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The global phenomenon gallops home to the National Theatre.

The Olivier Theatre, sitting delightfully at the heart of London, is one of the largest public stages in the United Kingdom. Named after the celebrated British actor, Laurence Olivier, this grand venue is housed within the iconic National Theatre complex on the South Bank of the Thames. The theatre promises a unique experience with its open stage and fan-shaped auditorium, inspired by the ancient Greek theatre at Epidaurus. With an impressive seating capacity of about 1,150 spectators, it regularly hosts a diverse range of productions, from timeless classics to innovative contemporary performances.
**How to Get There**
The Olivier Theatre is highly accessible. It is located at South Bank, London SE1 9PX. If you're using public transit, getting off at the Waterloo Station is the best option. It's just a 5-minute walk from there to the theatre. Alternatively, Blackfriars and Westminster stations are located within walking distance too. For those considering driving, parking facilities can be found at the nearby Upper Ground Car Park. The theatre also provides excellent facilities for bicyclists, with several bicycle parking bays available around the building. Respecting the environment while attending the theatre is encouraged.

National Theatre - Olivier - LON

Olivier Theatre

Olivier Theatre is a renowned venue in London's National Theatre. Easily reachable via public transport, it offers a distinctive theatrical experience.

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West End musicals, plays, and live events in London tonight. Same-day Rush tickets, Lottery entries, and last-minute deals on TodayTix.

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LON | TT | Carousel - Web Homepage | The Lives of Others | 46914 

The Lives of Others - LON [46914]

The Lives of Others

LON | The Lives of Others | 46914

1984. East Germany. A writer and an actor are placed under state surveillance. From the attic above their apartment, their Stasi man listens for evidence of subversion. But to observe a life is to risk changing your own.

The Adelphi Theatre, located in London's West End, is a historic venue recognised for its rich contribution to London's vibrant theatre scene. Exquisitely built in Art Deco architectural style, the Adelphi boasts an impressive history of notable performances and theatrical debuts since it first opened its doors in 1806. With a seating capacity of around 1,500, the venue ensures a sumptuous viewing experience enhanced by modern equipment, tastefully restored interiors, and comfortable seating that allows audiences to get lost in the art unfolding onstage. Over the years, the venue has hosted a range of compelling performances, be it dazzling musicals, thought-provoking dramas, or riveting mystery thrillers, contributing to its reputation as a central hub for quality theatre. Some of the famous shows to grace its stage include Chicago, Joseph and the Amazing Technicolor Dreamcoat, Evita, and more recently, Waitress. **How to get to the Adelphi Theatre**: Located on The Strand, the theatre is just a short walk away from various bus stops, tube stations, and railway stations. The nearest tube station, Covent Garden, is only a 5-minute walk away, while Charing Cross, the nearest railway station, is a 7-minute walk. Several bus routes service The Strand, making the theatre readily accessible from all parts of London.

Adelphi Theatre - LON

Adelphi Theatre

The historic Adelphi Theatre in London's West End hosts notable performances in 1,500-seating capacity auditorium, and is easily accessible via public transport.

LON | TT | Carousel - Web Hompage | My Neighbour Totoro | 25389 

LON | TT | App Carousel | My Neighbour Totoro | 25389

Ages 6+. Children under the age of 4 (including babes in arms) will not be admitted. Children need to occupy their own seat. Under 16s must be accompanied by an adult. All guests, regardless of age, must have a valid ticket.

My Neighbour Totoro - LON [25389]

My Neighbour Totoro

LON | All Retailers | Product Media | My Neighbour Totoro | 25389

The best entrance you’ll see in a theatre this year belongs to the title character in this feverishly anticipated stage version of Studio Ghibli’s 1988 anime film. Behind the curtains, a giant silhouette gradually appears, and when those curtains swing open, we finally see him: a huge shaggy mass, so enormous, so peculiar and so utterly beguiling that the audience breaks into rapturous applause. It’s the moment that we know, behind doubt, that the RSC has got this exactly right: *[My Neighbour Totoro](https://www.londontheatre.co.uk/show/25389-my-neighbour-totoro-tickets)* is going to be a massive hit.

In fact, the production was a record-breaker before it even opened. It’s the fastest-selling ticket in Barbican history – beating the previous holder, Benedict Cumberbatch’s *Hamlet*. The Japanese [Studio Ghibli](https://www.londontheatre.co.uk/theatre-news/news/studio-ghibli-my-neighbour-totoro-on-stage-world-premiere) has a passionate international following thanks to work like the Oscar-winning *Spirited Away*, *Howl’s Moving Castle* and *My Neighbour Totoro*. But could the studio’s very specific aesthetic and tone really be translated to the stage? 

Absolutely. Tom Morton-Smith’s adaptation strikes a perfect balance of honouring Hayao Miyazaki’s creation and seeking a new theatrical language, brilliantly realised in Phelim McDermott’s exquisite production. The 1950s-set story is a fairly simple one: 10-year-old Satsuki and four-year-old Mei move with their father from Tokyo to the countryside, so they can be nearer to their hospitalised mother, who has tuberculosis. There they encounter the extraordinary spirits of the forest, like Totoro. That leaves plenty of room for flights of imagination, and for beautiful detail in the world-building and relationships.

Most effectively, the production keeps us in that child’s-eye view. McDermott plays cleverly with scale: the goat is larger than usual, because it’s being viewed by an alarmed – and petite – Mei. We only hear snippets of adult conversations, particularly about the mother’s health crisis. But we’re fully immersed in that childlike awe at each discovery: the city girls’ pleasure at collecting acorns, watching tomatoes ripen on the vine, seeing a clear moon, and then finding that extra wonder in the sprites. You could interpret it as animism or a modern climate change message, or just a love of nature.

Likewise, the show itself takes great delight in each creative solution to telling this wild and wonderful fairy tale. The black-clad ensemble of skilful puppeteers brings the soot sprites to life by dancing them around on wires, until they fly up into the sky on what looks like a nursery mobile. One side of a bus is whisked on – with the lead performer, holding up the driver, deliberately overshooting it to give the audience a knowing chuckle. They weave between being invisible and visible, filling that liminal space and suggesting that there are ever-present spirits supporting us: an extremely comforting notion right now.

Of course, the most important element here is the puppets representing Totoro and his clan. Designed by Basil Twist, and built by Jim Henson’s Creature Shop, they are simply spectacular. Totoro has to be big enough that Mei can clamber onto his belly – and he is. 

He’s also a mad mix of bunny, owl and fuzzy washcloth, with wiggling ears, a rubber tongue in his Muppet-like mouth and a gleaming Cheshire cat grin (Lewis Carroll is a definite comparison point here), who communicates in whale noises and the occasional roar. He’s ancient, unhurried, strange. His smaller pals have waddling chicken feet and googly eyes. And wait until you see the Catbus: lit like a beacon, gambolling on its improbable 12 legs.

Tom Pye’s set also has real wow factor. The family’s home, with distinctive sliding screens, comes apart and reforms in different configurations, in harmony with the giant trees with curling branches that glide into view. The band, who play film composer Joe Hisaishi’s evocative score live, are perched up on wooden platforms, part of the forest. The paddy farmers slide onto the stage, plants in rows attached to their feet like skis. Amidst the greenery, the girls’ dresses are pops of colour, pink and yellow. 

That lead pair are wonderfully played by Ami Okumura Jones, whose perceptive Satsuki lurks somewhere between innocence and adulthood, and Mei Mac, who hilariously embodies the fearless ball of energy that is Mei. Both have convincingly youthful physicality, bouncing up and down on their toes in excitement, pleating the front of their dresses when nervous, or puffing themselves up to look fierce. (Superb movement direction throughout from You-Ri Yamanaka.) There’s lovely support too from Nino Furuhata as local boy Kanta, who gets tongue-tied around girls, and Jacqueline Tate as the kindly Granny.

In fact kindness is all around in a tender piece that prizes generosity, community and patience; even Jessica Hung Han Yun’s ravishing lighting feels like a rush of warmth. The film’s most famous scene is an absolute stunner here: as the girls wait at the bus stop for their father, in the rain, Totoro slowly lumbers up to them. Satsuki lends him an umbrella, and this wise creature is utterly charmed by the sound of the raindrops pinging off his new covering. It’s a reminder to take time to savour our surroundings, and to find joy even in the toughest times. Theatre at its most magical.

*My Neighbour Totoro at the Barbican to 21 January 2023. Book tickets to My Neighbour Totoro on London Theatre.*

[![LT - CTA - 250](//images.ctfassets.net/6pezt69ih962/1t6HRGmhlYl70k6PmR0mOZ/3caac861bc1d4233cd7844652c925623/LT-CTA-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=25389&content_product_id=25389&venue_id=788)

*Photo credit: The cast of My Neighbour Totoro at the Barbican. (Photo by Manuel Harlan)*

'My Neighbour Totoro' review – this Studio Ghibli adaptation is theatre at its most magical

Read our review of *My Neighbour Totoro* in London, Tom Morton-Smith's new stage adaptation of the Studio Ghibli film originally created by Hayao Miyazaki.

Don't miss the theatrical event of 2025, the record-breaking, award-winning My Neighbour Totoro is now playing in London's West End.

The Gillian Lynne Theatre, formerly known as the New London Theatre, is a prestigious performance venue in the West End of London. Located in Covent Garden, the theatre is home to an array of world-class performances, ranging from musical theatre, plays, and concerts. The theatre was renamed in 2018, in honour of the renowned British ballerina and choreographer, Dame Gillian Lynne. The architecture of this unique venue is innovative and captivating, with a circular auditorium that offers an immersive viewing experience. The theatre is also known for its state-of-the-art facilities, excellent acoustics, and a seating capacity that can accommodate over 1,000 spectators.
 ### How to get to the Gillian Lynne Theatre:
 The Gillian Lynne Theatre is accessible through various means of transportation. The closest underground station is Holborn, which is a short five-minute walk to the venue. Alternatively, you can also reach the theatre by bus, with the following routes: 1, 59, 68, 91, 168, 171, 188, 243, and 521 stopping near the venue. If you prefer to drive, the nearest car park is located at the Bloomsbury Square Car Park.
 Please note that due to the theatre's central location, it is advisable to check for any possible travel disruptions or roadworks before your journey.

Gillian Lynne Theatre - LON

Gillian Lynne Theatre

The Gillian Lynne Theatre is a prestigious venue in London's West End, offering world-class performances and excellent facilities. It's easily accessible via public transportation.

LON | TT | Carousel - Web Hompage | Jesus Christ Superstar 

LON | TT | Carousel - Web Hompage | Jesus Christ Superstar | Square 

LON | TT | Carousel | Web Homepage | Hadestown | 24465

Ages 8+. Children aged 14 and under must be accompanied by, and sat next to, an adult aged 18 or over.

Hadestown - LON [24465]

Hadestown

Hadestown - LON [24465] Product Media  

HADESTOWN takes you on an unforgettable journey to the underworld and back, intertwining two mythic love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone. 

The Lyric Theatre, located in the heart of London's West End, showcases an array of stunning productions that immerse spectators in captivating performances. Established in 1888, it is one of the oldest playhouses in the city, boasting of an ornate Victorian design. The gilded balustrades, multi-tiered balconies, and grand proscenium arch create an environment that harks back to the rich tradition of British theatre. Currently, it hosts over 900 spectators, promising an intimate experience. Over the years, it has featured renowned shows like ‘Cats’ and ‘Thriller Live’. 

## Getting to the Venue 

Situated on Shaftesbury Avenue, reaching the Lyric Theatre is straightforward. The nearest underground station is Piccadilly Circus, just a four-minute walk away. It's served by the Bakerloo and Piccadilly lines, offering convenient access from various parts of London. If travelling by bus, lines 14, 19, 22B, 38, 53, 88, 94, and 159 all stop nearby. For those driving, the closest car park is at Brewer Street, about a ten-minute walk away. Do take note of congestion charges when planning your visit.

Lyric Theatre - LON

Lyric Theatre

The Lyric Theatre, in London's West End, is a Victorian era theatre hosting mesmerising performances. Easy accessibility via public transport.

LON | TT | Carousel - Web Homepage | Beetlejuice | 45407 

Beetlejuice - LON [45407]

Beetlejuice

LON | Beetlejuice | 45407

Based on Tim Burton’s beloved movie classic, this wildly funny - and weirdly life-affirming – musical tells the tale of Lydia Deetz, a strange and unusual teenager sharing her home with a pair of newly-deads and the demonic ghost-with-the-most, Beetlejuice. He’s dead trouble, but if you really want to feel alive, just say his name three times…

The Prince Edward Theatre, one of London's most celebrated theatrical venues, is located in the heart of the city's West End. Opened in 1930, the theatre boasts a rich history and an impressive architectural style with art deco influences. The theatre is famous for hosting ground-breaking productions, with a focus on large-scale musicals. Its 1600-seat auditorium is renowned for the spectacular performances it entertains, and for its elegant and lavish interior. Notable productions include 'Evita', 'Miss Saigon', and the current long-running 'Aladdin'. The theatre was considered special even during its inception, as it was the first theatre built on a steel frame giving it a wider, roomier feel. The Prince Edward theatre is a must-visit for anyone wishing to immerse themselves in the captivating world of London Theatre.

## How to Get to the Venue
The Prince Edward Theatre is situated at Old Compton Street, in London's bustling Soho district. It is well served by public transport. To get there, you can take the Tube to Leicester Square or Tottenham Court Road station, and then walk for about five minutes. Be aware that this is a particularly busy area of London, so it may be advisable to allow extra time for your journey.

Prince Edward Theatre - LON

Prince Edward Theatre

The Prince Edward Theatre in London's West End is renowned for its history, architecture and large-scale musicals. It is easily accessible via Tube.

LON | TT | Carousel - Web Hompage | Cabaret | 23939 

Ages 12+. At parent/guardian's discretion.

Cabaret - LON [23939]

Cabaret

Cabaret - LON [23939] Product Media

We have no troubles here. In here, life is beautiful.The<a href="https://www.londontheatre.co.uk/theatres/kit-kat-club"> Kit Kat Club</a> is the ultimate escape. After a difficult or even ordinary day, the fanfare, glitz, and glamour feel like a portal to another time, where you'll be greeted with complimentary schnapps, dancing chorus members, and a lascivious pre-show smorgasbord.&nbsp;From the gilded lobby, disco-lit basement, and everywhere in between, the space creates an all-encompassing atmosphere, right down to the aptly named cabaret tables, a design element director Sam Mendes also used in his 1993 production at the Donmar and later&nbsp;on Broadway, where it was revived in 2014.&nbsp;However, here, director Rebecca Frecknall levels up the concept, and maybe this time, the stakes are a little higher and a little more intense. Coupled with Tom Scutt's immersive design and Isabella Byrd's atmospheric lighting, this production feels like a world away from outside.&nbsp;Or does it really? The headlines feel eerily similar today as when Joe Masteroff, John Kander, and Fred Ebb wrote their iconic musical about an American writer and a struggling nightclub performer in 1920s Berlin, who find themselves torn between a struggle to survive in love and life amid the rising glare of Nazism. There are, in fact, many troubles here.&nbsp;And Frecknall doesn't pull any punches with her high-concept approach, which takes a cue from Christopher Isherwood's Goodbye to Berlin and John van Druten's 1951 play, on which the show is based. The approaching horror and absurdism of this escape is at the forefront, and her highly choreographed tableau feels like a ballet or a marionette show, where someone calculating is pulling all the strings.&nbsp;At the center of this circus stands the Emcee, played here with impish wackiness by Eddie Redmayne. Redmayne slithers around the stage, contorting his being every which way to almost distracting effect. Redmayne is not a commanding showman, as is a tempting take for the Emcee, but instead he uses gesture and sensuality to make the audience lean in. As the musical gets progressively darker, Redmayne's Emcee becomes more and more absurd, almost half American Horror Story: Freakshow and half Martha Graham dancer, and his final iteration is the most horrific.&nbsp;In contrast to Redmayne, Jessie Buckley is all bravado and belt. Her Sally Bowles is the ultimate starlet, taking a note or three from Liza Minelli's iconic film performance in the role, and she dominates the stage with effortless charisma and appeal. She's irresistible. Even in the quieter, heartbreaking moments, she conveys an emotional depth and density, and she nails the 11 o'clock title song. (While many may argue that Sally Bowles as a character is not supposed to be a good singer, neither this production nor Buckley respect that take.)This production highlights the ensemble nature of the show, featuring a chorus of extremely talented dancers, seemingly inventing new ways to move with Julia Cheng's choreography, and the supporting cast offers a deep emotional contrast to the more showy club scenes.&nbsp;As Fraulein Scheider and Herr Schultz, Liza Sadovy and Elliot Levey hold the beating heart of the piece and shatter it into pieces. Anna-Jane Casey stands out as Fraulein Kost, and Omari Douglas does his best naive fish-out-of-water as American writer Clifford Bradshaw.&nbsp;<a href="https://www.londontheatre.co.uk/show/23939-cabaret">Cabaret</a> feels like a story we need and also don't need right now. On the one hand, it's a glorious ode to escapism and forgetting the troubles that bind us. But some of the "troubles" we're going through right now aren't that far off from Jazz Age Berlin, with abortion legislation under fire in the United States and government oversight of Covid-19 brewing further division.&nbsp;And Frecknall's searing, haunting final stage portrait seems to imply that escapism only lasts so long. Sooner or later, if we don't face our troubles, our troubles will find us. After all, life isn't really a cabaret, old chum.<a href="https://www.londontheatre.co.uk/show/23939-cabaret">Cabaret is playing at the Kit Kat Club. Book tickets to Cabaret on London Theatre.&nbsp;</a>

'Cabaret' at the Kit Kat Club review — Come to the cabaret with Eddie Redmayne and Jessie Buckley

The Kit Kat Club at the Playhouse Theatre is an iconic venue rooted deep in London's cultural heart. Immortalized by the legendary play 'Cabaret', this famous locale comes alive every night, brimming with elegance, sophistication, and a richly provoking ambiance. The Satine interior design is steeped in history, featuring rich, dark reds and a stunning crystal chandelier. Parquet floors and large French windows looking out over the busy London streets further imbue the Kit Kat Club with an irresistible allure. Here, the sounds of decadence echo long into the night, as theatre fanatics, tourists, and curious wanderers seek solace in its welcoming atmosphere.

### Getting to the Venue

Centrally located, the Kit Kat Club at the Playhouse Theatre is easily accessible. The nearest underground station is Embankment (Circle, District, Bakerloo, Northern lines) which is just a short walk away. Also, Charing Cross Station (National Rail services, Northern and Bakerloo lines) is close by. Numerous buses service the Strand, and there are taxi ranks at Charing Cross. There are car parks at Trafalgar Square or on the South Bank. Whether by public transport, car, or on foot, getting to the Kit Kat Club at the Playhouse Theatre is convenient and effortless.

### Additional information

Venue opens 75min before showtime.

Please arrive with plenty of time, latecomers will be admitted at a suitable point, which may be the interval.
Please note that once the show begins, we cannot guarantee readmission to the auditorium if you need to leave your seat for any reason. This is for both your safety and the safety of the performers. It may be up to a 30 minute wait before you are allowed back to your seat. If you have any requirements which mean you're likely to need to leave the auditorium mid-show, please speak to member of staff before the show begins.

Kit Kat Club at the Playhouse Theatre - LON

Kit Kat Club at the Playhouse Theatre

The Kit Kat Club at the Playhouse Theatre is a historic, iconic theatre venue in London, easily accessible via multiple transport options.

LON | TT | Carousel - Web Homepage | The Mousetrap | 333 

Ages 7+ (recommended). Under 16s must be accompanied by an adult. Under 4s will not be admitted. All children must have their own ticket.

The Mousetrap - LON [333]

The Mousetrap

The Mousetrap [333] - LON Product Media

Agatha Christie's '<a href="/show/the-mousetrap">The Mousetrap</a>', opened in the West End on the 25th November 1952, which means it has been running for over 50 years making it the world's longest running play - an incredible achievement for any play and one that the producers are rightly proud of. In the course of the first 50 years, according to the programme notes, over 10 million people have seen the show and over 395 tons of ice cream have been sold!So what is the show's success? Part of it has to do with the fame of playwright Agatha Christie. In 1962 UNESCO announced that she was the most widely read British writer in the world, beating even Shakespeare, who came a miserable second. As the creator of such famous sleuths as Miss Jane Marple and the famous French, sorry Belgian, Detective Hercule Poirot, Agatha Christie is the most famous 'whodunnit' crime writer of all time. Who has not heard of "Death on the Nile" or "Murder on the Orient Express"?Agatha Christie's fame has surely played a part in this show's success. In the 1950's Christie's books were regularly in the top sellers list. It was hardly surprising that a play, which has never been published or turned into a movie or tv programme, should attract avid fans. Since that initial enthusiasm the show has now become one of the essential things to do on many a tourists schedule - go to Buckingham Palace, visit the Tower of London and see 'The Mousetrap'.The play is your regular 'whodunit' mystery. Eight people are snowed in at a guest house: Mollie and Giles Ralston, the owners; four invited guests, each with eccentric characteristics; the unexpected guest, who turns up out of the blue after his car overturns in the snow storm; and finally a skiing detective. Once everyone has arrived it is not long before a murder takes place and the detective assembles all the guests together and interrogates them one by one. Each avoid the truth, some by silence and others by lies? Can the murderer be caught before more deaths happen?The story, whilst sensational and full of silly coincidences, is actually quite good. The characters are, despite their histrionics, vivid and they interact amongst themselves with macabre amusement. There are enough false clues to keep you guessing and a few hidden ones that mean if you stay alert you will not be too surprised to discover that the murderer is ****. Just kidding! If you want the answer to that question then you will need to go and see this quintessentially English murder mystery for yourself.NOTE: The star rating was added to this review by the editor after original publication<a href="/show/the-mousetrap">The Mousetrap Tickets</a> are now on sale.&nbsp;

The Mousetrap Review

AGATHA CHRISTIE’S THE MOUSETRAP is the world’s longest-running play. This thrilling West End production is THE genre-defining murder mystery from the best-selling novelist of all time… case closed!

St. Martin's Theatre, a London theatre venue situated in the heart of the West End, is a heritage of British theatrical history. Originally built in 1916, it is one of London's oldest and most respected venues, significantly known for hosting the record-breaking show, The Mousetrap, by Agatha Christie. St. Martin's Theatre flaunts a breath-taking architecture, showcasing Edwardian style designed by architect W.G.R. Sprague. The theatre can accommodate 550 people, promoting an intimate viewing experience for all. Its interiors are adorned with ornate detailing, adding a touch of royal aesthetic to the viewer's experience. The theatre not only holds stage shows but also hosts concerts and film screenings, making for a versatile environment. **Getting to the venue:** St. Martin's Theatre is located at West Street, near Shaftesbury Avenue in Covent Garden. It's an approximately 10-minute walk from Leicester Square station, serviced by the Piccadilly and Northern lines. Numerous buses also stop near the theatre. The nearest car park is Q-Park Trafalgar, but with congestion charges applicable in the area, public transport is highly recommended.

St. Martin's Theatre - LON

St. Martin's Theatre

St. Martin's Theatre is a renowned London theatre venue known for hosting Agatha Christie's The Mousetrap. It's easily reachable by public transportation.

UK - Now On Sale (Pre-Cal Only)

Prepare for a sizzling catwalk of drama and haute couture in *The Devil Wears Prada*. Based on the hit film starring Meryl Streep and Anne Hathaway, follow aspiring journalist Andy on her rollercoaster journey working for the formidable fashion editor, Miranda Priestly. 

The Devil Wears Prada

UK - Exclusive Offer

Don’t miss *Kinky Boots*, a Tony-award-winning, smash-hit musical starring Johannes Radebe and Matt Cardle in this fantastic new London production.


Kinky Boots The Musical

UK - Special Offer

Don’t miss *Dracula* and sink your teeth into this one-person reinvention of Bram Stoker’s most classic gothic horror novel, starring Cynthia Erivo in all 23 roles. 

Dracula

Life is a cabaret, old chum! Don't miss this revival of a Kander and Ebb classic, and be immersed into the Kit Kat Club with the incredible transformation of the Playhouse Theatre. Leave all your troubles at the door and see this seven-time Olivier Award-winning production of *Cabaret* in London's West End.

*Hercules*, the audience-favourite Disney film about a young demigod growing up on Earth, comes to the West End stage in an exciting musical adaptation. 

Disney's Hercules

Summer Theatre Sale - UK

This show will change your life! See the multi-award-winning satirical comedy by the creators of South Park. Follow Elder Price and Elder Cunningham, two mismatched Mormon missionaries, as they embark upon an absurd journey to recruit the people of Uganda into the Church of Latter-Day Saints. 

The Book of Mormon

tt-hero-image-mormon-lon-may25

Agatha Christie's *The Mousetrap* has been entertaining audiences for over a record-breaking seventy years in London's West End. Will you be able to solve this murder mystery? Seven guests at Monkswell Manor become stranded during a blizzard, but they soon discover that it is the least of their worries.

How did the Wicked Witch of the West get that name? Find out at this prequel to *The Wizard of Oz*, which has defied gravity in London since 2006. Hear songs like "Popular" and "Defying Gravity" at the story of how Elphaba and Glinda started out as friends before their lives changed for good.

Wicked

Come on down to the Moulin Rouge and experience the spectacular stage adaptation of Baz Luhrmann's iconic 2001 film. Step into the Bohemian world of Montmartre as Christian falls head over heels for Satine. Their love story unfolds amidst the vibrant Moulin Rouge cabaret, where their romance faces trials of societal norms, jealousy, and a tragic fate.

Moulin Rouge! The Musical

Everybody's a little bit naughty — don't miss out on seeing the musical adaptation of Roald Dahl's classic novel. With music and lyrics by Tim Minchin, embark on a journey with the mischievous Matilda as she demonstrates that even the smallest person can make a big difference.

Matilda The Musical

Do you hear the people sing? Join the revolutionary spirit in the West End's longest-running musical. *Les Misérables* follows Jean Valjean's quest for redemption, unfolding against the backdrop of 19th-century France. Hear all your favourite songs from this timeless score, including "I Dreamed a Dream" and "Bring Him Home."

Les Misérables

Don’t miss *1536*, a compelling play written by Ava Pickett, making its West End debut. The play masterfully balances themes of misogyny and power imbalances with care and witty humour. 


1536

Don't miss the theatrical event of 2025, the record-breaking, award-winning My Neighbour Totoro is now playing in London's West End. 


Sinatra The Musical

Divorced, beheaded, live on stage! This award-winning musical brings the six wives of Henry VIII to life in a sensational pop concert. These fierce and feisty queens reclaim their stories, with catchy tunes and empowering lyrics, it's a historical remix that reigns supreme.

Visit the Pride Lands and see the stage adaptation of the Disney classic movie, *The Lion King*. Featuring Elton John and Tim Rice's beloved songs "Can You Feel the Love Tonight" and "Circle of Life," witness the incredible puppetry and effects in Julie Taymor's groundbreaking production.

The Lion King

Don’t miss *Avenue Q*, the three-time Tony Award-winning, outrageously hilarious musical that brings Princeton and his silly neighbours back to the West End for another night of good fun. 


Avenue Q

Be in the room where it happens and catch Lin-Manuel Miranda's multi-award-winning show in the West End. *Hamilton* revolutionises the stage with a dynamic retelling of the ten-dollar founding father, Alexander Hamilton, through a catchy cross-genre score that blends various musical styles.

Hamilton

Follow Orpheus on a musical odyssey to rescue his love, Eurydice, from the depths of the underworld, where they confront trials, temptation, and the ultimate test of their love. This record-breaking, Tony-winning musical made its triumphant return to London's West End in 2024.

Don’t miss Cole Escola’s Tony-winning, smashing dark comedy *Oh, Mary!* as it storms into the West End, starring Catherine Tate as Mary Todd Lincoln. Directed by Sam Pinkleton, this critically acclaimed comedic masterpiece is unlike anything else on the London stage.


Oh, Mary!

Don’t miss *Into The Woods* as it returns to London in a fantastic new revival, directed by Jordan Fein. With a cast led by Kate Fleetwood, Katie Brayben, and Jamie Parker, Sondheim and Lapine’s most beloved musical comes to life with unforgettable storytelling. 


Into The Woods

Mamma Mia, here we go again! See this smash-hit musical featuring ABBA's greatest tunes, including "Dancing Queen" and "Waterloo." Sophie wants her father to be at her Greek Island wedding. The problem is, she doesn't know which one of three men he could be. Will any of them walk her down the aisle? Book tickets on TodayTix to find out.

Mamma Mia!

The award-winning musical, *Titanique*, which combines the Academy Award Winning film, *Titanic*, with the music of Céline Dion in a laugh-out-loud funny production, has its West End debut at the Criterion Theatre.


Titanique

Don’t miss *Grace Pervades*, an elegant new play by David Hare about Henry Irving and Ellen Terry and how they changed British theatre forever, starring Academy Award-nominee Ralph Fiennes alongside Miranda Raison. 


Grace Pervades

The Cornley Polytechnic Drama Society are putting on a 1920s murder mystery, but as the title suggests, everything that can go wrong... does! The accident-prone thespians battle against all odds to make it through to their final curtain call, with hilarious consequences!  

The Play That Goes Wrong

Long before the world turned upside down, Hawkins was just a regular town. Henry Creel's arrival might change all of that. A multi-award-winning creative team brings the hit Netflix show's world to life on stage in this gripping adventure. You don't want to miss this one. Trust us — friends don't lie!

Stranger Things: The First Shadow

Experience the music of the night with this ground-breaking Andrew Lloyd Webber musical. As the second-longest-running musical in London's West End, the musical has delighted audiences for over 35 years. Step into the grand Paris Opera House to witness a riveting tale of love, desire, and haunting secrets.

The Phantom of the Opera

The world premier of the circus spectacular, *Come Alive*, comes to the Empress Museum with the soundtrack from the hit film, *The Greatest Showman*. 


Come Alive! The Greatest Showman Circus Spectacular

Prepare for a musical journey like no other with *ABBA Voyage.* Hear the iconic hits of the popular Swedish band ABBA in this remarkable concert experience that will have all the dancing queens on their feet. Don't miss out on seeing ABBA's incredible avatars in this purpose-built arena.

ABBA Voyage

Wands at the ready! Step into the Wizarding World of Harry Potter for the much-anticipated continuation of the beloved book series, set nineteen years later. Magic will come to life before your very eyes in this spellbinding two-part adventure with Harry, Ron, and Hermione.

Harry Potter And The Cursed Child: Both Parts

The Tony and Olivier Award winning musical *Oliver!*, which tells the tale of young orphaned Oliver Twist trying to survive in 1830s London, returns to the West End.

Oliver!

Don’t miss Britain’s most loved character, Paddington, on stage in the world premiere production of *Paddington the Musical*. See Michael Bond’s books and the award-winning films by Studiocanal brought to life in an exciting new way. 


Paddington The Musical

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Following an acclaimed, sold-out run at the National Theatre, Oscar-nominated Rosamund Pike (Saltburn, Gone Girl) brings her ‘transfixing shape-shifting performance’ (Telegraph) to the West End in a 'searing legal drama' (Guardian) from the team behind global phenomenon Prima Facie.

Inter Alia

Down-on-his-luck Broadway producer Max Bialystock schemes with timid accountant Leo Bloom to create the biggest flop in theatre history - only to have it backfire spectacularly, and with thunderous applause. 

The Producers

Don’t miss Shakespeare’s *Romeo & Juliet* directed by Robert Icke and starring Sadie Sink and Noah Jupe in this brilliant new West End revival. 


Romeo & Juliet

Don’t miss *The Boy Who Harnessed the Wind*, this incredible, heartwarming new musical based on the extraordinary, best-selling memoir and true story from William Kamkwamba, as it arrives in the West End. 


The Boy Who Harnessed the Wind

London, 1890, a city rapidly expanding, devouring all in its path. Fresh off the success of his first big case, Sherlock Holmes misuses his time, until an unknown woman and a mysterious jewel arrive at 221b Baker Street.

As the chase begins, and with lives on the line, can Holmes and Watson pull back the curtain on the big show and reveal the mastermind behind this deadly conspiracy.

Sherlock Holmes

Don’t miss *The Hunger Games: On Stage* as it premieres at London’s Troubadour Canary Wharf Theatre. Adapted to screen by Conor McPherson (*The Brightening Air, Girl from the North Country, The Weir*) and directed by Matthew Dunster (*2:22 – A Ghost Story, Hangmen, The Pillowman*), this brand new performance is sure to be a smashing hit.


The Hunger Games: On Stage

Court is in session! Get ready for a thrilling trial in Agatha Christie's Witness for the Prosecution, staged in an authentic old courtroom at London County Hall. Leonard Vole stands accused of murder, declaring his innocence, but his wife's alibi refusal complicates matters. Will you crack the case?

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