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Ages 13+. Children under 5 cannot be admitted. 

Sinatra The Musical - LON [46142]

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Sinatra The Musical

LON | Sinatra The Musical | 46142

The Aldwych Theatre is a grand, atmospheric theatre venue situated in the heart of London's West End. Built in 1905 by the renowned theatre architect W. G. R. Sprague, this venerable institution has a rich history of hosting notable plays, musicals, and performances by celebrated actors from around the world. With a seating capacity of approximately 1,200 spread over three levels - Stalls, Dress Circle, and Grand Circle, the thoughtfully designed interior ensures an intimate viewing experience from all angles. The unique Edwardian Baroque architecture, the intricately decorated interior, and Hungary's specially commissioned chandelier lend it a majestic aura, transporting audiences to an era bygone. Over the years, Aldwych Theatre has staged several significant performances including 'A Streetcar Named Desire,' 'Dirty Dancing,' and 'Tina – The Tina Turner Musical.' 

## How to get to the venue
 Aldwych Theatre is conveniently located and easy to reach with public transportation. The nearest underground station is Covent Garden, a short 5 minute walk away. Alternatively, Charing Cross station is only a 10-minute walk. Numerous buses service the Strand, making it accessible from across the city. If driving, it's recommended to book in advance in a nearby car parking like the Q-Park Covent Garden, as street parking is limited. It’s important to remember that Aldwych Theatre is located within London's congestion charge zone.

Aldwych Theatre - LON

Aldwych Theatre

Located in London's West End, Aldwych Theatre is a historic venue known for acclaimed performances and rich architectural design.

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LON | TT | App Carousel | Cabaret | 23939 | LTW Aug 2026

LON | TT | App Carousel | Cabaret | 23939 | LTW Aug 2026 | Carousel Square 

Ages 12+. At parent/guardian's discretion.

Cabaret - LON [23939]

Cabaret

Cabaret - LON [23939] Product Media

We have no troubles here. In here, life is beautiful.The<a href="https://www.londontheatre.co.uk/theatres/kit-kat-club"> Kit Kat Club</a> is the ultimate escape. After a difficult or even ordinary day, the fanfare, glitz, and glamour feel like a portal to another time, where you'll be greeted with complimentary schnapps, dancing chorus members, and a lascivious pre-show smorgasbord.&nbsp;From the gilded lobby, disco-lit basement, and everywhere in between, the space creates an all-encompassing atmosphere, right down to the aptly named cabaret tables, a design element director Sam Mendes also used in his 1993 production at the Donmar and later&nbsp;on Broadway, where it was revived in 2014.&nbsp;However, here, director Rebecca Frecknall levels up the concept, and maybe this time, the stakes are a little higher and a little more intense. Coupled with Tom Scutt's immersive design and Isabella Byrd's atmospheric lighting, this production feels like a world away from outside.&nbsp;Or does it really? The headlines feel eerily similar today as when Joe Masteroff, John Kander, and Fred Ebb wrote their iconic musical about an American writer and a struggling nightclub performer in 1920s Berlin, who find themselves torn between a struggle to survive in love and life amid the rising glare of Nazism. There are, in fact, many troubles here.&nbsp;And Frecknall doesn't pull any punches with her high-concept approach, which takes a cue from Christopher Isherwood's Goodbye to Berlin and John van Druten's 1951 play, on which the show is based. The approaching horror and absurdism of this escape is at the forefront, and her highly choreographed tableau feels like a ballet or a marionette show, where someone calculating is pulling all the strings.&nbsp;At the center of this circus stands the Emcee, played here with impish wackiness by Eddie Redmayne. Redmayne slithers around the stage, contorting his being every which way to almost distracting effect. Redmayne is not a commanding showman, as is a tempting take for the Emcee, but instead he uses gesture and sensuality to make the audience lean in. As the musical gets progressively darker, Redmayne's Emcee becomes more and more absurd, almost half American Horror Story: Freakshow and half Martha Graham dancer, and his final iteration is the most horrific.&nbsp;In contrast to Redmayne, Jessie Buckley is all bravado and belt. Her Sally Bowles is the ultimate starlet, taking a note or three from Liza Minelli's iconic film performance in the role, and she dominates the stage with effortless charisma and appeal. She's irresistible. Even in the quieter, heartbreaking moments, she conveys an emotional depth and density, and she nails the 11 o'clock title song. (While many may argue that Sally Bowles as a character is not supposed to be a good singer, neither this production nor Buckley respect that take.)This production highlights the ensemble nature of the show, featuring a chorus of extremely talented dancers, seemingly inventing new ways to move with Julia Cheng's choreography, and the supporting cast offers a deep emotional contrast to the more showy club scenes.&nbsp;As Fraulein Scheider and Herr Schultz, Liza Sadovy and Elliot Levey hold the beating heart of the piece and shatter it into pieces. Anna-Jane Casey stands out as Fraulein Kost, and Omari Douglas does his best naive fish-out-of-water as American writer Clifford Bradshaw.&nbsp;<a href="https://www.londontheatre.co.uk/show/23939-cabaret">Cabaret</a> feels like a story we need and also don't need right now. On the one hand, it's a glorious ode to escapism and forgetting the troubles that bind us. But some of the "troubles" we're going through right now aren't that far off from Jazz Age Berlin, with abortion legislation under fire in the United States and government oversight of Covid-19 brewing further division.&nbsp;And Frecknall's searing, haunting final stage portrait seems to imply that escapism only lasts so long. Sooner or later, if we don't face our troubles, our troubles will find us. After all, life isn't really a cabaret, old chum.<a href="https://www.londontheatre.co.uk/show/23939-cabaret">Cabaret is playing at the Kit Kat Club. Book tickets to Cabaret on London Theatre.&nbsp;</a>

'Cabaret' at the Kit Kat Club review — Come to the cabaret with Eddie Redmayne and Jessie Buckley

The Kit Kat Club at the Playhouse Theatre is an iconic venue rooted deep in London's cultural heart. Immortalized by the legendary play 'Cabaret', this famous locale comes alive every night, brimming with elegance, sophistication, and a richly provoking ambiance. The Satine interior design is steeped in history, featuring rich, dark reds and a stunning crystal chandelier. Parquet floors and large French windows looking out over the busy London streets further imbue the Kit Kat Club with an irresistible allure. Here, the sounds of decadence echo long into the night, as theatre fanatics, tourists, and curious wanderers seek solace in its welcoming atmosphere.

### Getting to the Venue

Centrally located, the Kit Kat Club at the Playhouse Theatre is easily accessible. The nearest underground station is Embankment (Circle, District, Bakerloo, Northern lines) which is just a short walk away. Also, Charing Cross Station (National Rail services, Northern and Bakerloo lines) is close by. Numerous buses service the Strand, and there are taxi ranks at Charing Cross. There are car parks at Trafalgar Square or on the South Bank. Whether by public transport, car, or on foot, getting to the Kit Kat Club at the Playhouse Theatre is convenient and effortless.

### Additional information

Venue opens 75min before showtime.

Please arrive with plenty of time, latecomers will be admitted at a suitable point, which may be the interval.
Please note that once the show begins, we cannot guarantee readmission to the auditorium if you need to leave your seat for any reason. This is for both your safety and the safety of the performers. It may be up to a 30 minute wait before you are allowed back to your seat. If you have any requirements which mean you're likely to need to leave the auditorium mid-show, please speak to member of staff before the show begins.

Kit Kat Club at the Playhouse Theatre - LON

Kit Kat Club at the Playhouse Theatre

The Kit Kat Club at the Playhouse Theatre is a historic, iconic theatre venue in London, easily accessible via multiple transport options.

LON | TT | App Carousel | LTW August 2026 App Home Carousel Lead Image | Square 

LON | TT | App Carousel | My Neighbour Totoro | 25389 | LTW 2026 

LON | TT | App Carousel | My Neighbour Totoro | 25389 | LTW 2026 | Carousel Square

Ages 6+. Children under the age of 4 (including babes in arms) will not be admitted. Children need to occupy their own seat. Under 16s must be accompanied by an adult. All guests, regardless of age, must have a valid ticket.

My Neighbour Totoro - LON [25389]

My Neighbour Totoro

LON | All Retailers | Product Media | My Neighbour Totoro | 25389

The best entrance you’ll see in a theatre this year belongs to the title character in this feverishly anticipated stage version of Studio Ghibli’s 1988 anime film. Behind the curtains, a giant silhouette gradually appears, and when those curtains swing open, we finally see him: a huge shaggy mass, so enormous, so peculiar and so utterly beguiling that the audience breaks into rapturous applause. It’s the moment that we know, behind doubt, that the RSC has got this exactly right: *[My Neighbour Totoro](https://www.londontheatre.co.uk/show/25389-my-neighbour-totoro-tickets)* is going to be a massive hit.

In fact, the production was a record-breaker before it even opened. It’s the fastest-selling ticket in Barbican history – beating the previous holder, Benedict Cumberbatch’s *Hamlet*. The Japanese [Studio Ghibli](https://www.londontheatre.co.uk/theatre-news/news/studio-ghibli-my-neighbour-totoro-on-stage-world-premiere) has a passionate international following thanks to work like the Oscar-winning *Spirited Away*, *Howl’s Moving Castle* and *My Neighbour Totoro*. But could the studio’s very specific aesthetic and tone really be translated to the stage? 

Absolutely. Tom Morton-Smith’s adaptation strikes a perfect balance of honouring Hayao Miyazaki’s creation and seeking a new theatrical language, brilliantly realised in Phelim McDermott’s exquisite production. The 1950s-set story is a fairly simple one: 10-year-old Satsuki and four-year-old Mei move with their father from Tokyo to the countryside, so they can be nearer to their hospitalised mother, who has tuberculosis. There they encounter the extraordinary spirits of the forest, like Totoro. That leaves plenty of room for flights of imagination, and for beautiful detail in the world-building and relationships.

Most effectively, the production keeps us in that child’s-eye view. McDermott plays cleverly with scale: the goat is larger than usual, because it’s being viewed by an alarmed – and petite – Mei. We only hear snippets of adult conversations, particularly about the mother’s health crisis. But we’re fully immersed in that childlike awe at each discovery: the city girls’ pleasure at collecting acorns, watching tomatoes ripen on the vine, seeing a clear moon, and then finding that extra wonder in the sprites. You could interpret it as animism or a modern climate change message, or just a love of nature.

Likewise, the show itself takes great delight in each creative solution to telling this wild and wonderful fairy tale. The black-clad ensemble of skilful puppeteers brings the soot sprites to life by dancing them around on wires, until they fly up into the sky on what looks like a nursery mobile. One side of a bus is whisked on – with the lead performer, holding up the driver, deliberately overshooting it to give the audience a knowing chuckle. They weave between being invisible and visible, filling that liminal space and suggesting that there are ever-present spirits supporting us: an extremely comforting notion right now.

Of course, the most important element here is the puppets representing Totoro and his clan. Designed by Basil Twist, and built by Jim Henson’s Creature Shop, they are simply spectacular. Totoro has to be big enough that Mei can clamber onto his belly – and he is. 

He’s also a mad mix of bunny, owl and fuzzy washcloth, with wiggling ears, a rubber tongue in his Muppet-like mouth and a gleaming Cheshire cat grin (Lewis Carroll is a definite comparison point here), who communicates in whale noises and the occasional roar. He’s ancient, unhurried, strange. His smaller pals have waddling chicken feet and googly eyes. And wait until you see the Catbus: lit like a beacon, gambolling on its improbable 12 legs.

Tom Pye’s set also has real wow factor. The family’s home, with distinctive sliding screens, comes apart and reforms in different configurations, in harmony with the giant trees with curling branches that glide into view. The band, who play film composer Joe Hisaishi’s evocative score live, are perched up on wooden platforms, part of the forest. The paddy farmers slide onto the stage, plants in rows attached to their feet like skis. Amidst the greenery, the girls’ dresses are pops of colour, pink and yellow. 

That lead pair are wonderfully played by Ami Okumura Jones, whose perceptive Satsuki lurks somewhere between innocence and adulthood, and Mei Mac, who hilariously embodies the fearless ball of energy that is Mei. Both have convincingly youthful physicality, bouncing up and down on their toes in excitement, pleating the front of their dresses when nervous, or puffing themselves up to look fierce. (Superb movement direction throughout from You-Ri Yamanaka.) There’s lovely support too from Nino Furuhata as local boy Kanta, who gets tongue-tied around girls, and Jacqueline Tate as the kindly Granny.

In fact kindness is all around in a tender piece that prizes generosity, community and patience; even Jessica Hung Han Yun’s ravishing lighting feels like a rush of warmth. The film’s most famous scene is an absolute stunner here: as the girls wait at the bus stop for their father, in the rain, Totoro slowly lumbers up to them. Satsuki lends him an umbrella, and this wise creature is utterly charmed by the sound of the raindrops pinging off his new covering. It’s a reminder to take time to savour our surroundings, and to find joy even in the toughest times. Theatre at its most magical.

*My Neighbour Totoro at the Barbican to 21 January 2023. Book tickets to My Neighbour Totoro on London Theatre.*

[![LT - CTA - 250](//images.ctfassets.net/6pezt69ih962/1t6HRGmhlYl70k6PmR0mOZ/3caac861bc1d4233cd7844652c925623/LT-CTA-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=25389&content_product_id=25389&venue_id=788)

*Photo credit: The cast of My Neighbour Totoro at the Barbican. (Photo by Manuel Harlan)*

'My Neighbour Totoro' review – this Studio Ghibli adaptation is theatre at its most magical

Read our review of *My Neighbour Totoro* in London, Tom Morton-Smith's new stage adaptation of the Studio Ghibli film originally created by Hayao Miyazaki.

Don't miss the theatrical event of 2025, the record-breaking, award-winning My Neighbour Totoro is now playing in London's West End.

The Gillian Lynne Theatre, formerly known as the New London Theatre, is a prestigious performance venue in the West End of London. Located in Covent Garden, the theatre is home to an array of world-class performances, ranging from musical theatre, plays, and concerts. The theatre was renamed in 2018, in honour of the renowned British ballerina and choreographer, Dame Gillian Lynne. The architecture of this unique venue is innovative and captivating, with a circular auditorium that offers an immersive viewing experience. The theatre is also known for its state-of-the-art facilities, excellent acoustics, and a seating capacity that can accommodate over 1,000 spectators.
 ### How to get to the Gillian Lynne Theatre:
 The Gillian Lynne Theatre is accessible through various means of transportation. The closest underground station is Holborn, which is a short five-minute walk to the venue. Alternatively, you can also reach the theatre by bus, with the following routes: 1, 59, 68, 91, 168, 171, 188, 243, and 521 stopping near the venue. If you prefer to drive, the nearest car park is located at the Bloomsbury Square Car Park.
 Please note that due to the theatre's central location, it is advisable to check for any possible travel disruptions or roadworks before your journey.

Gillian Lynne Theatre - LON

Gillian Lynne Theatre

The Gillian Lynne Theatre is a prestigious venue in London's West End, offering world-class performances and excellent facilities. It's easily accessible via public transportation.

LON | TT | App Carousel | Avenue Q | 45732 | LTW Aug 2026 

LON | TT | App Carousel | Avenue Q | 45732 | LTW Aug 2026 | Carousel Square 

Avenue Q - LON [45732]

Avenue Q

LON | Avenue Q | 45732

Fresh out of college and searching for his purpose, Princeton ends up in a shabby apartment on New York’s rundown Avenue Q. He quickly meets his new and colourful neighbours where together they navigate the life struggles of work, love and paying the bills in their own hilarious way.

**Shaftesbury Theatre** is an iconic theatre venue in the heart of London's West End. It's been a central part of London's theatre scene since its opening in 1911, boasting more than a century of remarkable performances. Widely esteemed for its architectural grandeur, it ordinarily retains a capacity of 1,400 seats that remain filled with regulars and tourists from around the globe. The theatre has primarily focused on musical-style performances but has also accommodated some premium works of drama over the years. Its historic record includes hosting some of the longest-running shows in London, like 'Hair’ and 'Hairspray'.

**How to get to Shaftesbury Theatre**

Located in the London Borough of Camden, Shaftesbury Theatre is easily accessible by various modes of transport. By Tube, the nearest station is Holborn, a short 6-minute walk away on Kingsway road. Alternatively, for those preferring to travel by bus, various routes stop near the theatre including numbers 1, 8, 19, 38, 55, 98, 242, and N98. If you're driving, parking facilities can be availed at Bloomsbury Square Car Park just 5 minutes away with a pre-booked parking space. If walking or biking, the theatre is within easy distance of several central London locations.

Shaftesbury Theatre - LON

Shaftesbury Theatre

The Shaftesbury Theatre is a historic London venue known for musicals, easily reached by tube and bus, with nearby parking.

LON | TT | App Carousel | Beetlejuice | 45407 | LTW 2026

Ages 12+. Recommended 12+ with adult supervision. Under 16s must be accompanied by an adult.

Beetlejuice - LON [45407]

Beetlejuice

LON | Beetlejuice | 45407 

Based on Tim Burton’s beloved movie classic, this wildly funny - and weirdly life-affirming – musical tells the tale of Lydia Deetz, a strange and unusual teenager sharing her home with a pair of newly-deads and the demonic ghost-with-the-most, Beetlejuice. He’s dead trouble, but if you really want to feel alive, just say his name three times…

The Prince Edward Theatre, one of London's most celebrated theatrical venues, is located in the heart of the city's West End. Opened in 1930, the theatre boasts a rich history and an impressive architectural style with art deco influences. The theatre is famous for hosting ground-breaking productions, with a focus on large-scale musicals. Its 1600-seat auditorium is renowned for the spectacular performances it entertains, and for its elegant and lavish interior. Notable productions include 'Evita', 'Miss Saigon', and the current long-running 'Aladdin'. The theatre was considered special even during its inception, as it was the first theatre built on a steel frame giving it a wider, roomier feel. The Prince Edward theatre is a must-visit for anyone wishing to immerse themselves in the captivating world of London Theatre.

## How to Get to the Venue
The Prince Edward Theatre is situated at Old Compton Street, in London's bustling Soho district. It is well served by public transport. To get there, you can take the Tube to Leicester Square or Tottenham Court Road station, and then walk for about five minutes. Be aware that this is a particularly busy area of London, so it may be advisable to allow extra time for your journey.

Prince Edward Theatre - LON

Prince Edward Theatre

The Prince Edward Theatre in London's West End is renowned for its history, architecture and large-scale musicals. It is easily accessible via Tube.

LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 

LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel

LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel LON | TT | App Carousel | High School Musical | 46909 | LTW 2026 | Square carousel 

Ages 6+. All children under 16 must have a valid ticket and be accompanied by and seated with an adult.

High School Musical - LON [46909]

High School Musical

LON | High School Musical | 46909

Based on the beloved Disney Channel film, join Troy, Gabriella and the students of East High as they navigate the highs and lows of first love, friendship and self-discovery — all while juggling classes, basketball games, auditions and the expectations of their peers.


The Troubadour Wembley Park Theatre is a characterful and vibrant venue nestled in the heart of London. The modern interior exudes a welcoming and spirited energy, designed to provide an immersive theatre experience for all its patrons. It's large and spacious, yet it retains an intimate vibe that enhances every performance. The quality of acoustics in this theatre is phenomenal, bolstering its reputation as a prime location for live performances and events. The theatre offers a dynamic range of shows from musicals, comedies, to drama, appealing to a wide demographic of theatre goers.

 **How to get to the Troubadour Wembley Park Theatre**

Located in London's live events district and easily reachable by public transport, with multiple options available. If you're travelling by tube, the Wembley Park station is a short walk away, serviced by the Metropolitan and Jubilee lines. Overground trains also connect directly to Wembley Stadium station. For those driving, there is paid parking available in close proximity to the venue. Nearby, you'll also find plenty of food and drink options to complete your visit.

Troubadour Wembley Park Theatre - LON

Troubadour Wembley Park Theatre

The Troubadour Wembley Park Theatre is a dynamic, acoustically superior venue in London offering a range of shows and easily reachable by public transport.

LON | TT | App Carousel | Mamma Mia| 304 | LTW 2026 

LON | TT | App Carousel | Mamma Mia| 304 | LTW 2026 | Carousel Square 

Ages 5+. Under 16s must be accompanied by and sat next to an adult (18+). If children do have separate seats you may be refused entry. All persons entering the theatre must have a ticket. Children under 3 will not be admitted.

Mamma Mia! - LON [304]

Mamma Mia!

MAMMA MIA! [304] - LON Product Media 

The show features Abba songs which are cleverly integrated into the story written by Catherine Johnson. Young Sophie who lives with her mother on a small Greek island is about to be married to Sky and wishes for her father to walk her down the aisle. However, she has a problem, who is her father? Her mother does not want to tell her and so Sophie reads her mother's diary and discovers the name of three men who could possibly be her dad. Sophie secretly invites all three men to the wedding. The fun starts when the three men arrive on the island and discover why they have been invited.The show bounds along with endless energy and enthusiasm. The mixture of Abba songs, camp dance routines, platform boots and Lycra costumes based around a soppy romance comedy script creates a delightful evening of sheer fun and pleasure. This is pop music set to pop culture, pure unapologetic seventies tackiness that makes for a great evening's entertainment.<a href="/show/mamma-mia">Mamma Mia!</a> is energetic, funny and entertaining and appeals to all ages. No doubt one of the reasons the show is a success is because it does not try to be anything other than popular entertainment, and the production has the confidence to recognise this fact and does not take itself too seriously. For example, songs, such as "Chiquitita", "Take A Chance On Me", "Does Your Mother Know" are ingeniously slipped into the story line, and the audience bursts into favourable applause each time it happens.Vivien Parry who plays Donna is the indubitable star of the show, her powerful singing voice is superb for the Abba songs that she belts out. Her co-stars Lara Mulcahy and Kim Ismay, who play Donna's old friends Rosie &amp; Tanya , both give great comic performances, as well as having strong singing voices. These three women create a great comic trio and completely dominate the show.Choreographer Anthony van Laast's dance arrangement for Sophie's dream sequence is both daring and ridiculous and as a result is an hilarious success.<a href="/show/mamma-mia">Mamma Mia!</a> is no longer just a West End hit, it is now playing in many countries making it a worldwide success. It seems that <a href="/show/mamma-mia">Mamma Mia!</a> just goes on and on, and deservedly so. At long last, a musical based on ABBA's songs! That's what I thought as soon as I heard the show was opening. Being a teenager in the 70s I grew up with ABBA, and I had all their records in my collection. So I will try and give an unbalanced view of the show as best I can!!The show opened yesterday, 6th April, exactly 25 years to the day that ABBA won the Eurovision Song contest in 1974 with 'Waterloo', which strangely enough, is one of the few songs that does not feature in the show. The songs were written by the male members of ABBA, Benny Andersson and Bjorn Ulvaeus, and in fact Bjorn helped to produce this musical. The story is by Catherine Johnson, who had the most difficult task of writing a script to compliment over 20 of ABBA's songs.The story concerns Donna, who owns a small hotel on a tiny Greek Island. It is the eve of her daughter's wedding and unbeknown to Donna, Sophie her daughter has invited three of her mother's former lovers to the wedding, all of whom had an affair with her mother 21 years ago. Sophie is trying to find out who her dad is, so she secretly invited these men because she had read in her mother's diary that her mother had slept with each of them over a period of 15 days One of these men is Sophie's father, but which one? This basic story is all that is needed for the songs to be slotted in at the opportune moments.This show is extremely tacky and anyone who completely detests ABBA should stay well away! However, fans of ABBA will be blown away and taken on a nostalgic trip down memory lane with a breathtaking rollercoaster ride of their favourite ABBA songs. This is held together with a sugary story that makes the evening exactly what it is, a lot of fun, fun, fun! This is not attempting to be a Sondheim musical, or anything of the sort, it is just a vehicle in which to celebrate all those superb ABBA songs and in this the musical works perfectly.Siobhan McCarthy as the mother 'Donna', is outstanding. She has a powerful voice that belts out the ABBA songs in true ABBA style. Mind you, Siobhan is a very experienced performer. Her credits include the title role in "Evita" at the Prince Edward theatre, 'Mary Magdalen' in "Jesus Christ Superstar", ' Fantine' in Les Miserables", ''Svetlana' in the original production of "Chess" and many more. She has recently played 'Mrs Johnston' in "Blood Brothers" at the Phoenix Theatre. There is also a great performance from the prolific Jenny Galloway as 'Rosie', and Louise Plowright as ' Tanya'. These two bring lots of humour to the show, particularly the lovely, cuddly, scary Jenny Galloway. I have seen Jenny on the London stage many times in the last couple of years, playing all kinds of different roles and she has been impressive in each of them. Lisa Stokke as ' Sophie', and Andrew Langtree as her fiance 'Sky', perform adequately. Both have come from Paul McCartney's Liverpool Institute for Performing Arts, with Lisa making her West End debut. Andrew recently made his West End debut in the lead role of Nick in "Fame" at the <a href="/theatres/prince-of-wales-theatre">Prince of Wales Theatre</a>.So has the show received a critical panning from the popular press as was expected? Well, the notices have not been that bad. NICHOLAS DE JONGH of the EVENING STANDARD says, "Thank you for the music...shame about the musical". BENEDICT NIGHTINGALE of THE TIMES says, " With so much fun in the theatrical air, the rest of us might as well indulge them." SHERIDEN MORLEY on TELETEXT really enjoyed the show saying, "After a shaky start, Mamma Mia soars" and goes on to say, "It's a genuinely touching and comic book allied to some of the greatest and most theatrical pop songs ever written." KATE BASSETT of THE DAILY TELEGRAPH says, "Unfortunately, Johnson's dialogue often sounds like a banal soap opera" and goes onto say, "The cast are clearly having a hoot, almost raising their eyebrows when they have to break into lyrics that are barely relevant." THE FINANCIAL TIMES says, "You shouldn't take Mamma Mia! seriously: which is precisely why it proves to be one of the few good musicals on the London stage today."This show is strictly for people who like ABBA songs and like to have a 'good time'. Don't go to the show expecting any gripping story line, just go with the mind of enjoying the songs, reminiscing and having a lot of fun.This musical is a must for all ABBA fans!!(Darren Dalglish) <a href="/show/mamma-mia">Mamma Mia! Tickets</a> are now on sale.Note: The cast has changed many times since these reviews

Mamma Mia! Review

Join the fun at **MAMMA MIA!**, the world’s sunniest, most exhilarating smash-hit musical! Since premiering in London’s West End over 23 years ago, ‘the ultimate feel-good show’ (__Classic FM__) has thrilled over 65 million people around the world.

Located in the heart of London's West End, the Novello Theatre is a key player in the city’s illustrious theatrical history. Built in 1905, the venue has been home to some of the most notable productions of our time. Its grand stylings, indicative of Edwardian architecture, offer an atmosphere teeming with nostalgia and awe. Inside, the plush red seating and lavish decor hark back to the theatre's illustrious past, perfectly pairing with the cutting-edge productions that grace its stage. The Novello Theatre's programming varies greatly, with a range of performances from musicals to dramas, adding vibrancy into London’s dynamic theatre scene. Shows like ‘Mamma Mia’ have filled out the 1,100-seat theatre for years, offering unique experiences that resonate with each audience member. The theatre is managed by Delfont Mackintosh Theatres, who maintain the venue's beautiful atmosphere, while ensuring a level of professional excellence in the theatre's operations.

## How to get to the Novello Theatre

The Novello Theatre is highly accessible, making it easy for theatre-goers to visit. It is situated at Aldwych in the City of Westminster. By tube, the nearest stations are Covent Garden (Piccadilly Line) and Holborn (Central and Piccadilly Lines), both approximately a 10-minute walk away. For travellers by bus, numbers 1, 4, 11, 13, 15, 68, and 98 all stop nearby. For those driving, the Novello falls under London’s Congestion Charge Zone, available Monday to Friday from 7am until 6pm.

Novello Theatre - LON

Novello Theatre

The Novello Theatre is a historic venue in London's West End, known for a range of shows including the long-running musical, ‘Mamma Mia’. It's easily accessible via public transport.

How did the Wicked Witch of the West get that name? Find out at this prequel to *The Wizard of Oz*, which has defied gravity in London since 2006. Hear songs like "Popular" and "Defying Gravity" at the story of how Elphaba and Glinda started out as friends before their lives changed for good.

Wicked

London Theatre Week is back! Book exclusive prices to the best of the West End and beyond from £15, £25, or £35.

LTW London Theatre Week

Prepare for a sizzling catwalk of drama and haute couture in *The Devil Wears Prada*. Based on the hit film starring Meryl Streep and Anne Hathaway, follow aspiring journalist Andy on her rollercoaster journey working for the formidable fashion editor, Miranda Priestly. 

The Devil Wears Prada

Don’t miss *Beetlejuice*, a hilarious supernatural hit filled with cheeky demons, fussy ghosts, and an incredible sense of humour, directed by Alex Timbers, as it graces the West End. 

This show will change your life! See the multi-award-winning satirical comedy by the creators of South Park. Follow Elder Price and Elder Cunningham, two mismatched Mormon missionaries, as they embark upon an absurd journey to recruit the people of Uganda into the Church of Latter-Day Saints. 

The Book of Mormon

tt-hero-image-mormon-lon-may25

Don’t miss *Avenue Q*, the three-time Tony Award-winning, outrageously hilarious musical that brings Princeton and his silly neighbours back to the West End for another night of good fun. 


Don’t miss *Sinatra The Musical*, this brilliant West End production about the life and career of Frank Sinatra, scandal and all. 


Don’t miss the London premiere of *Now You See Me Live*, a show of great minds and illusions inspired by Lionsgate’s blockbuster film franchise.

Now You See Me Live

The Tony and Olivier Award winning musical *Oliver!*, which tells the tale of young orphaned Oliver Twist trying to survive in 1830s London, returns to the West End.

Oliver!

Don't miss the theatrical event of 2025, the record-breaking, award-winning My Neighbour Totoro is now playing in London's West End. 


Long before the world turned upside down, Hawkins was just a regular town. Henry Creel's arrival might change all of that. A multi-award-winning creative team brings the hit Netflix show's world to life on stage in this gripping adventure. You don't want to miss this one. Trust us — friends don't lie!

Stranger Things: The First Shadow

Life is a cabaret, old chum! Don't miss this revival of a Kander and Ebb classic, and be immersed into the Kit Kat Club with the incredible transformation of the Playhouse Theatre. Leave all your troubles at the door and see this seven-time Olivier Award-winning production of *Cabaret* in London's West End.

Don’t miss Cole Escola’s Tony-winning, smashing dark comedy *Oh, Mary!* as it storms into the West End, starring Cole Escola returning to reprise their iconic original role for a strictly limited four-week engagement from 20 July.. Directed by Sam Pinkleton, this critically acclaimed comedic masterpiece is unlike anything else on the London stage.


Oh, Mary!

Don’t miss *The Hunger Games: On Stage* as it premieres at London’s Troubadour Canary Wharf Theatre. Adapted to screen by Conor McPherson (*The Brightening Air, Girl from the North Country, The Weir*) and directed by Matthew Dunster (*2:22 – A Ghost Story, Hangmen, The Pillowman*), this brand new performance is sure to be a smashing hit.


The Hunger Games: On Stage

Agatha Christie's *The Mousetrap* has been entertaining audiences for over a record-breaking seventy years in London's West End. Will you be able to solve this murder mystery? Seven guests at Monkswell Manor become stranded during a blizzard, but they soon discover that it is the least of their worries.

The Mousetrap

The award-winning musical, *Titanique*, which combines the Academy Award Winning film, *Titanic*, with the music of Céline Dion in a laugh-out-loud funny production, has its West End debut at the Criterion Theatre.


Titanique

Everybody's a little bit naughty — don't miss out on seeing the musical adaptation of Roald Dahl's classic novel. With music and lyrics by Tim Minchin, embark on a journey with the mischievous Matilda as she demonstrates that even the smallest person can make a big difference.

Matilda The Musical

Down-on-his-luck Broadway producer Max Bialystock schemes with timid accountant Leo Bloom to create the biggest flop in theatre history - only to have it backfire spectacularly, and with thunderous applause. 

The Producers

Visit the Pride Lands and see the stage adaptation of the Disney classic movie, *The Lion King*. Featuring Elton John and Tim Rice's beloved songs "Can You Feel the Love Tonight" and "Circle of Life," witness the incredible puppetry and effects in Julie Taymor's groundbreaking production.

The Lion King

Mamma Mia, here we go again! See this smash-hit musical featuring ABBA's greatest tunes, including "Dancing Queen" and "Waterloo." Sophie wants her father to be at her Greek Island wedding. The problem is, she doesn't know which one of three men he could be. Will any of them walk her down the aisle? Book tickets on TodayTix to find out.

*Hercules*, the audience-favourite Disney film about a young demigod growing up on Earth, comes to the West End stage in an exciting musical adaptation. 

Disney's Hercules

Experience the music of the night with this ground-breaking Andrew Lloyd Webber musical. As the second-longest-running musical in London's West End, the musical has delighted audiences for over 35 years. Step into the grand Paris Opera House to witness a riveting tale of love, desire, and haunting secrets.

Phantom of the Opera

Come on down to the Moulin Rouge and experience the spectacular stage adaptation of Baz Luhrmann's iconic 2001 film. Step into the Bohemian world of Montmartre as Christian falls head over heels for Satine. Their love story unfolds amidst the vibrant Moulin Rouge cabaret, where their romance faces trials of societal norms, jealousy, and a tragic fate.

Moulin Rouge! The Musical

Don’t miss *High School Musical*, Disney’s hit stage musical, as it hits the London stage at Troubadour Wembley Park Theatre. London, get’cha head in the game!

Do you hear the people sing? Join the revolutionary spirit in the West End's longest-running musical. *Les Misérables* follows Jean Valjean's quest for redemption, unfolding against the backdrop of 19th-century France. Hear all your favourite songs from this timeless score, including "I Dreamed a Dream" and "Bring Him Home."

Les Misérables

Mischief’s most critically acclaimed adventure THE COMEDY ABOUT SPIES is back, ‘bigger, better and more brilliantly bungling than ever’ (Daily Mail), with a limited 8-week mission recommencing this summer in London’s West End at the Adelphi Theatre.

The Comedy About Spies

Follow Orpheus on a musical odyssey to rescue his love, Eurydice, from the depths of the underworld, where they confront trials, temptation, and the ultimate test of their love. This record-breaking, Tony-winning musical made its triumphant return to London's West End in 2024.

Hadestown

Don’t miss *The Oresteia*, a play written and directed by Simon Stone, this contemporary reimagining of Greek tragedies is staged at Bridge Theatre.


The Oresteia

Don’t miss Alexandra Burke as Chaka Khan in *I’m Every Woman – The Chaka Khan Musical*, a stage performance celebrating the soul, funk, and R&B icon herself.

I'm Every Woman - The Chaka Khan Musical

Brilliant minds. Burning hearts. The irresistible pull between chaos and order.
Don’t miss The Old Vic’s ‘must-see’ (The Telegraph) production of Arcadia by Sir Tom
Stoppard as it transfers to the West End this summer following its critically acclaimed
run.

Arcadia

Divorced, beheaded, live on stage! This award-winning musical brings the six wives of Henry VIII to life in a sensational pop concert. These fierce and feisty queens reclaim their stories, with catchy tunes and empowering lyrics, it's a historical remix that reigns supreme.

The critically acclaimed, sold out, smash hit returns!

Grease: The Immersive Movie Musical

Don’t miss *Cyrano de Bergerac*, this brilliantly funny and incredibly romantic West End revival of Rostand’s classic play, starring Olivier Award-winner Adrian Lester. 


Cyrano de Bergerac

We all know how the story begins. But what happens after it ends?

Once upon a time…

The Baker and his wife. A Witch with a curse. A boy and his cow. A girl in a red cloak. A maiden with long flowing hair. A servant covered in cinders. All journey deep into the dark woods.

Into The Woods

The Cornley Polytechnic Drama Society are putting on a 1920s murder mystery, but as the title suggests, everything that can go wrong... does! The accident-prone thespians battle against all odds to make it through to their final curtain call, with hilarious consequences!  

The Play That Goes Wrong

Be in the room where it happens and catch Lin-Manuel Miranda's multi-award-winning show in the West End. *Hamilton* revolutionises the stage with a dynamic retelling of the ten-dollar founding father, Alexander Hamilton, through a catchy cross-genre score that blends various musical styles.

Hamilton

James and Lou move from Chicago to London to escape their past, but they soon discover that places aren’t haunted, people are… 

The West End's best ticket.