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Festive favourites

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Children under the age of 4 cannot be admitted to the auditorium. All patrons, regardless of age, must have a valid ticket.

ELF the Musical - LON - 25201

ELF the Musical

Son of a nutcracker! London’s “ultimate Christmas show” (Smooth FM), ELF The Musical returns to spread festive cheer at the Dominion Theatre this winter. 

Ballet Shoes - LON [43183]

Ballet Shoes

The ★★★★★ adaptation that ‘never puts a foot wrong’  returns this autumn. The Fossil sisters; Pauline, Petrova and Posy are learning who they are and what they want to be, can they forge a future, keep their family together, and even learn a dance or two along the way? 


4+ (under 16s must be accompanied by an adult)

Christmas by Candlelight - LON

Christmas by Candlelight

Ages 6+. Under 16s must be accompanied by an adult.

Christmas by Candlelight - The Actors' Church - LON [36493]

Christmas by Candlelight - The Actors' Church

Immerse yourself in the enchanting melodies of Christmas classics played by a live string quartet.


Ages 4+. Under 16s must be accompanied by an adult.

Christmas by Candlelight - St Giles-in-the-Fields - LON [36495] 

Christmas by Candlelight - St Giles-in-the-Fields

Ages 5+. Children under the age of 5 are not permitted in the auditorium. Children under the age of 16 must be seated with an adult.

Nutcracker - English National Ballet - LON [24499] 

Nutcracker - English National Ballet

Embark on a journey full of delight and wonder as English National Ballet brings Nutcracker to life with over 100 dancers and musicians.

Ages 5+ (recommended). Babes in arms under 12 months permitted. Children over 12 months must have a ticket.

The Nutcracker - LON [45472]

The Nutcracker

This Christmas, Olivier Award-winning theatre company Little Bulb reimagines The Nutcracker as a magical, musical quest with not a tutu in sight! When two squabbling siblings are swept into ‘The Mousey Realm’, they must stop the evil Mouse King and save Christmas in a brilliantly silly adventure bursting with festive bangers — and just the right amount of cheese.

Ages 5+. All customers aged 14 years or below must be accompanied by an adult (18+).

The Nutcracker - Royal Albert Hall - LON [25885]

The Nutcracker - Royal Albert Hall

This enchanting production, featuring Tchaikovsky’s glorious score, is a sparkling festive treat for the whole family. 

Suitable for 3+ but babies and younger children will be allowed entry. 

The Gruffalo's Child - LON [33455]

The Gruffalo's Child

Follow the Gruffalo’s Child on her adventurous mission in Tall Stories’ enchanting adaptation of the much-loved picture book by Julia Donaldson and Axel Scheffler.

Ages 8+. Children under 15 must be accompanied by an adult over 18 years of age.

Christmas Carol Goes Wrong - LON [43915]

Christmas Carol Goes Wrong

The Cornley Amateur Drama Society are back with tidings of chaos and joy, ready to tackle the  Charles Dickens' classic, A Christmas Carol. Do not miss another Christmas catastrophe from Mischief, the multi award-winning company behind The Play That Goes Wrong, Peter Pan Goes Wrong and The Comedy About a Bank Robbery.


Maddie Moate’s Very Curious Christmas - LON [41899]

Maddie Moate’s Very Curious Christmas

Maddie, best known from CBeebies, is on work experience in this winter wonderland, and she’s got her hands full with two hilarious elves: Tinker, the trainee toymaker, and Goggles, the Head of Elf Safety.

But with Christmas just around the corner, the workshop is a whirlwind of mishaps! The snow machine is out of control, the crackers have lost their bang, and the Christmas lights won’t twinkle. To top it all off, Mrs Claus – played by CBeebies star Jennie Dale - is on her way for a surprise inspection, and she expects nothing less than perfection!

A Christmas Carol - A Ghost Story - LON [35678]

A Christmas Carol - A Ghost Story

Following a critically acclaimed run in 2023, Mark Gatiss’ retelling of Dickens’ winter ghost story returns to haunt Alexandra Palace Theatre again in 2025.

West End Musical Christmas - LON [24329]

West End Musical Christmas

The West End’s number one concert series returns to The Lyric Theatre for the biggest festive celebration for musical theatre lovers!

Ages 5+. Under 16s to be accompanied by an adult 18+.

A Fairytale for Christmas - LON [44902]

A Fairytale for Christmas

From the producers of Seven Drunken Nights – The Story of The Dubliners, immerse yourself in the spirit of Christmas as talented singers, musicians and dancers perform dashing renditions of Yuletide favourites.

Lovers Actually - LON [45062]

Lovers Actually

If you want belly laughs and to be wooed by some cardboard cue cards, then this hilarious new musical parody is one to put down on your Christmas list! Following last year’s sold- out hit, Homo Alone, The Other Palace is thrilled to present Lovers Actually written by Jodie Prenger (Coronation Street, I’d Do Anything) and Neil Hurst (Fat Friends The Musical, Casualty).

The Red Shoes - LON [19771]

The Red Shoes

A timeless fairytale and Academy Award-winning movie, The Red Shoes has captivated audiences and inspired generations of dancers with its powerful tale of obsession, possession and one girl’s dream to be the greatest dancer in the world.

All ages. Children aged 2 and above require a ticket. Children must be seated with an accompanying adult.

The Snowman - LON [26625]

The Snowman

This winter family favourite is the heartwarming tale of a boy, and a snowman who comes to life.

All Ages. Children 3 years and under may sit on the lap of an adult, children 4+ require their own ticket.

Cinderella - LON [45312]

Cinderella

Cinderella dreams of a life full of love and adventure, and free from the clutches of her Ugly Sisters and Wicked Stepmother. When an invitation to the party of the year arrives, it might be just the ticket she needs. Throw in some glass slippers, a fairy godmother, and a little sparkle of magic and you’ve got yourself a pantomime that’s guaranteed to be the perfect fit!

Pinocchio - Globe - LON [44741]

Pinocchio - Globe

Dreaming of a life beyond the confines of his traditional town, restless maverick Gepetto carves a wooden puppet and calls him Pinocchio. Together, they embark on a series of adventures with a host of weird and wonderful characters as they teach each other how to love and build a community of their own.

TodayTix Gift Cards - LON [24441]

TodayTix Gift Cards

Ages 5+. Under 5s cannot be admitted to the theatre.

Elf The Musical - LON [45437]

Elf The Musical

Based on the beloved film, Elf tells the hilarious tale of Buddy, a human raised by elves, who heads to New York to find his real father - and ends up saving Christmas. Don’t miss the magic - because smiling’s your favourite, right?

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Family friendly

TT | LON | Product List | Family friendly 

All Ages. Babes of 12 months and under do not require a ticket but we reserve the right to check ID.

CoComelon: Sing-A-Long LIVE - LON [44413]x

CoComelon: Sing-A-Long LIVE

This interactive live show brings CoComelon’s vibrant world to life, inviting families to sing, dance, and play together.

Ages 6+. Children under 3 are not permitted to enter the theatre. Anyone under 16 must be accompanied by an adult and may not sit on their own. All persons entering the theatre, regardless of age, must have a ticket.

The Lion King - LON [302]

The Lion King

Set against the majesty of the Serengeti Plains and to the evocative rhythms of Africa, Disney's multi award-winning musical will redefine your expectations of theatre.

At its heart is the powerful and moving story of Simba - the epic adventure of his journey from wide-eyed cub to his destined role as King of the Pridelands. 

Ages 8+. All persons entering the theatre, regardless of age, must have a ticket, and children under 5 are not permitted. Babes-in-arms are not admitted to the auditorium. Please note that patrons under the age of 15 must be accompanied by an adult.

Harry Potter And The Cursed Child: Both Parts - LON [21176]

Harry Potter And The Cursed Child: Both Parts

There’s magic in every moment at Harry Potter and the Cursed Child, the most awarded play in history and “one of the most defining pop culture events of the decade” (Forbes). And now, the 8th Harry Potter story is bringing the magic back to London’s West End.

Ages 7+. Under 16s must be accompanied by and sat next to an adult (18+). Children under 5 years will not be admitted. All persons attending, regardless of age, must have a ticket.

Wicked - LON [313]

Wicked

“London’s No.1 show” (LBC) is back! Celebrating 16 triumphant years at the Apollo Victoria Theatre

All Ages. All children under 16 must have a valid ticket and be accompanied by an adult. Children under 3 will not be admitted.

Starlight Express - LON [24471]

Starlight Express

Starlight Express takes place within a nine-year old boy’s dream in which his toy trains magically come to life. Among them, there’s the fast diesel train Pacific Daylight, Bobo form France, Espresso from Italy, and Rusty, the old steam train. Along with entrants from around the world, the trains race to become the fastest train in the world.

All Ages. Like most Cirque du Soleil shows, Corteo is meant to entertain the whole family. 

Cirque du Soleil - Corteo - LON [41540]

Cirque du Soleil - Corteo

This jaw-dropping theatrical spectacular from Cirque Du Soleil plunges the audience into a captivating world of fun, comedy and spontaneity led by the poetic and mischievous clown Mauro.

The Play That Goes Wrong - LON [345]

The Play That Goes Wrong

The Cornley Polytechnic Drama Society are putting on a 1920s murder mystery, but as the title suggests, everything that can go wrong... does! The accident-prone thespians battle against all odds to make it through to their final curtain call, with hilarious consequences!  

Ages 6+. Under 16s must be accompanied by an adult (18+). Under 4s will not be admitted.

Back to the Future: The Musical - LON [22396]

Back to the Future: The Musical

When Marty McFly is transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the past and send himself... back to the future.

All Ages. Babes in arms are allowed for this production, babes under 12 months sitting on an adult’s lap do not need a ticket. All other patrons do need a ticket for entry.

Peppa Pig’s Fun Day Out - LON [32338]

Peppa Pig’s Fun Day Out

Peppa Pig is back in her oinktastic brand new live show, Fun Day Out!

Ages 7+. Everyone must have their own ticket. Under 16s must be accompanied by and sat next to a ticketholder who is 18+. Under 3s will not be admitted.

Oliver! - LON [40713]

Oliver!

Cameron Mackintosh’s new production of Lionel Bart’s iconic musical, Oliver!, which he has fully reconceived with director and choreographer Matthew Bourne, will open in London at the end of the year.

Ages 5+. Children under the age 5 are not permitted into the theatre. Children 5+ must have their own ticket and sit next to an accompanying adult.

Cinderella - LON [41664]

Stuck at home and put to work by her spoiled Step-Sisters, Cinderella’s life is dreary and dull. Everything changes when she helps a mysterious woman out... 

Family friendly shows in London

Award-winning

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Award-winning shows in London

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Shows with Rush & Lottery

Get the best prices on theatre tickets today in New York, London and more. Read reviews. Win exclusive lottery or rush tickets. Download our app.

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LON | TT | Carousel - Web Hompage | Titanique | 40903

Ages 14+. Strictly no admittance for under 12s due to strong language and sexual references. Under 16s must be accompanied by an adult (18+).

Titanique - LON [40903]

Titanique

LON | Titanique | 40903

NOTHING ON EARTH COULD COME BETWEEN JACK AND ROSE, EXCEPT CÉLINE DION 

The Criterion Theatre is a gem of Victorian architecture located in the bustling heart of London, nestled within the world-famous Piccadilly Circus. Hidden away underground, this grand and storied venue brims with rich history and elegance. Built in 1874 by architect Thomas Verity, and designed in a striking Italian Renaissance style, the theatre seats 588 people across three levels. Notably, it is constructed predominantly from concrete, a characteristic unusual for its time. The theatre's magnificent gilded interior and treasured Criterion Bar sublimely enhance the overall patron experience.

Over the years, the Criterion Theatre has been the host to a variety of productions spanning several genres, including comedies, dramas, thrillers, musical concerts, and matinees. Its 'Criterion New Writing Programme' reflects its commitment towards nurturing potential playwrights and encouraging new work.

### How to Get There

The Criterion Theatre is conveniently served by several modes of public transportation. The nearest Tube station is Piccadilly Circus, served by the Piccadilly and Bakerloo lines, a mere two-minute walk away. Numerous bus routes run along Piccadilly, Regent Street, and Shaftesbury Avenue, making the venue easily accessible. However, due to its central location, parking is limited and it's advisable to use public transportation if possible. The venue is within London’s Congestion Charge Zone, and for those choosing to drive, nearby parking is available at Q Park Chinatown in Newport Place.

Criterion Theatre - LON

Criterion Theatre

The Criterion Theatre is a historic Victorian theatre in London's Piccadilly Circus, easily accessible by tube and bus services.

LON | TT | Carousel - Web Homepage | Black Friday Sale

LON | TT | Carousel - Web Homepage | MJ | 28638

Ages 8+. Under 16s must be accompanied and sat next to an adult (18+). Everyone must have their own ticket. Under 3s will not be admitted. 

MJ The Musical - LON [28638]

MJ The Musical

MJ The Musical - LON - 28638 Product Media

He is one of the greatest entertainers of all time. Now, Michael Jackson’s unique and unparalleled artistry is heading to the West End in the multiple Tony Award®-winning musical MJ.

The Prince Edward Theatre, one of London's most celebrated theatrical venues, is located in the heart of the city's West End. Opened in 1930, the theatre boasts a rich history and an impressive architectural style with art deco influences. The theatre is famous for hosting ground-breaking productions, with a focus on large-scale musicals. Its 1600-seat auditorium is renowned for the spectacular performances it entertains, and for its elegant and lavish interior. Notable productions include 'Evita', 'Miss Saigon', and the current long-running 'Aladdin'. The theatre was considered special even during its inception, as it was the first theatre built on a steel frame giving it a wider, roomier feel. The Prince Edward theatre is a must-visit for anyone wishing to immerse themselves in the captivating world of London Theatre.

## How to Get to the Venue
The Prince Edward Theatre is situated at Old Compton Street, in London's bustling Soho district. It is well served by public transport. To get there, you can take the Tube to Leicester Square or Tottenham Court Road station, and then walk for about five minutes. Be aware that this is a particularly busy area of London, so it may be advisable to allow extra time for your journey.

Prince Edward Theatre - LON

Prince Edward Theatre

The Prince Edward Theatre in London's West End is renowned for its history, architecture and large-scale musicals. It is easily accessible via Tube.

LON | TT | Carousel - Web Homepage | Back to the Future |  22396

Back to the Future: The Musical - LON [22396] Product Media

​​Great Scott! <a href="/actor-profile/roger-bart">Roger Bart</a>, whose positive Covid test kept him from opening night earlier this month, is once again bringing his 1.21 gigawatts of zany energy to Doc Brown. I went back to <a href="/show/back-to-the-future">Back to the Future</a> to see Bart in action (<a href="/theatre-news/west-end-features/mark-oxtoby-back-to-the-future-doc-brown-opening-night">after catching his understudy Mark Oxtoby</a>), and, in both versions of the time-space-actor continuum, enjoyed a show that is, indisputably, a fantastic night out.This West End musical incarnation of the 1985 movie is over a decade in the making, following lengthy development and, of course, a global pandemic, which created a big gap between its Manchester Opera House debut in March 2020 and the London transfer.Yet if any show can manage a time lag, it's surely this one. Film fans should be reassured that this is a faithful adaptation, with the movie's Robert Zemeckis, Bob Gale, and Alan Silvestri all returning for the musical - joined by co-composer Glen Ballard and director John Rando.Small tweaks make it more palatable for 2021. The Libyan terrorists are gone, and Lorraine is given slightly more agency, although it's best not to examine the gender relations too closely. (Is&nbsp;beating people up really the only way to prove your masculinity and your worth as a partner?)And, in truth, it's not exactly a musical in the traditional sense. After two viewings, I'd be hard pressed to reproduce much of the original score; the songs that stick are the pop hits used in the movie and triumphantly reprised here, "Johnny B Goode" and "The Power of Love."Likewise, Chris Bailey's choreography includes explosive tricks, along with a shift from breakdancing to swing, but the numbers never build to a climax. Yet both music and movement do enough to serve the story, and this toe-tapping retro-pastiche fun (Grease meets Footloose) slips down as easily as chocolate milk.Most effectively, there's a balance of wit and sincerity. When Marty arrives in 1955, he's greeted by an irony-laden number about the wonders of smoking, asbestos, and white men having their cake and eating it too. Doc Brown later dreams of a utopian 21st-century future with no war or disease (hoho). The show trades on nostalgia, while slyly deconstructing it.The same with the form. A superbly deployed ensemble provides continual backup, but at one point a fourth-wall-breaking Doc Brown suddenly "sees" the dancers and wordlessly ushers them out the door. That goofiness is endearing, and feels like a proper embrace of this new medium.But there's still a rollicking adventure in here, too, anchored by the Michael J Fox-evoking <a href="/actor-profile/olly-dobson">Olly Dobson</a>. He and Courtney-Mae Briggs are instantly believable as the loved-up teens, providing Marty with added motivation to return home, and Dobson reacts brilliantly to the madness around him - particularly his Oedipal nightmare.As Doc Brown, Bart goes full vaudeville. With his lightning-fast changes of mood, voices and physical tics, plus snappy ad-libs, he's like Robin Williams at his most playful. But he also finds stillness for a wistful ballad dedicated to the dreamers. It links up these two worlds of sci-fi and theatre.Rosanna Hyland is an assured, sweet-voiced Lorraine, Hugh Coles a comically awkward and endearing George, Aidan Cutler a satisfying boo-hiss villain, and Cedric Neal provides the musical highlight with the aspirational, gospel-tinged "Gotta Start Somewhere."And yes, the car is a star too: that iconic DeLorean roaring onto the stage and accelerating to 88 miles per hour to blast through time (if petrol is a bust, perhaps we should all switch to plutonium). The audience is totally immersed in that thrilling ride thanks to a crack creative team (Tim Hatley, Tim Lutkin, Gareth Owen, Finn Ross, and Chris Fisher) and it even extends into the auditorium, with strips of LED lights creating a giant fizzing circuit board. There's also a climactic trick that I genuinely can't explain. Theatre magic: how I've missed it.Booking has already extended to July next year. Clearly, this time-hopping spectacle with a heart is also the show of the moment.<div><a href="/show/back-to-the-future">Back to the Future is at the Adelphi Theatre. Book Back to the Future tickets on LondonTheatre.co.uk.</a></div><div>&nbsp;</div><div>Photo credit: Roger Bart and Olly Dobson (Photo by Sean Ebsworth Barnes)</div>

'Back to the Future' review - sci-fi and theatre blend to create genuine magic

The Adelphi Theatre, located in London's West End, is a historic venue recognised for its rich contribution to London's vibrant theatre scene. Exquisitely built in Art Deco architectural style, the Adelphi boasts an impressive history of notable performances and theatrical debuts since it first opened its doors in 1806. With a seating capacity of around 1,500, the venue ensures a sumptuous viewing experience enhanced by modern equipment, tastefully restored interiors, and comfortable seating that allows audiences to get lost in the art unfolding onstage. Over the years, the venue has hosted a range of compelling performances, be it dazzling musicals, thought-provoking dramas, or riveting mystery thrillers, contributing to its reputation as a central hub for quality theatre. Some of the famous shows to grace its stage include Chicago, Joseph and the Amazing Technicolor Dreamcoat, Evita, and more recently, Waitress. **How to get to the Adelphi Theatre**: Located on The Strand, the theatre is just a short walk away from various bus stops, tube stations, and railway stations. The nearest tube station, Covent Garden, is only a 5-minute walk away, while Charing Cross, the nearest railway station, is a 7-minute walk. Several bus routes service The Strand, making the theatre readily accessible from all parts of London.

Adelphi Theatre - LON

Adelphi Theatre

The historic Adelphi Theatre in London's West End hosts notable performances in 1,500-seating capacity auditorium, and is easily accessible via public transport.

LON | TT | Carousel - Web Homepage | The Phantom of the Opera | 308

Ages 8+. Anyone under the age of 16 has to be accompanied by an adult (18+). Under 4s will not be admitted.

The Phantom of the Opera - LON [308]

The Phantom of the Opera

The Phantom of the Opera [308] - LON  Product Media

Stop a person on the street and ask them to name a West End musical, they'll probably say one of two things: <a href="/show/les-miserables">Les Mis</a>, or <a href="/show/the-phantom-of-the-opera">The Phantom of the Opera</a>. The latter has been impressively running non-stop at <a href="/theatres/her-majestys-theatre">Her Majesty's Theatre</a>&nbsp;for over 3 decades now, but does Andrew Lloyd Webber's musical still have the same sense of wonder as it did all that time ago.&nbsp;&nbsp;There's no question that it's a complete classic: the story tells of the titular phantom who haunts an opera house, the tales of his presence in the building are now common gossip amongst the casts. During rehearsals for the company's latest offering, an unknown chorus girl, Christine, is forced to thrust into the lead role, with the producers assured she has been taught well. Taught, it turns out, by the 'Angel of Music', the Phantom whose voice rings around in her head.During her triumphant performance, an old friend Raoul rekindles his love for Christine, while the Phantom reveals himself to Christine, luring her to his underground lair. As he tells her how she's been chosen to perform his work-in-progress opera, she lifts his mask to reveal his gruesomely disfigured face, and this begins a tale of jealousy and control.While its reputation as the ultimate romantic musical precedes it, watching the show in the #MeToo era throws up for a few uneasy moments. As the Phantom's manipulation and desire to control Christine become more and more apparent - through some pretty no-nonsense lyrics like "You will curse the day you did not do /All that the Phantom asked of you" - it's difficult not to feel for her as she is trapped and manipulated by a selfish, jealous man.It did create two of the most desirable roles for any musical theatre performer. Originated by Michael Crawford and Sarah Brightman, the production currently features an excellent leading cast of <a href="/theatre-news/interviews/ben-lewis-interview-meet-the-west-ends-new-phantom-of-the-opera">Ben Lewis</a> and Kelly Mathieson. Lewis commands every corner of the stage with the menace of the Phantom, while treating his more tender moments with the deluded pain the character demands. Mathieson plays Christine with the kind of innocent naivety that makes the part convincing, and nails some of the most challenging songs written for the stage.There is still something special about Lloyd Webber's score. Its songs were revelations that shook musical theatre, standards that entered the public consciousness. The '80s synth-opera fusion might seem a little dated, but there's no disputing that descending motif still conjures goose bumps. At the heart of "The Point of No Return" - the Phantom's composition - are the satisfying resolved phrases that are a trademark of the score.In 2018, it's difficult for one to imagine the reaction this production would have received in the '80s. It's wildly over the top - complete with its iconic set pieces, fireballs, and an elephant &nbsp;- and some of these elements raise a chuckle or two at the confidence it must have taken to pull them off. Some of the tricks wouldn't look out of place in <a href="/show/harry-potter-and-the-cursed-child">Harry Potter and the Cursed Child</a>, while others laid the groundwork for a show like <a href="/show/bat-out-of-hell-the-musical">Bat Out of Hell</a> to exist at the heightened level it does.While we could dissect the reaction the show would get if <a href="/show/the-phantom-of-the-opera">Phantom</a>&nbsp;was presented as a new work today, there's no question that it's still wild, it's still joyous, and it's still deserved of its place as the pride of the West End.<a href="/show/the-phantom-of-the-opera">The Phantom of the Opera</a> is currently booking at the <a href="/theatres/her-majestys-theatre">Her Majesty's Theatre</a>.

Review - The Phantom of the Opera at Her Majesty's Theatre

Read our review of The Phantom of the Opera starring Kelly Mathieson at Her Majesty's Theatre on London Theatre.

The Phantom of the Opera at Her Majesty's Theatre Review | London Theatre

This multi-award winning musical continues to captivate audiences at His Majesty’s Theatre in London’s West End, after more than 12,000 performances.

The West End's best ticket.The West End's best ticket.