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Ages 8+. Children under 5 are not permitted in the theater.

Hadestown on Broadway - NYC [14748]

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Hadestown on Broadway

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Going to hell has never been as much fun as seeing a performance of Anaïs Mitchell's musical <a href="/show/hadestown">Hadestown</a>, now playing at the <a href="/theatres/walter-kerr-theatre">Walter Kerr Theatre</a>.&nbsp;And don't let its origins in Greek mythology scare you off because there's a built-in narrator in the form of the god Hermes (André De Shields) whose job was to guide souls into the afterlife.&nbsp;In Hadestown, his first task is to introduce all the characters in a rollicking number "Road to Hell."Mitchell, the talented singer/songwriter who is responsible for the whole shebang, music, lyrics and book, has intertwined the myth of Orpheus (Reeve Carney), son of the God Apollo and muse Calliope and Eurydice (Eva Noblezada), wood nymph; with that of Hades (Patrick Page), god of the underworld and Persephone (Amber Gray), daughter of the god Zeus and goddess of the harvest Demeter.&nbsp;The story that unfolds in Hadestown is that Hades falls in lust with Persephone and abducts her to the underworld where they fall in love and marry.&nbsp;Demeter is so distraught she declares that there will be no more growth or harvest until Persephone returns.&nbsp;Zeus brokers a deal whereby Persephone spends 6 months out of the year above ground and 6 months out of the year below, thus creating the seasons. So, Persephone rides a train back and forth between the underworld known as Hadestown where she's the only living soul, and the world above.&nbsp;But Hades keeps shortening her time up above because he misses her.&nbsp;And the earth gets colder.Meanwhile, Orpheus is trying to write a song that will restore order to the seasons when he runs across Eurydice, with a little help from Hermes and The Fates (Jewelle Blackman, Yvette Gonzalez-Nacer, Kay Trinidad), who is wandering around cold and hungry.&nbsp;She's initially unimpressed until he starts singing.&nbsp;In the only off note in the production, they fall in love (unfortunately no chemistry between the two - Reeve Carney is a little too much of a hesitant milquetoast to be a believable love interest for the determined and charming Eva Noblezada) and marry.&nbsp;Whereupon Orpheus immediately goes back to songwriting and neglects Eurydice.So, what's a poor, once again cold and hungry girl to do?&nbsp;Where does she go to get warm?&nbsp;You guessed it, Hadestown.&nbsp;Where Eurydice becomes one of the poor lost souls in the underworld, trapped behind the wall Hades has erected. And explains in the Act One finale "Why We Build The Wall" that brings down the house.&nbsp;If I didn't know that Mitchell wrote the score in 2010, I'd swear she wrote it within the last two years.I won't spoil the second act except to say that it's about Orpheus' trip to Hadestown to find Eurydice to try to rescue her.&nbsp;And that Michael Krass' costumes for the Chorus in the underworld are outstanding, as is the visually stunning dance number choreographed by David Neumann done with headlamps and swinging lights.&nbsp;And if the love story between Orpheus and Eurydice didn't smolder, Patrick Page and Amber Gray set the house on fire as Orpheus and Persephone. Their song "How Long?" and the dance that went with it had me melting in my second row seat when I saw both of them crying.&nbsp;Be still my heart.(Photo by Matthew Murphy)<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"All your favorite Greeks are heading somewhere in&nbsp;Hadestown,&nbsp;the sumptuous, hypnotic and somewhat hyperactive musical that opened on Wednesday night after its own twisty 13-year road to Broadway." Jesse Green for <a href="https://www.nytimes.com/2019/04/17/theater/hadestown-review-broadway-anais-mitchell.html" target="_blank">New York Times</a>"It looks spectacular—thanks to Rachel Hauck's set, which features three turntables in concentric circles, and Bradley King's lighting—but it has a human scale; it feels less like a standard Broadway musical than a concert, a gathering, a happening. (The seven members of the excellent onstage band are called out by name for applause.) And, most important, it has Mitchell's score: a joyful combination of folk, pop, Dixieland and blues that will make you want to rehear it as soon as the lights come up. You'll be singing it again in your head for days." Adam Feldman for <a href="https://www.timeout.com/newyork/theater/hadestown-review-broadway" target="_blank">Time Out New York</a>"Yes, composer Anaïs Mitchell's musical retelling of the Orpheus and Eurydice myth, which opened Wednesday on Broadway, sounds pleasant and looks more expensive than it did in 2016 at New York Theatre Workshop. But this classic tale of love — he looks back, she gets trapped in the underworld for all eternity — is still too slick and sterile for us to give a damn about her damnation." Johnny Oleksinski&nbsp;for&nbsp;<a href="https://nypost.com/2019/04/17/hadestown-review-broadway-douses-the-fires-of-hell-with-folk-music/" target="_blank">New York Post</a>"In "Road to Hell," the exhilarating opening number of the utterly fabulous&nbsp;Hadestown, Hermes, the conductor of souls into the afterlife, invites us to "Ride that train to the end of the line." He's played with seductive authority and knowing humor by the eternally elegant Andre De Shields, outfitted like a superfly pimp in a flashy silver suit, and it's hard to imagine anyone resisting his call. He sells a ticket to a bewitching journey that pays off at every turn." David Rooney for <a href="https://www.hollywoodreporter.com/review/hadestown-theater-review-1202512" target="_blank">Hollywood Reporter</a>"Hadestown&nbsp;triggered a lot of buzz&nbsp;when this wholly American show (which came to the stage by way of a concept album) premiered at Off-Broadway's New York Theatre Workshop in 2016. Arriving on Broadway&nbsp;with its earthly delights more or less intact, this perfectly heavenly musical — with book, music and lyrics by Anaïs Mitchell — should stick around for a while." Marilyn Stasio&nbsp;for <a href="https://variety.com/2019/legit/reviews/hadestown-review-musical-broadway-1203191646/" target="_blank">Variety</a>

Review of Hadestown on Broadway

The Walter Kerr Theatre is a Broadway theatre located in the heart of New York City. Originally named the Ritz Theatre, it was built in 1921 and renamed in 1990 to honour the Pulitzer Prize-winning American critic Walter Kerr. With a seating capacity of just 975 across Orchestra, Mezzanine and Balcony sections, it's one of the city's smaller and more intimate venues. Notorious for its world-renowned, critically acclaimed productions, the Walter Kerr Theatre has staged hits such as 'Angels in America', 'A Little Night Music', and 'Hadestown', making it a quintessential part of New York's theatre landscape. The theatre is famously known as the home of 'Springsteen on Broadway', Bruce Springsteen’s one-man show that ran for 14 months in 2017 and 2018. The show was an unequivocal success and re-affirmed Walter Kerr Theatre as a must-visit for any theatre aficionado.

**Getting to the Walter Kerr Theatre:** The theatre is conveniently located at 219 West 48th Street, easily accessible by public transportation. The closest subway stations are 50th Street, served by the C and E lines and 49th Street served by the N, R, and W lines. Buses that stop near the theatre include the M104, M10, M27/M50, and M6.

Walter Kerr Theatre - NY

Walter Kerr Theatre 

The Walter Kerr Theatre is an intimate, historic Broadway venue in New York, known for critically acclaimed productions and easy public transport access.

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Ages 10+. Infants are not permitted in the theater.

Hamilton on Broadway - NYC [384]

Hamilton on Broadway

Hamilton on Broadway [384] Product Media

I saw *Hamilton* Wednesday last at the Richard Rogers Theatre. Last night I went to bed with *Hamilton*. I had Lin-Manuel Miranda's script all to myself and devoured it. There is so much information, not to mention plain old smarts, that is packed into this show that reading the text is an exercise in pure pleasure. And once again I came away with the same conclusion. This is a story ABOUT Alexander Hamilton while at the same time it is the story OF Aaron Burr.

Burr (Leslie Odom, Jr.) welcomes us to the evening almost purring:

How does a b*st*rd, orphan, son of a wh*re And a Scotsman dropped in the middle of a forgotten spot In the Caribbean, by Providence impoverished, to squalor Grow up to be a hero and a scholar?

Who did this immigrant Hamilton (Lin-Manuel Miranda) think he was? Burr was the son of money. Hamilton was the son of chance and fortune. Burr was willing to wait for his just rewards; Hamilton preferred the direct route.

... I'm just like my country I'm young, scrappy and hungry And I'm not throwing away my shot

Hamilton arrives from Nevis in the Bahamas just as the country is splintering into a new incarnation. He lands in New York, the center of everything, and works his way up the revolutionary ladder. He sits at the right hand of God in the person of George Washington (Christopher Jackson) and pines for a command that is denied him until there is no other option.

Hamilton did not live in a vacuum, however. Events and people were moving around him like a hurricane. The women in his life were a match in every way to the men. "The Schuyler Sisters," Angelica (Renée Elise Goldsberry), Eliza (Phillipa Soo), and Peggy (Alysha Deslorieux on the night I was there), are the center of New York's solar system. While Washington in planning battle, there is a social life to be created. Angelica is looking for a mind at work, and when both she and her sister, Eliza, are smitten by Hamilton, she steps aside in a scene that is tragic and gallant.

As each element is added to the story, the tapestry becomes richer and more dense. Family brings new responsibility but does not alter Hamilton's trajectory. As the new country is formed, he stays in the inner circle, annoying Thomas Jefferson (Daveed Diggs) who was in France for most of the war, and drives Burr just a little mad. Burr's thirst for the power that Hamilton has is palpable, and as his frustration explodes in the second act with "The Room Where It Happens," the experience is visceral for us all and becomes a showstopper.

Over and over again we see the tragedy that is coming. The rules of dueling are spelled out more than one time. The future is seen as a place where these folks may not walk but in which they will be remembered. The tension and terror of the time fill the theatre. This is balanced by Miranda's eye for the absurd, the ridiculous and the insidious which evoke belly laughs, winces and mental high-fives. He gives a generous nod to King George (Jonathan Groff, who is the only white person playing a main character) who smiles and winks through three pop numbers that remind us in the nicest possible way that the little people are just that:

Cus when push comes to shove I will kill your friends and family to remind you of my love

Hamilton was smart and driven - and he was a writer. It was his pen that got him out of his home, and it would be his pen that brought him to the side of Washington. Today he would have been tweeting (as is Miranda) several times a day. If the telegraph had been around he would have been tapping until the machine melted in his hands. But these were the days of longhand, quills, ink, and parchment. And delivery was by foot or, if you were lucky, horseback. Still, what Hamilton managed to crank out was not only impressive, it was world-altering. His accomplishments are listed like it was an awards banquet. He crafted a financial system. Created the national debt to save the country. Wrote *The Federalist Papers*. He wrote as if he were running out of time. And he was.

The last moments of Hamilton's life are perhaps the most delicately crafted. "I imagine death so much it seems like a memory," Hamilton sings as the bullet travels through time and relationships to reach him. And when it does, we hear the lament of Aaron Burr, still at the center of the tale, who didn't realize the world was wide enough for them both, and the chorus that delivers us back into our seats singing and asking us, "Who lives? Who dies? Who tells your story?"

Hamilton is a magnificent tapestry where all the elements of theatre are called upon to be their very best. The choreography by Andy Blankenbuehler is nothing short of mesmerizing. His work makes the entire piece pulse. Alex Lacamoire's musical direction and orchestration lifts us into the stratosphere. The scenic design by David Korins, costumes by Paul Tazewell, and lights by Howard Binkley are seamlessly integrated and a visual feast. Finally, Thomas Kail's direction is impeccable. Under his guidance this show has been pieced together into a living, breathing entity. *Hamilton* is not just a show, it is an experience - which is always the goal of art. This is not a show that you sit and watch. It is a show that takes you by the hand and pulls you into its embrace.

The end result is something much more than the story of one man. It is the story of how we each create our destiny and our mark on the world. You leave the theater thinking about what you would like to do that you have not done. You leave the theatre filled with possibility.

(Photo by Joan Marcus)&nbsp;<hr />"'Hamilton' makes us feel the unstoppable, urgent rhythm of a nation being born." Ben Brantley for New York Times"With 'Hamilton,' Broadway is officially the coolest place on the planet. And the smartest. And most exhilarating." Joe Dziemianowicz for New York Daily News"Lin-Manuel Miranda's 'In the Heights' may have been a hit — but his 'Hamilton' is a phenomenon." Elisabeth Vincentelli for New York Post"The greatest American musical in decades." David Cote for Time Out New York"It was phenomenal off-Broadway. It's even better now. 'Hamilton' is that rare musical that fires on all cylinders, even ones we never knew existed." Roma Torre for NY1"This is a musical often stunning in its audaciousness." Mark Kennedy for Associated Press"This enormously ambitious and entertaining musical history lesson is even more impressive on a second viewing." Frank Scheck for The Hollywood Reporter"This innovative show is shaping up to be just as much of a phenomenon uptown, playing in a Broadway house with four times the seating capacity, and to a more traditional but no less enthusiastic audience. That universal appeal to crossover audiences is one unmistakable sign of a groundbreaking show." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="http://www.nytimes.com/2015/08/07/theater/review-hamilton-young-rebels-changing-history-and-theater.html?_r=0" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/theater-arts/hamilton-musical-mint-condition-broadway-article-1.2316761" target="Top">New York Daily News</a> - <a href="http://nypost.com/2015/08/06/hamilton-isnt-quite-revolutionary/" target="Top">New York Post</a> - <a href="http://www.timeout.com/newyork/theater/hamilton-1" target="Top">Time Out</a> - <a href="http://www.ny1.com/nyc/all-boroughs/lifestyles/2015/08/6/ny1-theater-review---hamilton-.html" target="Top">NY1</a> - <a href="http://www.hollywoodreporter.com/review/lin-manuel-mirandas-hamilton-theater-813145" target="Top">Hollywood Reporter</a> - <a href="http://variety.com/2015/legit/reviews/hamilton-review-broadway-1201557679/" target="Top">Variety</a>

'Hamilton' review

Read our five-star review of *Hamilton* on Broadway at the Richard Rodgers Theatre.

The Richard Rodgers Theatre, named after one of the most influential composers in American history, is a Broadway theatre located in New York City. It was originally opened in 1925 as 'Chanin's 46th Street Theatre' and was later renamed in honor of prolific composer Richard Rodgers in 1990. At over 14,000 square feet, it is the highest grossing venue on Broadway, with a seating capacity for an audience of over 1,300 people. Offering a variety of shows, it is best known for the ongoing run of the critically acclaimed musical, 'Hamilton'. Not only does this theatre provide top-notch entertainment, but it also offers an array of amenities for its guests, including wheelchair accessible seating, assistive listening devices, and more. 

*How to get there*: The Richard Rodgers Theatre is conveniently located at 226 W 46th Street, near Times Square. Access to the theatre is easy and convenient with several modes of public transportation available. The nearest subway stations are 49th Street (N, R, and W lines) and 42nd Street - Times Square (A, C, E, N, R, W, 1, 2, 3, 7, and S lines). Alternatively, visitors can take a bus to West 46th Street and 8th Avenue, which is just a short walk to the theatre.

Richard Rodgers Theatre - NY

Richard Rodgers Theatre

Richard Rodgers Theatre is a historic Broadway venue in New York, notable for Hamilton performances. Easy access via subway or bus.

NYC - & Juliet on Broadway - Lower Homepage Banner - TT

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Banner for the musical "& Juliet" promoting a 50% discount for summer. The offer includes a link to book tickets. The background features scenes from the musical.

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Promotional image for "& Juliet" pop musical offering 50% off summer performances. Features a performer singing on a balcony with a vibrant, illuminated background. "Book now" button included.

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Ages 8+. Children under 4 will not be admitted into the theatre.

& Juliet on Broadway - NYC [25598]

& Juliet on Broadway

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Anne Hathaway – the wife of William Shakespeare, not the Oscar-winning actress – has a message for her famous husband. In a nutshell: Your star-crossed-lovers tragedy stinks. 

That’s the start of [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), a slim but cheeky and eager-to-entertain jukebox musical bursting with chart-toppers made famous by Britney Spears, Katy Perry, Bon Jovi, Celine Dion, Backstreet Boys, and other pop stars.

“What if Juliet didn’t kill herself?” muses Anne (Betsy Wolfe, goofy, gutsy, and serving gale-force vocals), who convinces Will (Stark Sands) to collaborate on a rebooted story. So long, Verona and stifling parents keen on locking her up in a nunnery. Freedom awaits! Juliet (the terrific Lorna Courtney), now 22 in the revised tale, considers life on her own terms.

She makes a beeline for Paris with her nurse (Melanie La Barrie, reprising her role from the show’s London premiere), a new non-binary BFF May (Justin David Sullivan), and another pal, April – who is actually Anne. She and Shakespeare write themselves into the revision; he’s a carriage driver. Along the way, some 30 hits from the Max Martin catalog, including “...Baby One More Time,” “Roar,” and “Since U Been Gone,” knit the narrative together.

This setup happens with surprising speed and economy. The early zippy energy is a big plus. Vibrant visuals are another. Director Luke Sheppard’s staging makes great use of projections, flying set pieces, and a levitating circular platform to showcase dramatic moments and athletic dance moves by choreographer Jennifer Weber. 

There's plenty of drama in France after Juliet and company meet Francois DuBois (Philippe Arroyo), who’s looking for love, and his stern father Lance (Tony winner Paulo Szot, game but frequently upstaged by his codpiece), who shares a secret history with Juliet’s nurse.

Thanks to Will’s desire to stir the plot, dim Romeo (Daniel Maldonado, in for Ben Jackson Walker at a recent performance) pops up. The newly undead guy descends in a superdope (to borrow his term) and glitzy entrance.

The action unfolds in Shakespeare’s era, but its heart and head are all about today. Costume designer Paloma Young pairs corsets, ruffs, and doublets with chunky boots and high-tops. There’s also a shoehorn lurking in the wings. As in any jukebox musical, some tunes are wedged in, but others fit surprisingly well.

“I Want It That Way” becomes a useful all-purpose expression of desire, while “Oops! … I Did It Again” neatly covers romantic missteps. “Stronger” lets Juliet’s defiance toll. Romeo and Juliet’s conflicted feelings churn into a raucous “Problem/Can’t Feel My Face.”

*Schitt’s Creek* writer David West Read penned the story, and it’s a mixed bag. *& Juliet*'s feminist attitude and celebration of gender fluidity make it topical. Mispronunciations of Francois’s surname makes way for (groan) DeBoy band jokes. And even with the youthful exuberance, the momentum sags whenever Anne and Will spar about the narrative — and they do it a lot. 

The script looks to history (or Wikipedia?) to connect the dots between Anne, who Shakespeare disregarded, and suicidal Juliet. Creative license abounds, of course, but the script breezes over the fact that if Romeo is alive, then Juliet is still married. That puts a kink in major plot developments. In the end, the show has no fewer than three separate conclusions.

To see or not to see any or all of that as just nitpicking? Theatregoers out for a silly good time likely won’t care as they hum along with *& Juliet*.

[*& Juliet* is at the Stephen Sondheim Theatre. Get tickets to *& Juliet* at New York Theatre Guide.](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets)

*Photo credit: Lorna Courtney (center) and the cast of & Juliet on Broadway. (Photo by Matthew Murphy)*

'& Juliet' review — the Bard meets 21st-century bops in energetic pop musical

The Stephen Sondheim Theatre is a treasured gem within the heart of New York City. Located in the bustling Times Square district, it stands proudly, retaining its historical charm midst contemporary edifices. The theatre, formerly known as Henry Miller's Theatre, is deeply rooted in theatrical history, having hosted numerous Broadway classics since its inception in 1918. It boasts art nouveau architecture bathed in gentle, welcoming lights, with intricate details that add to its grandeur. A walk inside reveals a relaxing ambiance with ornamented ceilings, beautiful chandeliers, red velvet seats, and a sizeable stage that brings performances to life. Dedicated to the legendary composer Stephen Sondheim, the theatre's rich legacy continues by staging some of the most critically acclaimed plays, musicals, and performances, all enjoyed from the comfort of its 1,055 seats. 

**How to Get There** 
Stephen Sondheim Theatre is conveniently located at 124 West 43rd Street, accessible via various modes of transportation. Visitors can reach the theatre by subway, taking the B, D, F, or M train to 42nd Street/Bryant Park or the 1, 2, 3, 7, N, Q, R, S, or W train to Times Square/42nd Street. Buses M5, M7, M20, M42, or M104 also offer routes to Times Square. For those who prefer driving, several paid parking garages are available nearby.

Stephen Sondheim Theatre - NY

Stephen Sondheim Theatre

The Stephen Sondheim Theatre is a cherished historical venue in Times Square, known for its Broadway classics and art nouveau architecture.

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Ages 10+. Children under 4 are not permitted in the theatre.

The Great Gatsby on Broadway - NYC [38749]

The Great Gatsby on Broadway

The Great Gatsby on Broadway - NYC [38749] Product Media

The Broadway Theatre is one of the most iconic and popular theatre venues in New York. Located at 1681 Broadway, the theatre is home to multitude of critically acclaimed Broadway musicals and plays. Since its inception in 1924, the Broadway theatre has been a pillar of the New York theatre industry, consistently presenting audiences with captivating performances and a wide variety of shows. The theatre boasts a large seating capacity of 1765, setting it apart from other Broadway theatres. Its key defining feature, the exceptional stage size, allows for large-scale musical productions. Notable performances that graced the theatre include 'South Pacific', 'The Color Purple', 'Miss Saigon', the revival of 'Evita' and 'Cinderella'. With a unique blend of classic architecture and modern technology, the Broadway Theatre not only delivers magnificent visual appeal but also excellent acoustics and comfortable seating. This combination creates an immersive viewing experience few other venues can rival.

## How to Get Here
The Broadway Theatre is easily accessible via public transportation. It’s easy to reach by subway. You can take the C, E, or 1 train to 50th Street or the N, R, or Q train to 57th Street. Alternatively, the theatre is served by buses M104, M10, M27/M50. If you prefer to drive, there are numerous public parking lots within a short walk. Bicycle parking is also available nearby.

Broadway Theatre - NY

Broadway Theatre

The Broadway Theatre, an iconic New York venue, hosts a plethora of captivating performances and is easily accessible via various transport.

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The Rocky Horror Show on Broadway - NYC [43905]

The Rocky Horror Show on Broadway

The Rocky Horror Show on Broadway - NYC [43905] - Product Media

The **Studio 54 theatre** in New York is legendary in its status as America's most famous nightclub from history. In the '70s, the venue was a beacon for A-list celebrities, artists, and musicians to gather under its mesmerising disco ball. Today, as part of the Roundabout Theatre Company, **Studio 54** is a home to captivating theatrical performances. The theatre, located on 254 W 54th Street, maintains its historical charm with the restored auditorium that evokes an intense feel for the remarkable history it's borne witness to. The theatre has a seating capacity of 1006 and has been the stage for numerous notable productions such as 'Cabaret', 'Sunday in the Park with George', and 'Kiss Me, Kate'. The elegance from its original 1927 construction blends seamlessly with its more modern renovations, helping keep Studio 54 an iconic and desired destination in the Big Apple. 

 **How to get to the venue** 

 Getting to Studio 54 is quite straightforward. Located in Manhattan, it's easily accessible by subway. The closest station is 7 Avenue, which is just a short two-minute walk from the theatre. For those preferring a taxi ride or self-drive, there are several parking garages nearby like the 'Icon Parking' on 851 8th Ave or the 'SP+' on 1700 Broadway.

Studio 54 - NY

Studio 54

What's on at Studio 54 in New York City. Browse upcoming shows, check showtimes, and get tickets on TodayTix.

Studio 54 — Shows & Tickets | NYC | TodayTix

Studio 54 theatre in New York, known for its past as a celebrity club, is now a popular venue for theatrical performances.

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Schmigadoon! on Broadway - NYC [45429]

Schmigadoon! on Broadway

The Nederlander Theatre is one of the most iconic performing arts venues in New York City. As an intrinsic part of Broadway, this historic theater first opened its doors in 1921 and ever since then, it has been the stage for numerous successful Broadway shows and legendary musicals. In its early years, it was known as The National Theatre, where it hosted renowned productions such as Showboat, which revived the Golden Age of musical theatre. In 1980, the name of the theatre was changed to the Nederlander in honor of theatre owner David Nederlander. Since then, it hit new highs, staging several hit musicals including 'Rent,' which ran for a phenomenal 12 years. 

**How to get there**: The Nederlander Theatre is located at 208 W 41st St, New York, NY 10036. You can easily reach the venue via public transportation. If you're taking the subway, you can take the A, C, E to 42nd Street, exit at 41st Street, then walk a bit to the west. Alternatively, the 1, 2, 3, 7, N, R, Q, W, S trains all stop at Times Square 42nd Street.

Nederlander Theatre - NY

Nederlander Theatre

The Nederlander Theatre is a historic Broadway venue in NYC, famous for countless hit shows. It's accessible via multiple subway lines.

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The Armory Show After Hours - NYC [47265]

The Armory Show After Hours

The Jacob K Javits Convention Center, popularly known as the Javits Center, is a sprawling multipurpose venue located in the heart of New York City. This impressive complex offers a stunning mix of functionality and design. It is renowned for hosting a variety of theatrical performances, prestigious international conventions, trade shows, and exhibitions annually. With a space of about 1.8 million square feet, Javits center is an architectural marvel that captivates with its sleek ultra-modern glass structure. 

The Center is frequented by locals and tourists alike who come to witness its magnificent theater performances and events. The venue features state-of-the-art technology and has incorporated sustainable design elements, including a green roof and energy-efficient lighting. The Javits Center truly reflects the vibrancy of New York City’s dynamic theatrical scene and is a significant cultural hub of the city.

**How to get to Javits Center**:

The Javits Center has excellent connectivity with various parts of the city through a robust system of subways, buses, and taxis. The closest subway station is the 34th Street-Hudson Yards stop on the 7 train, providing a direct, convenient link to the venue. Alternatively, one can also take a M34 bus, which runs across 34th Street and stops directly outside the center. For those preferring to drive, several parking lots are available in the immediate vicinity of the center.

Jacob K. Javits Convention Center

Javits Center is a multipurpose venue in NYC hosting theatrical performances, international conventions, and featuring state-of-the-art facilities and sustainable design.

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Cat Cohen: Broad Strokes - NYC [46802]

Cat Cohen: Broad Strokes

The Lucille Lortel Theatre, located in the heart of New York City's West Village, serves as an outstanding venue for off-Broadway productions. Originally built in 1926 as a film studio, it was transformed into an 18th-century style theatre in 1955 by Lucille Lortel. It seats comfortably 299 people. The theatre has hosted a wide variety of dramatic and musical productions, contributing significantly to New York's rich theatrical history. The mission of the venue today is to innovate, provoke, and reimagine what theatre can be, music to the ears of many theatre aficionados. The Lortel presents new, original productions along with classics of the stage. The excellent acoustics, unique intimacy, and the charm of the neighborhood truly make for a unique experience. The theatre is also home to the annual Lucille Lortel Awards, which recognize excellence in off-Broadway theatre. 

**How to Get There:** The Lucille Lortel Theatre is conveniently located at 121 Christopher Street. It's easily accessible by subway, the nearest stop is Christopher Street on the 1 Line. Also, the A, C, E, B, D, F, and M trains stop at West 4th Street, a short walk away. There are also numerous bus lines. For those driving, there are public parking lots nearby. Please remember to check the MTA for any route changes due to maintenance or construction.

Lucille Lortel Theatre - NY

Lucille Lortel Theatre

What's on at Lucille Lortel Theatre in New York City. Browse upcoming shows, check showtimes, and get tickets on TodayTix.

Lucille Lortel Theatre — Shows & Tickets | NYC | TodayTix

The Lucille Lortel Theatre in New York is a historic off-Broadway venue in the West Village known for unique productions. It can be reached by various subway and bus lines.

*The Rocky Horror Show* is a cult classic musical about a young, straight-laced couple who wanders into a mansion that unleashes a cast of colorful characters, their own desires, and plenty of zany fun.

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What would happen after *Romeo & Juliet* if Juliet didn't die? That's the question this pop-fueled musical, from songwriting icon Max Martin and a writer on *Schitt’s Creek*, asks. Jam out to tunes made famous by Britney Spears, the Backstreet Boys, Pink, and more.

Go on an adventure through Hogwarts and beyond with a new generation of wizards. Harry, his friends, and his son go on a time-traveling quest in this stage sequel to J. K. Rowling's books, brought to life with special effects that leave audiences of all ages spellbound.

Harry Potter and the Cursed Child on Broadway

*Paranormal Activity* is a play based on the cult film about a haunting that follows a young couple.

Paranormal Activity on Broadway

*Schmigadoon!* is a musical comedy based on the hit TV show that spoofs Broadway's Golden Age.

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How does a show about an American Founding Father go on to revolutionize Broadway? Experience Lin-Manuel Miranda's Pulitzer- and Tony-winning hip-hop musical about how Alexander Hamilton fought, feuded, and financed his way into the history books.

Join the party at this new Broadway musical based on F. Scott Fitzgerald's iconic novel. The story of a mysterious millionaire and his quest to win back his former flame is now a splashy musical that brings the Roaring Twenties to life via colorful song and dance.

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*Just in Time* is a new, six-time Tony Award-nominated bio-musical about Grammy Hall of Fame Award winner Bobby Darin. This jukebox show traces the singer’s rise to stardom, marriage to Sandra Dee, and the personal surprises that upended his life.

Just in Time on Broadway

*The Lost Boys* introduces a new generation to the cult classic movie, in which teenagers move to California and uncover their small town’s underground population of bloodthirsty vampires.

The Lost Boys on Broadway

The Lost Boys TTNY Hero Image Test - July 2026

Escape into a spectacular Parisian nightclub that's not just a place, but a state of mind. Feel truth, beauty, freedom, and love at the star-crossed love story of a writer and a courtesan, based on the Oscar-winning Baz Luhrmann film and packed with more than 40 pop hits.

Moulin Rouge! The Musical on Broadway

Say hello to the Tony Award-winning Best Musical by the creators of *South Park* and *Avenue Q*. The story of two Mormon missionaries who get more than they bargained for when sent to convert an African village has spread the good word on Broadway for more than a decade.

The Book of Mormon on Broadway

Greek mythology gets a folksy, jazzy twist at this eight-time Tony-winning Best Musical. The story of the musician Orpheus's journey to the underworld to rescue his lover, Eurydice, takes on new depths of life and emotion in Anaïs Mitchell's show.

*Two Strangers (Carry a Cake Across New York)* is an original, new musical comedy about two ordinary people, a cheery Brit and a lifelong New Yorker, who go on a city adventure and spark a connection along the way.

Two Strangers (Carry a Cake Across New York) on Broadway

Experience the story behind the King of Pop's singular career and greatest hits. The Tony-winning musical offers a deep look into his creative process and all the energy of a Michael Jackson concert, complete with more than 20 of his classic songs and signature dance moves.

MJ The Musical on Broadway

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Set sail on the Ship of Dreams with Celine Dion, who has the inside scoop on what really happened to Jack and Rose on the doomed Titanic. Dion's greatest hits and up-to-the-minute pop culture jokes power this zany spoof on James Cameron's Oscar-winning film.

Titanique on Broadway

How did the Wicked Witch of the West become wicked? This *Wizard of Oz* prequel musical explores her and Glinda the Good Witch's untold origin stories. Hear now-classic showtunes like "Defying Gravity" at Broadway's fourth-longest-running show.

Wicked on Broadway

Wicked Production Hero

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The Grammy-winning, landmark Cuban album by the same-named music group is now the basis for a vibrant, celebratory musical, which has been nominated for 10 Tony Awards. Relive the Golden Age of Cuban music while hearing the renaissance of genres like son, bolero, and danzón.

Buena Vista Social Club on Broadway

The Kander and Ebb musical about murderesses-turned-overnight-celebrities has razzle-dazzled audiences for decades. With a rotating lineup of stars in the lead roles, you never know who you'll see as starry-eyed housewife Roxie, veteran vaudevillian Velma, and more.

Chicago on Broadway

Join the circle of life at this stage adaptation of the beloved Disney film, on Broadway for 25 years and counting. Awe-inspiring puppetry and timeless songs like "Can You Feel the Love Tonight" bring alive the story of a lion cub growing up to take his rightful place as a leader.

The Lion King on Broadway

This sharp, timely thriller examines how a new tech opportunity impacts the lives of four friends.

Disruption

You've read S. E. Hinton's book, you've seen Francis Ford Coppola's film, now see the stirring musical adaptation. Folk showtunes by Jamestown Revival give new life to the story about teenage street gangsters finding hope and brotherhood in a world that rejects them.

The Outsiders on Broadway

A unique, contemporary rom-com that won the 2025 Tony Award for Best Musical, *Maybe Happy Ending* follows two robots who meet, connect, and maybe fall in love, getting a second shot at life after the world has deemed them obsolete.

Maybe Happy Ending on Broadway

Get *Stranger Things: The First Shadow* tickets and see the world before it turns upside down. The origin story of the hit Netflix series follows younger versions of fan-favorite characters as they deal with unusual happenings in Hawkins. Now nominated for five Tony Awards.

Stranger Things: The First Shadow on Broadway

*Operation Mincemeat* is a four-time Tony Award-nominated musical based on the Allies’ war operation of the same name that helped them win World War II. Much more than a history lesson, the uproarious comedy is parts farce, thriller, and Ian Fleming-style spy caper.

Operation Mincemeat on Broadway

Based on the bestselling novel, *Ragtime* is a musical epic that features three fictional families as they move through a rapidly changing New York in pursuit of the American Dream.

Ragtime on Broadway

This Tony Award-winning pop musical gives 16th-century drama a 21st-century feminist twist. The six wives of Henry VIII become a fierce girl group who take back their crowns and rewrite their histories in the style of a rousing arena concert.

SIX on Broadway

Your wish for spectacular, magical, all-ages entertainment is granted at this musical adaptation of the Disney film. Hear timeless songs like "A Whole New World" at this story of a ruffian who, with a little help from a genie, transforms into a prince to win over a princess.

Aladdin on Broadway

Aladdin cave

Masquerade

When a nerdy flower shop worker finds a mysterious talking plant, it completely changes his life — but at a bloody cost. Go down to Skid Row for the latest revival of Alan Menken and Howard Ashman's horror comedy blossoming off Broadway.

Little Shop of Horrors

*The 25th Annual Putnam County Spelling Bee* is a charming and witty musical about adolescent students competing to win a local spelling competition while coping with teenage issues along the way.

The 25th Annual Putnam County Spelling Bee

*Heathers* is a musical comedy based on the cult film and follows Veronica as she tries to navigate teenage issues, first love, and three Heathers who rule the school with an iron fist.

Heathers The Musical

*Cat Cohen: Broad Strokes* is a new solo comedy show about a (literal) hole in the heart, mortality, and being the main character.

*Heated Rivalry: The Unauthorized Musical Parody* satirizes the hit TV show about hockey players falling in love.

Heated Rivalry: The Unauthorized Musical Parody

AMAZE Magic

Nonstop wrongs make one hilarious right at this slapstick comedy play from Mischief Theatre Company. Two hours of laughs await at this show about an amateur theatre troupe running into mishap after mishap at the opening night of their new murder mystery show.

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