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Moulin Rouge! The Musical

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The night belongs to the bohemians, as Baz Luhrmann's iconic 2001 film can-cans its way to vibrant life onstage in Alex Timbers's eyegasmic production. There's a new detail —&nbsp;an elephant, a windmill —&nbsp;everywhere you look in the bedazzled <a href="https://www.londontheatre.co.uk/theatres/piccadilly-theatre" target="_blank">Piccadilly Theatre</a>, dripping in red lights, lace, and velvet with Derek McLane's immersive set. Welcome to the Moulin Rouge.&nbsp;This is not your Parisian night club from the early 2000's in the film or from the turn-of-the-century (other century) France where the tragic love story of fledgling American writer Christian and washed-up showgirl Satine is set. This, mon chérie, is an all-new, all-adrenaline rush of a show that leverages the movie's magic and adds the secret ingredient: theatrical magic.&nbsp;Timbers is not afraid to use every tool in his directing arsenal with this self-aware, but not self-conscious, amalgamation of vintage and modern, classic and contemporary. Every creative team member is clearly working overtime to deliver excellence and opulence.Seventy-plus pop songs, precisely arranged by music supervisor Justin Levine? Check. Show-stopping ensemble dance numbers choreographed like a pop concert by Sonya Tayeh? You bet. A veritable smorgasbord of lighting effects from designer Justin Townsend? Of course. Jewel-dripping bodices and crushed velvet for days in Catherine Zuber's elaborate ensembles? Bien sûr.However, sometimes extravagance can mask the cracks, which make the barrier between art and life transparent. On Wednesday night's performance, this show-stopper literally stopped. During Act 2, between high-energy ensemble numbers "Chandelier" and "Roxanne," the show was held due to technical difficulties for about 20 minutes.&nbsp;While stage management handled everything smoothly and professionally, the momentary pause felt like watching a show within a show within a show. After all, Moulin Rouge! The Musical catalogues the backstage drama of the eponymous nightclub struggling to make it while putting on a new production.Here we were in the audience, watching a company that's weathered more than its share of Covid difficulties and delays with an opening twice-postponed, still doing their thing and putting on a show, despite the hardship.It's a testament to resilience and artistry, something that both the show and this company clearly celebrate. The leading lovers, played by Liisi LaFontaine and Jamie Bogyo, deliver a youthful energy that belies their characters' weary struggles, and each is charming and well-sung.&nbsp;However, the standouts of the evening are in the supporting cast and the ensemble. As writer and unabashed bohemian Toulouse-Lautrec, Jason Pennycooke steals every scene he's in, and Elia Lo Tauro oozes charisma as Christian's rapscallion friend Santiago. Clive Carter channels Jim Broadbent from the film in a pitch-perfect portrayal of the club's emcee Harold Zidler, and every ensemble dancer deserves their own shoutout for the hard work and energy they're delivering onstage.&nbsp;After all, theatre and the Moulin Rouge are about family and community, something we've all been missing these past few years. Watching a powerful show where despite trials onstage and off, the power and perseverance of the human spirit is what overcomes, is healing. And as soon as those snaps click into place at the top of "Lady Marmalade," you know you're safe to go along for the ride. Lemme hear y'all flow, sistas.&nbsp;<a href="https://www.londontheatre.co.uk/show/23350-moulin-rouge-the-musical">Moulin Rouge! The Musical is at the Piccadilly Theatre. Book Moulin Rouge! The Musical tickets on London Theatre.</a>Photo credit: The London company of Moulin Rouge! The Musical. (Photo by Matt Crockett)

'Moulin Rouge! The Musical' review — Baz Luhrmann’s classic film can-cans into the West End

Enter a world of splendour and romance, of eye-popping excess, of glitz, grandeur, and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment. Pop the champagne and prepare for the spectacular spectacular… 

The Piccadilly Theatre is a beautiful theatre venue, located in London's vibrant West End. It is a prominent gathering point for art and culture enthusiasts, hosting a wide array of compelling productions that cater to a diverse audience. The theatre offers an elegant Edwardian design that has retained its old-world charm, offering a perfect location for a night of theatre. Built in 1928, Piccadilly has the capacity to accommodate 1,232 people in style. Over the years, it has housed iconic productions such as 'Who's Afraid of Virginia Woolf?', 'Jersey Boys', and 'Dirty Dancing'. The venue currently hosts the much-acclaimed 'Death of a Salesman'. With its excellent location, superb acoustics, and a range of eateries within close proximity, Piccadilly Theatre is an excellent choice for a memorable theatre experience.
## How to get to the venue
Piccadilly Theatre is located at Denman Street, just behind Piccadilly Circus, in the City of Westminster. The theatre is serviced by buses stopping at 'Piccadilly Circus' or 'Haymarket'. The closest train station is 'Piccadilly Circus Station', on the Piccadilly and Bakerloo lines. Parking is available at Masterpark car parks in Denman Street and Brewer Street.

## Additional Information

MATINEE: Venue opens 90min before showtime
EVENING: Venue opens 105min before showtime
Please arrive with plenty of time, latecomers will be admitted at a suitable point.

Piccadilly Theatre - LON

Piccadilly Theatre

Piccadilly Theater is situated in London's West End, known for hosting diverse productions while offering delectable eateries nearby.

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LON | TT | Carousel - Web Homepage | To Kill a Mockingbird | 46321

To Kill a Mockingbird - LON [46321]

To Kill a Mockingbird

LON | To Kill a Mockingbird | 46321

Successful lawyer, Atticus Finch, encourages kindness and empathy in his children, but is pushed to the limits of these qualities himself when he resolves to uncover the truth in a town that seems determined to hide it.

Named after its founder and famed actor-manager Charles Wyndham, the **Wyndham's Theatre** is a classic London West End theatre that stands on Charing Cross Road in the City of Westminster. Opened in 1899, the theatre was designed by W G R Sprague, an architect who was also responsible for many other West End theatres. It has a strong reputation for high-quality drama, which is part of its charm and attractiveness. The exterior contains a beautiful portico in the classical style, while the interior is adorned with luxurious ornate plasterwork. Over its history, Wyndham's Theatre has hosted a wide variety of productions, including 'God of Carnage', 'Art', and 'Donkeys' Years'.

**Getting to the Wyndham's Theatre:**

Wyndham's Theatre is easily accessible by multiple modes of transport. The closest Underground station, Leicester Square, is just a two-minute walk away, offering connections via the Northern and Piccadilly lines. Several bus stop directly outside the theatre, including routes 24, 29 and 176. Limited on-street paid parking is available. National car park at St Martin’s Lane Hotel offers a discount to theatre patrons, but the venue encourages sustainable transport options where possible.

Wyndham's Theatre - LON

Wyndham's Theatre

Wyndham's Theatre, established in 1899, is a classic West End venue known for high-quality drama. It's easily accessible via public transport.

LON | TT | Carousel - Web Hompage | Into the Woods | 47065 

Into The Woods - LON [47065]

Into The Woods

We all know how the story begins. But what happens after it ends?

Once upon a time…

The Baker and his wife. A Witch with a curse. A boy and his cow. A girl in a red cloak. A maiden with long flowing hair. A servant covered in cinders. All journey deep into the dark woods.

**Noël Coward Theatre** is a popular venue in the heart of London that continues to draw audiences with its excellent choice of productions. This theatre is a prominent part of London's cultural fabric and has been a part of the city's arts scene since its opening in 1903. Named after the renowned playwright, Noël Coward, it was formerly known as the Albery Theatre. The theatre has a remarkable capacity of 872 seats, offering a fascinating range of viewing experiences. The venue is well-known for its diverse productions, ranging from musicals to classic plays and modern dramas. Past productions include 'Half a Sixpence', 'The Vortex', and 'Deathtrap'. The Theatre's design is a delightful blend of tradition and modernity, mirroring the diverse array of productions it hosts. The richly decorated interior adds to the sensory experience, making viewing a performance here a complete theatrical event. 

 **How to Get There** 
 The theatre is located in St Martin's Lane, a short walk from Leicester Square and Covent Garden tube stations. This makes the venue quite easily accessible by public transportation. There are also numerous bus routes which stop nearby. For patrons driving to the venue, there is a car park nearby in Chinatown. The theatre also offers bicycle racks for those who prefer to cycle.

Noël Coward Theatre - LON

Noël Coward Theatre

The Noël Coward Theatre is a prominent London venue known for diverse theatrical productions; accessible via public transportation, parking, and cycle.

LON | TT | Web Carousel | Glengarry Glen Ross | 46775 

Glengarry Glen Ross - LON [46775] 

Glengarry Glen Ross

LON | Glengarry Glen Ross | 46775

A fly-by-night office in Chicago. A brutal sales competition: 
Top dog wins a Cadillac. Second wins a set of steak knives. Third and fourth get fired. 
Four real estate agents cheat, fight and steal to come out on top — but can any of them win?  

The Old Vic is amongst London's most revered theatre venues, situated in the heart of the bustling city. Founded in 1818, this prestigious establishment continues to attract audiences with its dynamic array of world-renowned plays, ballets, operas and pantomimes. With a seating capacity of over 1,000, the richly decorated auditorium offers an immersive and intimate experience for all spectators. The Old Vic's enchanting neoclassical exterior and swirling marble foyers take you back in time, while its state-of-the-art sound and lighting system provide a modern and truly spectacular performance environment. Its stellar shows often star internationally acclaimed actors and directors. Over its 200-year legacy, the venue has been the home for breakthrough performances and debuts of some of the greatest plays in theatre history. 

**How to get to the Old Vic Theatre:** The Old Vic is conveniently located near multiple transport links. The nearest underground station is Waterloo, served by the Northern, Bakerloo, Jubilee, and Waterloo & City lines. The theatre is only a short 4-minute walk away. Bus routes 1, 68, 168, 171, 172, 176, 188 serve the area around the theatre. If you are driving, the nearest car park is the Waterloo Car Park located on York Road.

The Old Vic - LON

The Old Vic

The Old Vic is a historic theatre in London known for world-class performances. It's conveniently accessible via Waterloo station and local bus routes.

LON | TT | Carousel - Web Hompage | My Neighbour Totoro | 25389

LON | TT | App Carousel | My Neighbour Totoro | 25389

Ages 6+. Children under the age of 4 (including babes in arms) will not be admitted. Children need to occupy their own seat. Under 16s must be accompanied by an adult. All guests, regardless of age, must have a valid ticket.

My Neighbour Totoro - LON [25389]

My Neighbour Totoro

LON | All Retailers | Product Media | My Neighbour Totoro | 25389

The best entrance you’ll see in a theatre this year belongs to the title character in this feverishly anticipated stage version of Studio Ghibli’s 1988 anime film. Behind the curtains, a giant silhouette gradually appears, and when those curtains swing open, we finally see him: a huge shaggy mass, so enormous, so peculiar and so utterly beguiling that the audience breaks into rapturous applause. It’s the moment that we know, behind doubt, that the RSC has got this exactly right: *[My Neighbour Totoro](https://www.londontheatre.co.uk/show/25389-my-neighbour-totoro-tickets)* is going to be a massive hit.

In fact, the production was a record-breaker before it even opened. It’s the fastest-selling ticket in Barbican history – beating the previous holder, Benedict Cumberbatch’s *Hamlet*. The Japanese [Studio Ghibli](https://www.londontheatre.co.uk/theatre-news/news/studio-ghibli-my-neighbour-totoro-on-stage-world-premiere) has a passionate international following thanks to work like the Oscar-winning *Spirited Away*, *Howl’s Moving Castle* and *My Neighbour Totoro*. But could the studio’s very specific aesthetic and tone really be translated to the stage? 

Absolutely. Tom Morton-Smith’s adaptation strikes a perfect balance of honouring Hayao Miyazaki’s creation and seeking a new theatrical language, brilliantly realised in Phelim McDermott’s exquisite production. The 1950s-set story is a fairly simple one: 10-year-old Satsuki and four-year-old Mei move with their father from Tokyo to the countryside, so they can be nearer to their hospitalised mother, who has tuberculosis. There they encounter the extraordinary spirits of the forest, like Totoro. That leaves plenty of room for flights of imagination, and for beautiful detail in the world-building and relationships.

Most effectively, the production keeps us in that child’s-eye view. McDermott plays cleverly with scale: the goat is larger than usual, because it’s being viewed by an alarmed – and petite – Mei. We only hear snippets of adult conversations, particularly about the mother’s health crisis. But we’re fully immersed in that childlike awe at each discovery: the city girls’ pleasure at collecting acorns, watching tomatoes ripen on the vine, seeing a clear moon, and then finding that extra wonder in the sprites. You could interpret it as animism or a modern climate change message, or just a love of nature.

Likewise, the show itself takes great delight in each creative solution to telling this wild and wonderful fairy tale. The black-clad ensemble of skilful puppeteers brings the soot sprites to life by dancing them around on wires, until they fly up into the sky on what looks like a nursery mobile. One side of a bus is whisked on – with the lead performer, holding up the driver, deliberately overshooting it to give the audience a knowing chuckle. They weave between being invisible and visible, filling that liminal space and suggesting that there are ever-present spirits supporting us: an extremely comforting notion right now.

Of course, the most important element here is the puppets representing Totoro and his clan. Designed by Basil Twist, and built by Jim Henson’s Creature Shop, they are simply spectacular. Totoro has to be big enough that Mei can clamber onto his belly – and he is. 

He’s also a mad mix of bunny, owl and fuzzy washcloth, with wiggling ears, a rubber tongue in his Muppet-like mouth and a gleaming Cheshire cat grin (Lewis Carroll is a definite comparison point here), who communicates in whale noises and the occasional roar. He’s ancient, unhurried, strange. His smaller pals have waddling chicken feet and googly eyes. And wait until you see the Catbus: lit like a beacon, gambolling on its improbable 12 legs.

Tom Pye’s set also has real wow factor. The family’s home, with distinctive sliding screens, comes apart and reforms in different configurations, in harmony with the giant trees with curling branches that glide into view. The band, who play film composer Joe Hisaishi’s evocative score live, are perched up on wooden platforms, part of the forest. The paddy farmers slide onto the stage, plants in rows attached to their feet like skis. Amidst the greenery, the girls’ dresses are pops of colour, pink and yellow. 

That lead pair are wonderfully played by Ami Okumura Jones, whose perceptive Satsuki lurks somewhere between innocence and adulthood, and Mei Mac, who hilariously embodies the fearless ball of energy that is Mei. Both have convincingly youthful physicality, bouncing up and down on their toes in excitement, pleating the front of their dresses when nervous, or puffing themselves up to look fierce. (Superb movement direction throughout from You-Ri Yamanaka.) There’s lovely support too from Nino Furuhata as local boy Kanta, who gets tongue-tied around girls, and Jacqueline Tate as the kindly Granny.

In fact kindness is all around in a tender piece that prizes generosity, community and patience; even Jessica Hung Han Yun’s ravishing lighting feels like a rush of warmth. The film’s most famous scene is an absolute stunner here: as the girls wait at the bus stop for their father, in the rain, Totoro slowly lumbers up to them. Satsuki lends him an umbrella, and this wise creature is utterly charmed by the sound of the raindrops pinging off his new covering. It’s a reminder to take time to savour our surroundings, and to find joy even in the toughest times. Theatre at its most magical.

*My Neighbour Totoro at the Barbican to 21 January 2023. Book tickets to My Neighbour Totoro on London Theatre.*

[![LT - CTA - 250](//images.ctfassets.net/6pezt69ih962/1t6HRGmhlYl70k6PmR0mOZ/3caac861bc1d4233cd7844652c925623/LT-CTA-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=25389&content_product_id=25389&venue_id=788)

*Photo credit: The cast of My Neighbour Totoro at the Barbican. (Photo by Manuel Harlan)*

'My Neighbour Totoro' review – this Studio Ghibli adaptation is theatre at its most magical

Read our review of *My Neighbour Totoro* in London, Tom Morton-Smith's new stage adaptation of the Studio Ghibli film originally created by Hayao Miyazaki.

Don't miss the theatrical event of 2025, the record-breaking, award-winning My Neighbour Totoro is now playing in London's West End.

The Gillian Lynne Theatre, formerly known as the New London Theatre, is a prestigious performance venue in the West End of London. Located in Covent Garden, the theatre is home to an array of world-class performances, ranging from musical theatre, plays, and concerts. The theatre was renamed in 2018, in honour of the renowned British ballerina and choreographer, Dame Gillian Lynne. The architecture of this unique venue is innovative and captivating, with a circular auditorium that offers an immersive viewing experience. The theatre is also known for its state-of-the-art facilities, excellent acoustics, and a seating capacity that can accommodate over 1,000 spectators.
 ### How to get to the Gillian Lynne Theatre:
 The Gillian Lynne Theatre is accessible through various means of transportation. The closest underground station is Holborn, which is a short five-minute walk to the venue. Alternatively, you can also reach the theatre by bus, with the following routes: 1, 59, 68, 91, 168, 171, 188, 243, and 521 stopping near the venue. If you prefer to drive, the nearest car park is located at the Bloomsbury Square Car Park.
 Please note that due to the theatre's central location, it is advisable to check for any possible travel disruptions or roadworks before your journey.

Gillian Lynne Theatre - LON

Gillian Lynne Theatre

The Gillian Lynne Theatre is a prestigious venue in London's West End, offering world-class performances and excellent facilities. It's easily accessible via public transportation.

LON | TT | Carousel - Web Homepage | The Mousetrap | 333 

Ages 7+ (recommended). Under 16s must be accompanied by an adult. Under 4s will not be admitted. All children must have their own ticket.

The Mousetrap - LON [333]

The Mousetrap

The Mousetrap [333] - LON Product Media

Agatha Christie's '<a href="/show/the-mousetrap">The Mousetrap</a>', opened in the West End on the 25th November 1952, which means it has been running for over 50 years making it the world's longest running play - an incredible achievement for any play and one that the producers are rightly proud of. In the course of the first 50 years, according to the programme notes, over 10 million people have seen the show and over 395 tons of ice cream have been sold!So what is the show's success? Part of it has to do with the fame of playwright Agatha Christie. In 1962 UNESCO announced that she was the most widely read British writer in the world, beating even Shakespeare, who came a miserable second. As the creator of such famous sleuths as Miss Jane Marple and the famous French, sorry Belgian, Detective Hercule Poirot, Agatha Christie is the most famous 'whodunnit' crime writer of all time. Who has not heard of "Death on the Nile" or "Murder on the Orient Express"?Agatha Christie's fame has surely played a part in this show's success. In the 1950's Christie's books were regularly in the top sellers list. It was hardly surprising that a play, which has never been published or turned into a movie or tv programme, should attract avid fans. Since that initial enthusiasm the show has now become one of the essential things to do on many a tourists schedule - go to Buckingham Palace, visit the Tower of London and see 'The Mousetrap'.The play is your regular 'whodunit' mystery. Eight people are snowed in at a guest house: Mollie and Giles Ralston, the owners; four invited guests, each with eccentric characteristics; the unexpected guest, who turns up out of the blue after his car overturns in the snow storm; and finally a skiing detective. Once everyone has arrived it is not long before a murder takes place and the detective assembles all the guests together and interrogates them one by one. Each avoid the truth, some by silence and others by lies? Can the murderer be caught before more deaths happen?The story, whilst sensational and full of silly coincidences, is actually quite good. The characters are, despite their histrionics, vivid and they interact amongst themselves with macabre amusement. There are enough false clues to keep you guessing and a few hidden ones that mean if you stay alert you will not be too surprised to discover that the murderer is ****. Just kidding! If you want the answer to that question then you will need to go and see this quintessentially English murder mystery for yourself.NOTE: The star rating was added to this review by the editor after original publication<a href="/show/the-mousetrap">The Mousetrap Tickets</a> are now on sale.&nbsp;

The Mousetrap Review

AGATHA CHRISTIE’S THE MOUSETRAP is the world’s longest-running play. This thrilling West End production is THE genre-defining murder mystery from the best-selling novelist of all time… case closed!

St. Martin's Theatre, a London theatre venue situated in the heart of the West End, is a heritage of British theatrical history. Originally built in 1916, it is one of London's oldest and most respected venues, significantly known for hosting the record-breaking show, The Mousetrap, by Agatha Christie. St. Martin's Theatre flaunts a breath-taking architecture, showcasing Edwardian style designed by architect W.G.R. Sprague. The theatre can accommodate 550 people, promoting an intimate viewing experience for all. Its interiors are adorned with ornate detailing, adding a touch of royal aesthetic to the viewer's experience. The theatre not only holds stage shows but also hosts concerts and film screenings, making for a versatile environment. **Getting to the venue:** St. Martin's Theatre is located at West Street, near Shaftesbury Avenue in Covent Garden. It's an approximately 10-minute walk from Leicester Square station, serviced by the Piccadilly and Northern lines. Numerous buses also stop near the theatre. The nearest car park is Q-Park Trafalgar, but with congestion charges applicable in the area, public transport is highly recommended.

St. Martin's Theatre - LON

St. Martin's Theatre

St. Martin's Theatre is a renowned London theatre venue known for hosting Agatha Christie's The Mousetrap. It's easily reachable by public transportation.

LON | TT | Carousel - Web Homepage | The Book of Mormon | 287

Ages 17+. Under 16s must be accompanied and sat next to an adult (18+). Everyone must have their own ticket. Under 3s will not be admitted.

The Book of Mormon - LON [287]

The Book of Mormon

tt-hero-image-mormon-lon-may25

The Book of Mormon [287] - LON Product Media

Note: Cast has changed since this reviewIf you follow proceedings in the entertainment arena, you may well know as much if not far more than I do about this much-anticipated show. '<a href="/show/the-book-of-mormon">The Book of Mormon</a>' has already been in residence on Broadway for the past two years, where it has been a huge success, and advance publicity for the show means there can't be many people in the UK who do not know about it already.Given the descriptive nature of the title, it is pretty clear that the show is about the religious group informally known as the Mormons, or more accurately the members of the Church of Jesus Christ of Latter-day Saints. The congregation of this church stretches across the globe thanks to missionary activities which form part of the required service of a male member of the church. So, many of us are accustomed to being hailed in the street or on our doorsteps by young men, mostly American, who are desperate to convert anyone and everyone to their faith.The show begins at a Mormon missionary training centre where a group of squeaky-clean young men in their late teens are preparing to head-off on their missions in various parts of the world. Elder Price (Gavin Creel) seems like the ideal young man to succeed in baptising more than any other missionary on his two-year endeavour. He is eagerly anticipating being sent to Orlando, Florida, which has been his dream-destination since childhood. Elder Price has pin-up good looks, and has all the attractive qualities to make him, well, popular. On the other hand another of the trainees is neither as charming or good-looking as Elder Price. Elder Cunningham (wonderfully played by Jared Gertner) is rather overweight for his diminutive stature, and with his spectacles and curly mop of hair, hardly meets the manicured image of the other missionaries who all seem to have inherited identical Mormon genetics. Elder Cunningham cannot remember the basic sales patter which the missionaries are trained to deliver, and moreover has issues with telling the truth. Since the missionaries are sent off on their work in pairs and must never leave each others' sides, you can see where this set-up is heading. Yes, the supremely confident and smooth-operating Price is twinned with the unreliable and gawky Cunningham. Disaster seems imminent as winner is teamed with loser, and is more or less assured when the ill-matched pair are sent, not to Orlando as Price yearned, but to Africa. The results are more or less predictable, though there are some surprises.<iframe align="right" frameborder="0" src="https://embed.spotify.com/?uri=http://open.spotify.com/track/4YfNmQKnrX5DrlAxSAnMoA" style="width: 330px; height: 80px;"></iframe>Given that this is a satire directed against a particular religious group - who are still very much alive and preaching - this show might have attracted a whole string of legal actions, or at least a heated public exchange between the production team and the Mormons. But apparently not from what I can gather. The Mormons seem to have taken the show in their stride - which implies they see no threat and have, in avoiding a public row, preserved their dignity. But I don't really think they have much to worry about anyway. Sure, the show pokes fun at them and their beliefs. In particular, the actual '<a href="/show/the-book-of-mormon">Book of Mormon</a>' is scoffed at because of the incredulous nature of its origins. However, we see Elders Price and Cunningham not just as Mormons, but as individual human beings who find themselves in an extraordinary situation. In a sense, we laugh with them almost as much, if not more, than laughing at them. The satirical nature of the show is certainly never vicious or unduly cruel, though I found the reference to everyone in Africa having AIDS just the wrong side of bad taste for my liking. But most of the audience laughed at that remark as well much else besides.On the evening I caught the show the cast were word-perfect, the action was flawless and the orchestra was in great form. There was an almost audible buzz from the audience almost as soon as they entered the theatre and they seemed ready and willing to laugh, and they did, and very frequently at that. There was an instant standing ovation at the end which in my experience is fairly rare even with long-running and much-loved shows. And when I say a standing ovation, I am referring to the entire audience and not a few ardent fans who have already seen the show. And speaking of fans, I noticed that a couple of people in the front stalls seemed to have already taken the show to their hearts as they were dressed in the missionary uniform of white shirt, black tie and trousers, as well as a name badge. If that does not signify a hit, I am not sure what does - unless, of course, they were Mormon missionaries.I had to fight my way through hoards of people trying to buy last-minute tickets and there were a few dubious characters outside the theatre trying to buy-up any spares. So, whatever I or any other critic might say about this musical, it seems like it will be hard to dislodge it for some considerable time. In fact, the show is very funny - not the funniest I have seen in the past few years, but certainly one of them and very near the top of the 'funniest' list. It is cleverly written and extremely well-produced, and the excellent, energetic performances give the impression that the cast are loving every minute of it. It is enormously enjoyable, and the laughs keep coming even when the story-line seems about to run out of steam. Like the contents of the <a href="/show/the-book-of-mormon">Book of Mormon</a> itself, this show could well end-up being the stuff of legend.Note: This Review is from a preview performance.<a href="/show/the-book-of-mormon">Book of Mormon Tickets</a> are now on sale."While acknowledging that it is often damnably clever and sharp, I find it hard to warm to the show...The Book of Mormon strikes me as a decadent and self-indulgent musical, and its mixture of satire and syrup ultimately proves repellent." Charles Spencer for Daily Telegraph"I absolutely loved it...songs, though not especially memorable, have bounce and bite and colour." Paul Taylor for The Independent"I'm not sure its crude yet clever package is roll-in-the-aisles funny but it's deliciously entertaining and there is certainly nothing like it in the West End." Julie Carpenter for The Daily Express"Its satire is insistently US college-campus adolescent. I tired of it after ten minutes...This is a cowardly, coarse, cynical show, worth avoiding. Quentin Letts for The Daily Mail" Indecently funny...The music...is generally jaunty and from time to time soars operatically, though only three or four of the tunes are really memorable. Henry Hitchings for Evening Standard"A mildly amusing musical, with some knowingly parodic songs, that takes a few pot shots at religious credulity without ever questioning the need for belief. I had a perfectly pleasant time, but the idea that the show, which won nine Tony awards, is either daringly offensive or a Broadway breakthrough is pure codswallop...For all its rude words, this is essentially a safe, conservative show for middle America." Michael Billington for The Guardian

The Book of Mormon London Review

*The Book of Mormon* comes from South Park creators __Trey Parker__ and __Matt Stone__, and *Avenue Q* co-creator __Robert Lopez__. *The Book of Mormon*, winner of nine Tony Awards® and four Olivier Awards, including Best Musical for both, follows a pair of Mormon boys sent on a mission to a place that’s about as far away a from Salt Lake City as you can get. 

The Prince of Wales Theatre is one of the most prestigious locations in London's West End. Opened in 1884, it has since hosted a stunning array of shows, from musicals to comedies, dramas, and more. The theatre is lauded for its ornate decorations, grand yet intimate aura and state-of-the-art facilities. The auditorium boasts a capacity of over 1,000, all with unobstructed views of the stage. All this contributes to its powerful ability to provide every audience member with an immersive, unforgettable theatrical experience. 

## How to Get to the Venue 

The theatre is located at Coventry St, London W1D 6AS, very close to Leicester Square Tube Station. For those planning to drive, please note that the area falls under the London Congestion Charge Zone. Street parking is limited, but there are a few NCP Car Parks in the nearby vicinity. The theatre is well served by buses, with bus routes 3, 6, 9, 12, 13, 14, 15, 19, 22, 23, 38, 88, 94, 139, 159, 453 all stopping nearby. Please plan your journey ahead to enjoy a seamless experience.

Prince of Wales Theatre - LON

Prince of Wales Theatre

The Prince of Wales Theatre in London's West End offers a unique theatre experience, with brilliant accessibility and top-tier shows.

LON | TT | Carousel - Web Homepage | Kinky Boots | 44808

Ages 8+. Children under the age of 5 are not permitted in the auditorium. Children under the age of 16 must be seated with an adult.

Kinky Boots The Musical - LON [44808] 

Kinky Boots The Musical

LON | Kinky Boots the Musical | 44808

The multi-award-winning musical *Kinky Boots* is strutting its way to London in a joyous, brand-new production starring *Strictly Come Dancing*'s __Johannes Radebe__. The acclaimed West End and Broadway sensation runs at the spectacular London Coliseum from March 2026 for a strictly limited season only.


The London Coliseum, located in the heart of London is the largest theatre in London's West End. Built by architect Frank Matcham and opening its doors for the first time in 1904, the theatre houses just under 2,359 seats, spread out over four levels. Stylistically, the design is Edwardian Baroque - known for its grandeur and detail-oriented style. A site of both historic and cultural importance, The Coliseum is famed for its variety of productions including musical comedies, variety shows, and classic dramas. Since 1968, it has been the London home of the English National Opera (ENO) and is also used by the English National Ballet during the Christmas period. Notably, The London Coliseum has a rich history, boasting a revolving stage and the first 'quadraphonic' sound system in Britain. Today, its programming is varied with everything from high-profile awards ceremonies, to film screenings, television broadcasts, and a selection of world-class operas, musicals, dance performances and concerts. Its motto is 'Pro Bono Publico' (For the public good).

## How to get to the venue
The London Coliseum is easily accessible by a variety of transport options. It is located at St Martin's Lane, London, WC2N 4ES. The nearest underground station is Leicester Square on the Northern and Piccadilly Lines whilst the Charing Cross station servicing the Northern, Bakerloo and the British Rail Lines is just a short walk away. Additionally, a variety of buses service the area including the routes 3, 6, 9, 12, 13, 15, 24, 29, 30, 53.

London Coliseum - LON

London Coliseum

The London Coliseum is the largest West End theatre, housing English National Opera and English National Ballet performances. Accessible from Leicester Square and Charing Cross stations.

Don’t miss *Kinky Boots*, a Tony-award-winning, smash-hit musical starring Johannes Radebe and Matt Cardle in this fantastic new London production.


UK - Special Offer

Don't miss the theatrical event of 2025, the record-breaking, award-winning My Neighbour Totoro is now playing in London's West End. 


This show will change your life! See the multi-award-winning satirical comedy by the creators of South Park. Follow Elder Price and Elder Cunningham, two mismatched Mormon missionaries, as they embark upon an absurd journey to recruit the people of Uganda into the Church of Latter-Day Saints. 

Don’t miss *Beetlejuice*, a hilarious supernatural hit filled with cheeky demons, fussy ghosts, and an incredible sense of humour, directed by Alex Timbers, as it graces the West End. 

Beetlejuice

*Hercules*, the audience-favourite Disney film about a young demigod growing up on Earth, comes to the West End stage in an exciting musical adaptation. 

Disney's Hercules

UK - Exclusive Prices

How did the Wicked Witch of the West get that name? Find out at this prequel to *The Wizard of Oz*, which has defied gravity in London since 2006. Hear songs like "Popular" and "Defying Gravity" at the story of how Elphaba and Glinda started out as friends before their lives changed for good.

Wicked

Come on down to the Moulin Rouge and experience the spectacular stage adaptation of Baz Luhrmann's iconic 2001 film. Step into the Bohemian world of Montmartre as Christian falls head over heels for Satine. Their love story unfolds amidst the vibrant Moulin Rouge cabaret, where their romance faces trials of societal norms, jealousy, and a tragic fate.

Don’t miss Cole Escola’s Tony-winning, smashing dark comedy *Oh, Mary!* as it storms into the West End, starring Catherine Tate as Mary Todd Lincoln until 18 July and Cole Escola returning to reprise their iconic original role for a strictly limited four-week engagement from 20 July.. Directed by Sam Pinkleton, this critically acclaimed comedic masterpiece is unlike anything else on the London stage.


Oh, Mary!

Summer Theatre Sale - UK

Follow Orpheus on a musical odyssey to rescue his love, Eurydice, from the depths of the underworld, where they confront trials, temptation, and the ultimate test of their love. This record-breaking, Tony-winning musical made its triumphant return to London's West End in 2024.

Hadestown

Don’t miss *The Hunger Games: On Stage* as it premieres at London’s Troubadour Canary Wharf Theatre. Adapted to screen by Conor McPherson (*The Brightening Air, Girl from the North Country, The Weir*) and directed by Matthew Dunster (*2:22 – A Ghost Story, Hangmen, The Pillowman*), this brand new performance is sure to be a smashing hit.


The Hunger Games: On Stage

UK - Exclusive Offer

Visit the Pride Lands and see the stage adaptation of the Disney classic movie, *The Lion King*. Featuring Elton John and Tim Rice's beloved songs "Can You Feel the Love Tonight" and "Circle of Life," witness the incredible puppetry and effects in Julie Taymor's groundbreaking production.

The Lion King

Long before the world turned upside down, Hawkins was just a regular town. Henry Creel's arrival might change all of that. A multi-award-winning creative team brings the hit Netflix show's world to life on stage in this gripping adventure. You don't want to miss this one. Trust us — friends don't lie!

Stranger Things: The First Shadow

Agatha Christie's *The Mousetrap* has been entertaining audiences for over a record-breaking seventy years in London's West End. Will you be able to solve this murder mystery? Seven guests at Monkswell Manor become stranded during a blizzard, but they soon discover that it is the least of their worries.

Prepare for a sizzling catwalk of drama and haute couture in *The Devil Wears Prada*. Based on the hit film starring Meryl Streep and Anne Hathaway, follow aspiring journalist Andy on her rollercoaster journey working for the formidable fashion editor, Miranda Priestly. 

The Devil Wears Prada

Sinatra The Musical

UK - Special Prices

Wands at the ready! Step into the Wizarding World of Harry Potter for the much-anticipated continuation of the beloved book series, set nineteen years later. Magic will come to life before your very eyes in this spellbinding two-part adventure with Harry, Ron, and Hermione.

Harry Potter And The Cursed Child: Both Parts

Divorced, beheaded, live on stage! This award-winning musical brings the six wives of Henry VIII to life in a sensational pop concert. These fierce and feisty queens reclaim their stories, with catchy tunes and empowering lyrics, it's a historical remix that reigns supreme.

Don’t miss *Avenue Q*, the three-time Tony Award-winning, outrageously hilarious musical that brings Princeton and his silly neighbours back to the West End for another night of good fun. 


Avenue Q

Do you hear the people sing? Join the revolutionary spirit in the West End's longest-running musical. *Les Misérables* follows Jean Valjean's quest for redemption, unfolding against the backdrop of 19th-century France. Hear all your favourite songs from this timeless score, including "I Dreamed a Dream" and "Bring Him Home."

Les Misérables

Mamma Mia, here we go again! See this smash-hit musical featuring ABBA's greatest tunes, including "Dancing Queen" and "Waterloo." Sophie wants her father to be at her Greek Island wedding. The problem is, she doesn't know which one of three men he could be. Will any of them walk her down the aisle? Book tickets on TodayTix to find out.

Mamma Mia!

Life is a cabaret, old chum! Don't miss this revival of a Kander and Ebb classic, and be immersed into the Kit Kat Club with the incredible transformation of the Playhouse Theatre. Leave all your troubles at the door and see this seven-time Olivier Award-winning production of *Cabaret* in London's West End.

Cabaret

The award-winning musical, *Titanique*, which combines the Academy Award Winning film, *Titanic*, with the music of Céline Dion in a laugh-out-loud funny production, has its West End debut at the Criterion Theatre.


Titanique

Two couples. A tangle of secrets. And a truth nobody is ready to face.

THE TRUTH a comedy by Florian Zeller

Be in the room where it happens and catch Lin-Manuel Miranda's multi-award-winning show in the West End. *Hamilton* revolutionises the stage with a dynamic retelling of the ten-dollar founding father, Alexander Hamilton, through a catchy cross-genre score that blends various musical styles.

Hamilton

Experience the music of the night with this ground-breaking Andrew Lloyd Webber musical. As the second-longest-running musical in London's West End, the musical has delighted audiences for over 35 years. Step into the grand Paris Opera House to witness a riveting tale of love, desire, and haunting secrets.

The Phantom of the Opera

Fiercely funny and intensely romantic, Cyrano lives by his words and his sword. Haunted by doubts about his own his appearance, he watched from the shadows as Roxane falls for another man. Handsome but hopeless with words, Christian turns to the one person who can help.

Cyrano de Bergerac

Don’t miss *Grace Pervades*, an elegant new play by David Hare about Henry Irving and Ellen Terry and how they changed British theatre forever, starring Academy Award-nominee Ralph Fiennes alongside Miranda Raison. 


Grace Pervades

See highlighted dates for exclusive pricing, available for 24 hours only!

UK - 24hr Offer

Everybody's a little bit naughty — don't miss out on seeing the musical adaptation of Roald Dahl's classic novel. With music and lyrics by Tim Minchin, embark on a journey with the mischievous Matilda as she demonstrates that even the smallest person can make a big difference.

Matilda The Musical

The world premier of the circus spectacular, *Come Alive*, comes to the Empress Museum with the soundtrack from the hit film, *The Greatest Showman*. 


Come Alive! The Greatest Showman Circus Spectacular

The Cornley Polytechnic Drama Society are putting on a 1920s murder mystery, but as the title suggests, everything that can go wrong... does! The accident-prone thespians battle against all odds to make it through to their final curtain call, with hilarious consequences!  

The Play That Goes Wrong

Sir Kenneth MacMillan’s exquisite production of The Sleeping Beauty comes to the Royal Albert Hall for the first time.

The Sleeping Beauty - English National Ballet

The award-winning Regent’s Park Open Air Theatre production of Jesus Christ Superstar comes to the iconic London Palladium this summer. 

Jesus Christ Superstar - The Palladium

Down-on-his-luck Broadway producer Max Bialystock schemes with timid accountant Leo Bloom to create the biggest flop in theatre history - only to have it backfire spectacularly, and with thunderous applause. 

The Producers

Don’t miss Britain’s most loved character, Paddington, on stage in the world premiere production of *Paddington the Musical*. See Michael Bond’s books and the award-winning films by Studiocanal brought to life in an exciting new way. 


Paddington The Musical

The Tony and Olivier Award winning musical *Oliver!*, which tells the tale of young orphaned Oliver Twist trying to survive in 1830s London, returns to the West End.

The West End's best ticket.