrNAUI2E2z4l2tOqAWM" target="Top">New York Post</a> - <a href="http://www.bloomberg.com/news/2011-03-25/raunchy-book-of-mormon-spoofs-missionaries-lion-king-jeremy-gerard.html" target="Top">Bloomberg</a> - <a href="http://www.backstage.com/bso/content_display/reviews/ny-theatre-reviews/e3i5369f68f9c4d1e2f03b5f235adbbccc8" target="Top">Back Stage</a> - <a href="http://www.northjersey.com/arts_entertainment/theater/118635044_The_gods_mustbe_laughing.html" target="top">The Record</a> - <a href="http://www.newjerseynewsroom.com/movies/review-south-park-makers-open-the-book-of-mormon" target="Top">Newsroom Jersey</a> - <a href="http://www.hollywoodreporter.com/review/book-mormon-theater-review-171210" target="Top">Hollywood Reporter</a> - <a href="http://www.variety.com/review/VE1117944886" target="Top">Variety</a>

'The Book of Mormon' review

Read our five-star review of *The Book of Mormon* on Broadway at the Eugene O'Neill Theatre.

The Eugene O'Neill Theatre is one of the most prestigious and renowned performance venues in New York City. From its inauguration in 1925, it has been home to countless mesmerizing performances and continues to be a hub of creativity and artistry. The Theatre is conveniently located in the bustling heart of the city, nestled among an ensemble of iconic hotspots that fashion the city's distinctive cultural milieu. With a seating capacity of about 1,100, this playhouse exudes an intimate and one-of-a-kind atmosphere, ensuring an immersive and memorable experience for every patron. Over the years, the theatre has staged various Box Office hits including the award-winning musical ‘Book of Mormon.' The palatial interiors and the breathtaking architectural genius is a sight to behold — a testament to the grandeur of the Broadway epoch. The theatre is also recognized for its excellent acoustics, comfortable seating, and top-tier amenities that elevate the overall customer experience. Its experienced staff provides courteous and efficient service, ensuring an all-rounded, enjoyable outing for theatre-goers. ## Getting to Eugene O'Neill Theatre: The theatre is accessible by various modes of transportation. Subway services 1,2,3,7,N,Q,R,W are the closest stop - Times Square-42nd Street. If arriving by bus, services M7, M20, M104 drop off at W 46 St/7 Av. There is parking available near the theatre for those who prefer to drive. Do check the traffic and parking situation online before you embark on your journey.

Eugene O’Neill Theatre - NY

Eugene O’Neill Theatre

The Eugene O'Neill Theatre is a prestigious venue in New York known for its iconic performances and intimate atmosphere.

NY - TT - MJ Homepage Lead

Ages 8+. Children under 4 are not permitted. 

MJ The Musical on Broadway - NYC [23379]

MJ The Musical on Broadway

MJ The Musical on Broadway [23379] Product Media

Michael Jackson, one of the most beloved and influential musicians of all time, chased perfection his entire existence. It's unfortunate he is not alive to witness the flawless production of <a href="https://www.newyorktheatreguide.com/show/mj-the-musical" target="_blank">MJ the Musical</a>, a model biographical musical now open at the <a href="https://www.newyorktheatreguide.com/theatres/neil-simon-theatre" target="_blank">Neil Simon Theatre</a> on Broadway.Under the exemplary direction and choreography of Christopher Wheeldon, the production gives context to Jackson's inherited demons and zooms in on his daunting creative process and peerless genius. MJ is the platinum standard the often uninspired, generic jukebox musical could benefit to emulate.&nbsp;The musical doesn't tell his full life story. The book by two-time Pulitzer Prize-winning playwright Lynn Nottage narrows in on Jackson's Dangerous Tour rehearsals in 1992 — well before allegations of child molestation charges against Jackson arose. With the Jackson estate on the production team, Nottage has fixed this musical's lens on the stories the artist told through his music. Jackson's troubled childhood, pain, and loneliness fueled creativity and inspired the lyrics he wrote.Nottage's brilliant book gives the character of Jackson depth, and Myles Frost (who plays the eldest of three MJs who share the role) embodies the musician's complex persona. With every "hee-hee" and pelvic thrust, one can almost forget they're not seeing the King of Pop before their eyes. It's not easy to sing a Jackson song or move with the late star's precision, flexibility, and finesse. Many American Idol auditions have proven this true. But here, Frost has immersed himself into the spirit of Michael Jackson, producing distinct parallels to the icon's childlike behavior, restlessness, and paranoia.Frost gives this show not only his divine voice, but also a nuanced performance that humanizes the flawed superstar. In fact, all three generations of MJ exceed expectations. Little Michael (a talented Christian Wilson at the performance I saw) and young adult Michael (a fierce Tavon Olds-Sample) work together in seamless transitions to tell the full story of Jackson's early years.Both Quentin Earl Darrington (Once On This Island), and Ayana George (Broadway debut), who play Joe and Katherine Jackson, respectively, give powerhouse vocal performances. George especially shines during "I'll Be There," an affectionate duet with Little Michael. Though one can read Katherine as an enabler to Joe's rampant physical and emotional abuse, this number gives a tender softness to her love and vowed protection of Jackson.&nbsp;Darrington also plays Rob, Jackson's trusted tour manager. The smooth and swift changes between a man Jackson fears and a man he trusts give scene transitions delicate density.Musical numbers like "They Don't Really Care About Us," "Human Nature," "Stranger in Moscow," and "Thriller" are the show's highlight reels. The numbers are filled with Wheeldon's masterful choreography, blending modern dance, Jackson's iconic moves from the 90s, and deep, soul-stirring storytelling of the artist's triumphs and tribulations. The dance ensemble delivers paramount performances that leave an imprint on the memory. This team is a true tour-de-force.In the audience, some longtime fans sang along and cried, others who never experienced Jackson live remained mesmerized, and even a few skeptics cheered thunderously. They'd gasped loudly every time Frost changed a jacket or put on the iconic bedazzled glove.Paul Tazewell's magnificent costume design carries the cast through the MJ timeline seamlessly. A killer set by Derek McLane, amplified by gorgeous lighting by Natasha Katz, gives the show a visual beauty that makes it hard to look away.While Jackson's story is flawed, it's too complicated for anyone who hasn't danced in his shoes. MJ The Musical, however, is the perfect salutation to the life of an imperfect but gifted icon.<a href="https://www.newyorktheatreguide.com/show/mj-the-musical" target="_blank">MJ The Musical is at the Neil Simon Theatre. MJ The Musical tickets will be available on New York Theatre Guide soon.</a>Photo credit: Myles Frost and the company of MJ The Musical. (Photo by Matthew Murphy)

'MJ The Musical' review — a flawless tribute to a flawed icon

MJ The Musical is at the Neil Simon Theatre. MJ The Musical tickets will be available on New York Theatre Guide soon.

MJ The Musical Review | New York Theatre Guide

The **Neil Simon Theatre** has a rich history in the heart of New York City's world-renown Broadway district. Built in 1927 as the Alvin Theatre, it was renamed after Pulitzer Prize-winning playwright Neil Simon in 1983.

The 1,445-seat venue has staged numerous high-profile and highly successful productions during its lifetime, with a variety of plays and musicals that appeal to all tastes. Its opulent interior architecture, complete with its lavish lobby and grand staircase, create a truly regal atmosphere that matches the quality of the performances on stage.

Getting to the Neil Simon Theatre is a breeze as it is located at 250 West 52nd Street. It is easily accessible via public transport with a number of metro stations, including the 49th Street Station (N, Q, R, and W lines), and the 50th Street Station (1 line) a short walk away.

If you're arriving by car, there are numerous public parking facilities nearby, such as the Icon Parking, which is just around the corner from the theatre. Regardless of how you choose to travel, arriving at the Neil Simon Theatre promises the start of an unforgettable Broadway experience.

Neil Simon Theatre - NY

Neil Simon Theatre

The Neil Simon Theatre, a 1,445-seat venue in New York's Broadway district, offers easily accessible transport and unforgettable Broadway experiences.

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NY - TT - Little Bear Ridge Road - Homepage Lead

Little Bear Ridge Road on Broadway - NYC [44791]

Little Bear Ridge Road on Broadway

Little Bear Ridge Road - NYC [44791]

The Booth Theatre, named in honor of the legendary 19th-century actor Edwin Booth, is a historical theater venue in New York City, specifically located in the heart of the theatre district on Broadway. It was first opened on October 16, 1913. This venue loves to exhibit plays and has been home to a string of widely acclaimed productions since its establishment. It is known for its intimate setting, having only 766 seats distributed between the orchestra and mezzanine levels. The interior is beautifully ornamented, showcasing Italian Renaissance detailing and a warm, old-world atmosphere. The Booth Theatre is currently owned by the Shubert Organization. Over the years, it has housed multiple award-winning plays such as 'Sunday in the Park with George', 'Next to Normal', and 'The Elephant Man'. 

**How to get there:** The Booth Theater is located at 222 West 45th Street, between 7th and 8th Avenues. It is easily accessible by public transit. For subway riders, it is close to the Times Square-42nd Street station, where the 1, 2, 3, 7, N, Q, R, W, and S trains stop. It is possible to park your car in a nearby garage but remember that the theatre district can be quite busy, especially during show hours.

Booth Theatre - NY

Booth Theatre

The Booth Theatre is a historically significant venue in New York's theatre district known for showcasing acclaimed plays and having an intimate setting.

NY - TT - Harry Potter and the Cursed Child - Homepage Lead

Ages 8+. Under 15s must be accompanied by an adult. Children under 5 are not permitted in the theatre.

Harry Potter and the Cursed Child on Broadway - NYC [13709]

Harry Potter and the Cursed Child on Broadway

Harry Potter and the Cursed Child on Broadway - 13709 - NYC Product Media 

Today I've got magic on my mind.&nbsp;The Harry Potter kind.&nbsp;Apparently so does the rest of the world.&nbsp;After seeing this spectacular&nbsp;<a href="/show/harry-potter-and-the-cursed-child">Harry Potter and the Cursed Child</a>&nbsp;I decided to borrow a book&nbsp;from the Library.&nbsp;I have NEVER seen a book available in so many languages.&nbsp;Some of which I don't even recognize.&nbsp;But who can blame them? Don't we all want to take a couple&nbsp;of classes at Hogwarts?&nbsp;Perhaps they have some adult education offerings.&nbsp;And about the owls.&nbsp;Henceforth I want all my mail delivered by a feathered messenger.&nbsp;In addition, I got my eye on a fetching fluffy white owl just like Harry's. (Apparently there were real owls in the London production until one of them took a left turn when it should have taken a right.&nbsp;Off into the audience it flew.)&nbsp;I want IN.J.K. Rowling's writing is masterful.&nbsp;Even though this play was written by Jack Thorne, it has her finger prints all over it.&nbsp;Under the spectacular direction of John Tiffany we are included, indeed, we are beckoned, into the world of witches.&nbsp;As observers only, of course, but that is almost enough.The story is richly layered, like all Rowling tales. The grown-up Harry Potter (Jamie Parker) is married to Ginny Weasley (Poppy Miller) and still friends with the entire Weasely clan because Ron (Paul Thornley) finally got his act together and married Hermione (Noma Dumezweni).&nbsp;Both Harry and Hermione work at the Ministry for Magic (the same one that threatened to topple Dumbledore years back).&nbsp;Today they are seeing their children off to Hogwarts.&nbsp;Albus Potter (Sam Clemmett) and Rose Granger-Weasley (Susan Heyward) are first year students.&nbsp;Rose, being Hermione's daughter, is thrilled and full of all the possibilities that lie ahead - like picking the right friends immediately.&nbsp;She relishes the idea that because of her mother she is already someone.Albus on the other hand is having a not-so-good-very-bad-day.&nbsp;Just the idea of Hogwarts overwhelms Albus.&nbsp;He does not want to be the "Son of Harry Potter."&nbsp;He does not want to be anything except a hormone filled boy with a wand that should really be licensed.&nbsp;Instead, he stumbles upon another misfit, Scorpius Malfoy (Anthony Boyle).&nbsp;Together they become a team of two misfits.&nbsp;And decide to take the past into their hands.If certain events in the past are just tweaked, they reason, then the present would be in much better shape.&nbsp;Lives would be saved, etc., etc.What they don't count on is ye olde pebble tossed in the lake routine.&nbsp;One event leads to another and pretty soon everything is ass over teakettle with the Dark Lord on the loose and aimed directly at the two mischief makers.There are some serious twists and turns, of course.&nbsp;But these are almost unnoticeable in the face of the special effects that are on display for our enjoyment.&nbsp;These are not the fancy schmancy special effects, but they are spectacular.&nbsp;They are simplicity itself, made of puppetry magic and lighting that tells us exactly where to look.&nbsp;This far and no further.&nbsp;The&nbsp;shadows are teaming with unseen life that are eager to reach out and touch someone - could even be you if you are in the right seat.&nbsp;The ensemble's choreographed movements, clean, simple and unrelenting, give the entire production a physical urgency. Even the program tells you what to read and when.Ultimately this is a tale of family.A boy who lost his father grew up to be one and has misplaced his parenting manual. Harry must rely on his wife, his friends and his mentors long gone.&nbsp;In the process of recovering each other they also cross paths with the past, and we are touched when the friends (and even a few pests) show up in the flesh.My friend who attended with me is a Brit and was concerned, lest the American audience was not as hooked on the Potter legend as the Brits. He needn't have worried.&nbsp;As one witch after another produced sorcery - the audience cheered.&nbsp;As characters we had only read or seen on the silver screen appeared there were gasps of recognition.&nbsp;We were children oohing and ahhing throughout.And when it came time, after 5 hours of immersion, to say good-bye to these treasured friends (all the&nbsp;principals take their bows en masse) we stood up and cheered farewell, like the crowds used to do when a ship was leaving.&nbsp;If given our druthers we would have put on an invisibility cloak and joined them.I mean, they do live there, right?As to the child? As to the curse? I have sipped the potions and am #KeepingTheSecrets safe. &nbsp;As the complimentary pins on your way out request.Bravo, Brava, Bravastrodamus!(Photo by Manuel Harlan)<hr /><h2>What the popular press says...</h2>"Time is a dangerous toy in Harry Potter and the Cursed Child,&nbsp;the enthralling two-part play about the later life of its title wizard. Various characters in this deluxe London import find it in their power to journey into the past, which means altering the future, which means serious trouble for everyone." Ben Brantley for New York Times"There are more magic wands than you can shake a stick at in the wildly theatrical and thrilling Broadway spectacle Harry Potter and the Cursed Child." Joe Dziemianowicz for New York Daily News"The world of&nbsp;Harry Potter has arrived on Broadway, Hogwarts and all, and it is a triumph of theatrical magic." Adam Feldman for Time Out New York"Anyone still ready to dismiss&nbsp;Harry Potter and the Cursed Child&nbsp;as a cynical brand extension, or a theme-park ride on stage, clearly hasn't experienced the thrilling theatricality, the pulse-pounding storytelling vitality and the unexpected emotional richness of this unmissable two-part production. The ecstatic hype that accompanies the smash London import&nbsp;to Broadway is amply justified, and then some." David Rooney for Hollywood Reporter"This is no time for bogus expressions of sophistication. So, let's just say:&nbsp;Hooray!&nbsp;With Harry Potter and the Cursed Child,&nbsp;the Boy Who Lived has finally come to Broadway, bringing enchantment to a world that could really use a little magic right now." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="https://www.nytimes.com/2018/04/22/theater/review-harry-potter-and-the-cursed-child-raises-the-bar-for-broadway-magic.html" target="_blank">New York Times</a>&nbsp;- <a href="http://www.nydailynews.com/entertainment/theater-arts/cursed-child-review-wildly-harry-potter-broadway-article-1.3944034" target="_blank">New York Daily News</a> -&nbsp;<a href="https://www.timeout.com/newyork/theater/harry-potter-cursed-child-broadway-review" target="_blank">Time Out</a>&nbsp;- <a href="https://www.hollywoodreporter.com/review/harry-potter-cursed-child-theater-review-1104812" target="_blank">Hollywood Reporter</a>&nbsp;- <a href="http://variety.com/2018/legit/reviews/harry-potter-and-the-cursed-child-review-broadway-1202757827/" target="_blank">Variety</a>

Review of Harry Potter and the Cursed Child on Broadway

The Lyric Theatre is an iconic Broadway theatre located in the heart of New York City. Known for hosting some of the biggest musicals in history, it boasts a large auditorium seating 1,934 seats, split between the two main levels and two balconies. Designed by the famous architect, Victor Hugo Koehler, the theatre oozes an old-world charm with its grand interiors and attention to detail. Through the years, it has transformed into a stylistically modern venue with state-of-the-art acoustics and technological capabilities. 

**How to get to the venue:** The Lyric Theatre is conveniently situated at 214 West 43rd Street, easily accessible by public transport. By subway, the nearest station is Times Square-42nd St, served by the 1, 2, 3, 7, N, Q, R, W, S lines. If you prefer to travel by bus, routes M104, M42, M7, M20, and M27/50 all serve the area. For those driving, several paid parking areas are nearby, including facilities at Icon Parking and Edison ParkFast.

Lyric Theatre - NY

Lyric Theatre

The Lyric Theatre, a historic venue in New York, is known for major musicals. It has modern facilities and is easily accessible.

NY - TT - Amaze Magic - Homepage Lead

AMAZE Magic - NYC [44453]

AMAZE Magic

Jamie Allan's AMAZE - NYC [44453]

New World Stages is a renowned theatre venue located in the bustling heart of New York City. This five-theatre complex is designed to accommodate a wide variety of performances, from avant-garde productions to blockbuster musicals. Each theatre in the complex is equipped with state-of-the-art technology and an intimate, comfortable seating layout, providing theatre patrons with a unique and immersive experience. The interior design of New World Stages presents a fusion of art and architecture, featuring a lobby filled with rising and falling stage curtains and top-notch facilities. This versatile and contemporary theatre venue has played host to numerous award-winning productions since its inception. The bars and restrooms at the venue have been designed keeping in mind the comfort and convenience of all visitors. There is also a gallery space which showcases art from emerging artists around the world. **Getting to New World Stages**: The venue is conveniently situated at 340 West 50th Street, between 8th and 9th Avenues. The venue is easily accessible via subway; the C & E trains stop at 50th street, a mere one-block's walk from the theatre. Additionally, several parking garages offer discounted rates to theatre-goers.

New World Stages - NYC

New World Stages

New World Stages is a five-theatre complex in New York known for hosting a variety of performances. It's easily reachable via subway.

NY - TT - Mamma Mia - Homepage Lead

Ages 10+. Children under 4 are not permitted in the theatre.

Mamma Mia! on Broadway - NYC [43887]

Mamma Mia! on Broadway

The Winter Garden Theatre, located in the heart of Broadway, New York, is a world-renowned theatre venue that has witnessed countless iconic performances. With a seating capacity of over 1,500, the theatre offers an intimate setting for experiencing theatrical spectacles amidst its illustrious historic ambience. The theatre's architectural design, exuding Edwardian Baroque aesthetics, boasts a stage large enough for grandest of productions. Since its inception in 1911, the Winter Garden Theatre has seen legendary showbiz figures gracing its stage and corridors, from Al Jolson to Catherine Zeta-Jones. The Theatre's repertoire spans both timeless classics and contemporary hits, fostering an eclectic mix that caters to varied tastes of its audiences. 

**How to Get to the Venue:** The Winter Garden Theatre is easily accessible via numerous modes. For those opting for subway, the closest stops are 49th Street at 7th Avenue, Times Square 42nd Street/Port Authority Bus Terminal, and 50th Street at Broadway. Buses M7, M20, M104 all stop near the theatre. If you’re driving, several public parking lots are available in the vicinity, including Icon Parking and Central Parking. More detailed directions and information can be found on the theatre’s website.

Winter Garden Theatre - NYC

Winter Garden Theatre

The Winter Garden Theatre is a historic and iconic Broadway venue in New York, known for both classic and contemporary performances.

What would happen after *Romeo & Juliet* if Juliet didn't die? That's the question this pop-fueled musical, from songwriting icon Max Martin and a writer on *Schitt’s Creek*, asks. Jam out to tunes made famous by Britney Spears, the Backstreet Boys, Pink, and more.

& Juliet on Broadway

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One of the most popular jukebox musicals, *Mamma Mia!* is about Sophie's wedding, where she's invited her friends, her family...and the three men who might be her father. Sometimes, for her mother, the one who got away is also the one who shows up at the wedding.

Say hello to the Tony Award-winning Best Musical by the creators of *South Park* and *Avenue Q*. The story of two Mormon missionaries who get more than they bargained for when sent to convert an African village has spread the good word on Broadway for more than a decade.

Your wish for spectacular, magical, all-ages entertainment is granted at this musical adaptation of the Disney film. Hear timeless songs like "A Whole New World" at this story of a ruffian who, with a little help from a genie, transforms into a prince to win over a princess.

Aladdin on Broadway

Aladdin cave

See this historical dark comedy, now nominated for five Tony Awards, about the untold struggles of Mary Todd Lincoln before she lost Abe. Get a glimpse into Mary's hidden desires and personal struggles, filtered through queer comic playwright Cole Escola's wacky mind.

Oh, Mary! on Broadway

Escape into a spectacular Parisian nightclub that's not just a place, but a state of mind. Feel truth, beauty, freedom, and love at the star-crossed love story of a writer and a courtesan, based on the Oscar-winning Baz Luhrmann film and packed with more than 40 pop hits.

Moulin Rouge! The Musical on Broadway

Based on the classic 1992 film, *Death Becomes Her* the musical follows two frenemies, actress Madeline Ashton and author Helen Sharp, who take a potion for eternal youth to outdo each other once and for all — but things don't go as planned. Now the recipient of 10 Tony Award nominations.

Death Becomes Her on Broadway

A comedy about friendship and, yes, art, this Tony Award winner for Best Play follows three best buds who debate the value of one's recent purchase: a very, very expensive painting...of nothing at all.

Art On Broadway

How did the Wicked Witch of the West become wicked? This *Wizard of Oz* prequel musical explores her and Glinda the Good Witch's untold origin stories. Hear now-classic showtunes like "Defying Gravity" at Broadway's fourth-longest-running show.

Wicked on Broadway

Go on an adventure through Hogwarts and beyond with a new generation of wizards. Harry, his friends, and his son go on a time-traveling quest in this stage sequel to J. K. Rowling's books, brought to life with special effects that leave audiences of all ages spellbound.

The Grammy-winning, landmark Cuban album by the same-named music group is now the basis for a vibrant, celebratory musical, which has been nominated for 10 Tony Awards. Relive the Golden Age of Cuban music while hearing the renaissance of genres like son, bolero, and danzón.

Buena Vista Social Club on Broadway

Ryan McCartan and Aisha Jackson team up as literary icons Jay Gatsby and Daisy Buchanan in this new Broadway musical based on F. Scott Fitzgerald's iconic novel. Get ready for a splashy new musical that brings the Roaring Twenties to life via colorful song and dance.

The Great Gatsby on Broadway

Get *Stranger Things: The First Shadow* tickets and see the world before it turns upside down. The origin story of the hit Netflix series follows younger versions of fan-favorite characters as they deal with unusual happenings in Hawkins. Now nominated for five Tony Awards.

Stranger Things: The First Shadow on Broadway

You've read S. E. Hinton's book, you've seen Francis Ford Coppola's film, now see the stirring musical adaptation. Folk showtunes by Jamestown Revival give new life to the story about teenage street gangsters finding hope and brotherhood in a world that rejects them.

The Outsiders on Broadway

Greek mythology gets a folksy, jazzy twist at this eight-time Tony-winning Best Musical. The story of the musician Orpheus's journey to the underworld to rescue his lover, Eurydice, takes on new depths of life and emotion in Anaïs Mitchell's show.

Hadestown on Broadway

A unique, contemporary rom-com that won the 2025 Tony Award for Best Musical, *Maybe Happy Ending* follows two robots who meet, connect, and maybe fall in love, getting a second shot at life after the world has deemed them obsolete.

Maybe Happy Ending on Broadway

Join the circle of life at this stage adaptation of the beloved Disney film, on Broadway for 25 years and counting. Awe-inspiring puppetry and timeless songs like "Can You Feel the Love Tonight" bring alive the story of a lion cub growing up to take his rightful place as a leader.

The Lion King on Broadway

Get into an Empire state of mind at this new musical featuring the songs of Alicia Keys. Inspired in part by her real-life upbringing in Manhattan, the show follows 17-year-old Ali as she finds music, her voice, and herself as she comes of age and chases big dreams.

Hell's Kitchen on Broadway

*Operation Mincemeat* is a four-time Tony Award-nominated musical based on the Allies’ war operation of the same name that helped them win World War II. Much more than a history lesson, the uproarious comedy is parts farce, thriller, and Ian Fleming-style spy caper.

Operation Mincemeat on Broadway

*Heathers* is a musical comedy based on the cult film and follows Veronica as she tries to navigate teenage issues, first love, and three Heathers who rule the school with an iron fist.

Heathers The Musical

Experience the story behind the King of Pop's singular career and greatest hits. The Tony-winning musical offers a deep look into his creative process and all the energy of a Michael Jackson concert, complete with more than 20 of his classic songs and signature dance moves.

A retelling of the Greek tragedy, Robert Icke's take on Sophocles' classic sees Oedipus and his wife Jocasta on election night, when everything is about to change.

Oedipus on Broadway

The Kander and Ebb musical about murderesses-turned-overnight-celebrities has razzle-dazzled audiences for decades. With a rotating lineup of stars in the lead roles, you never know who you'll see as starry-eyed housewife Roxie, veteran vaudevillian Velma, and more.

Chicago on Broadway

*Ginger Twinsies* is a hilarious send-up parodying a certain film that starred Lindsay Lohan, came out in 1998, and had all the 411 about long-lost redhead twins.

Ginger Twinsies

This Tony Award-winning pop musical gives 16th-century drama a 21st-century feminist twist. The six wives of Henry VIII become a fierce girl group who take back their crowns and rewrite their histories in the style of a rousing arena concert.

SIX on Broadway

A reclusive aunt and her gay nephew reunite to sort the mess left behind after a troubled father's passing.

Based on the bestselling novel, *Ragtime* is a musical epic that features three fictional families as they move through a rapidly changing New York in pursuit of the American Dream.

Ragtime on Broadway

Samuel Beckett’s tragicomedy is a wonderfully confounding masterpiece that follows two people as they wait — and wait — for someone named Godot to maybe (finally) arrive.

Waiting for Godot on Broadway

It’s showtime! The ghost-with-the-most comes to life on stage in this hilarious new musical based on Tim Burton’s dearly beloved film.

Beetlejuice on Broadway

*House of McQueen* is an electrifying new show that dramatizes the life of the famous fashion designer, Alexander McQueen.

House of McQueen

When a nerdy flower shop worker finds a mysterious talking plant, it completely changes his life — but at a bloody cost. Go down to Skid Row for the latest revival of Alan Menken and Howard Ashman's horror comedy blossoming off Broadway.

Little Shop of Horrors

Puccini's Turandot

*Punch* follows Jacob after a whirlwind of drugs, sex, and violence leads him to prison — but also to the parents of the boy he killed, ultimately changing the course of his life.

Punch on Broadway

This new musical is based on the life of Jackie Siegel, a former Mrs. Florida and wife to an ultra-rich businessman. She’s queen of Versailles — not the palace, but her own recreation of it, which is to be the US’s largest private home. But a recession looms, and Jackie’s dreams may crumble.

The Queen of Versailles on Broadway

How does a show about an American Founding Father go on to revolutionize Broadway? Experience Lin-Manuel Miranda's Pulitzer- and Tony-winning hip-hop musical about how Alexander Hamilton fought, feuded, and financed his way into the history books.

Hamilton on Broadway

*Prince F\*ggot* is a new satire that imagines a monarchy where a ruler is as queer as the playwright: what happens when unabashed queerness and ultimate power collide?

Prince F*ggot

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US - Exclusive seats

*The Least Problematic Woman in the World* is a five-star (Playbill) comedic solo show by Dylan Mulvaney about her Catholic upbringing, gender transition, and all that's still to come.

The Least Problematic Woman in the World

Pen Pals

Oscar winner and Tony nominee Tarell Alvin McCraney (*Moonlight, Choir Boy*) brings to The Shed *The Brothers Size*, a moving and theatrical look at two brothers post-incarceration. One upright and the other volatile, the brothers are tempted back to bad habits by a charismatic visitor in this play that blends Deep South realism and African folklore.

The Brothers Size

André De Shields is Tartuffe

*Let’s Love!* is a new comedy split into three acts telling three unique love stories, all written by Academy Award winner Ethan Coen.

Let's Love!

Genre: Musical (US and AUS)

Broadway

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In *The Book of Mormon* musical, Kevin Price is raring to go on a two-year mission to Orlando, Florida. But he’s shocked to be paired with the less-than-popular Arnold Cunningham and instead sent to Uganda, where no missionary has successfully converted anyone. Price is determined to do what no Mormon has done before, but Cunningham connects with the locals best once he starts “Making Things Up Again” on his own. 

Technically, you could say the history of *The Book of Mormon* goes back to 1830, when the Mormon Church was founded. The musical is a little newer. Parker and Stone started working with Lopez in 2003 after seeing his Tony-winning Best Musical *Avenue Q*. The *South Park* duo wanted to make a *Book of Mormon* movie, but Lopez insisted on making a musical.

The show’s first reading was in 2008, and an Off-Broadway world premiere was set for 2010. The producers canceled that production to give the creators more time to refine the show. Premiering *The Book of Mormon* on Broadway directly was a leap of faith — and it paid off.

*The Book of Mormon* got 14 Tony nominations and won for Best Musical, Best Book of a Musical, Best Original Score, Best Direction of a Musical, and more. The show also won the Grammy Award for Best Musical Theater Album, and the London and Melbourne productions won Best Musical at the Olivier and Helpmann Award ceremonies, respectively.

## What to watch for

- At one point in developing *The Book of Mormon* on Broadway, the writers thought about killing off Elder Price at the end of Act 1. However, that idea was quickly scrapped, as killing off the lead character wouldn't work in a musical comedy. 
- Robert Lopez, who wrote the music and lyrics, is the youngest EGOT (Emmy, Grammy, Oscar, Tony) winner in history. Robert Lopez received his second Tony for Best Score for *The Book of Mormon*, and at age 36, he won his fourth for Best Original Song for “Let It Go” from *Frozen*. He also became a double EGOT when he won his second Oscar for "Remember Me" from the Disney film *Coco*.
- Parker, Stone, and Lopez took a trip to Salt Lake City and spoke with real Mormon missionaries as research for the musical. They definitely said "Hello!"
- The song “All-American Prophet” used to be called “The Bible is a Trilogy." The original title is referenced in Elder Cunningham’s line “Wow, so the Bible is actually a trilogy, and the Book of Mormon is *Return of the Jedi*.”
- The Church of Jesus Christ of Latter-day Saints took out advertisements in the program with taglines like “You’ve seen the show, now read the book” and “The book is always better.”

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Jam-packed with satirical humor by South Park writers Trey Parker and Matt Stone, as well as Avenue Q writer Robert Lopez, The Book of Mormon on Broadway is a fast-paced, no-holds-barred production that will make you laugh like hell. Get The Book of Mormon tickets in New York now and see why audiences have joined the Broadway congregation since 2011.

## What is the *Book of Mormon* musical about?

*The Book of Mormon* is a musical about Elders Price and Cunningham, two Mormon missionaries sent to a remote village in Uganda to convert the locals. (It's a far cry from Orlando, Florida, where Elder Price hoped to be sent.) Poverty, injustice, and an oppressive warlord made the villagers lose faith in God long ago — but the elders are determined to succeed, even if it means bending the teachings of the holy book a little.

The Book of Mormon premiered directly on Broadway, unlike most musicals that play off Broadway or in a different city first. But the outrageous musical comedy immediately took Broadway and the rest of the world by storm when it opened at the <a href="/theatres/eugene-o-neill-theatre">Eugene O'Neill Theatre</a> in 2011. The New York Times hailed The Book of Mormon on Broadway as "the best musical of the century." The show went on to collect nine Tony Awards that year, including Best Musical. Original cast members <a href="/stars-on-stage/andrew-rannells">Andrew Rannells</a> and Josh Gad (Elder Price and Elder Cunningham, respectively) became instant Broadway favorites, and Nikki M. James picked up a Tony for starring as Nabulungi.

The musical's score is best known for its the signature introduction number, "Hello," where the Mormons greet the audience. Other fan favorites include the outrageous and infectious lament "Hasa Diga Eebowai," the show-stopping "Spooky Mormon Hell Dream," the smooth "Baptize Me," and the comedy anthem "I Believe."

The The Book of Mormon is known for its raunchy, irreverent humor, which is par for the course for its creators. Trey Parker and Matt Stone are best known for writing the adult animated TV show South Park, and Robert Lopez co-created the adult puppet musical Avenue Q. Lopez is also notable for being the youngest person in history to achieve EGOT status and the only person to win all four requisite awards — an Emmy, Grammy, Oscar, and Tony — more than once. In fact, he is one Oscar away from a triple EGOT.

The Book of Mormon features choreography and co-direction (alongside Parker) by Casey Nicholaw, known for helming other musical comedies including Something Rotten, The Producers, and The Prom.

## How long is *The Book of Mormon*?

*The Book of Mormon* runs 2 hours and 30 minutes, including an intermission.

Ascend to musical theatre heaven and get tickets to *The Book of Mormon* in New York now.

The Book of Mormon&nbsp;contains offensive language and adult themes that may be unsuitable for younger theatregoers.&nbsp;(Photos by Joan Marcus)

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Get tickets to The Book of Mormon on Broadway from the official New York Theatre Guide. Laugh out loud at this raucous musical comedy from South Park's creators.		

Book of Mormon Broadway Tickets | Official NY Theatre Guide

South Park creators Trey Parker and Matt Stone, and Oscar-winning Frozen and Avenue Q composer Bobby Lopez are a match made in heaven. The hilarious Broadway smash *The Book of Mormon* features the misadventures of two Mormon missionaries who go to wacky lengths to convert an African village. Get tickets to the nine-time Tony-winning Best Musical.

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