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Ages 17+. Under 16s must be accompanied and sat next to an adult (18+). Everyone must have their own ticket. Under 3s will not be admitted.

The Book of Mormon - LON [287]

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The Book of Mormon

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Note: Cast has changed since this reviewIf you follow proceedings in the entertainment arena, you may well know as much if not far more than I do about this much-anticipated show. '<a href="/show/the-book-of-mormon">The Book of Mormon</a>' has already been in residence on Broadway for the past two years, where it has been a huge success, and advance publicity for the show means there can't be many people in the UK who do not know about it already.Given the descriptive nature of the title, it is pretty clear that the show is about the religious group informally known as the Mormons, or more accurately the members of the Church of Jesus Christ of Latter-day Saints. The congregation of this church stretches across the globe thanks to missionary activities which form part of the required service of a male member of the church. So, many of us are accustomed to being hailed in the street or on our doorsteps by young men, mostly American, who are desperate to convert anyone and everyone to their faith.The show begins at a Mormon missionary training centre where a group of squeaky-clean young men in their late teens are preparing to head-off on their missions in various parts of the world. Elder Price (Gavin Creel) seems like the ideal young man to succeed in baptising more than any other missionary on his two-year endeavour. He is eagerly anticipating being sent to Orlando, Florida, which has been his dream-destination since childhood. Elder Price has pin-up good looks, and has all the attractive qualities to make him, well, popular. On the other hand another of the trainees is neither as charming or good-looking as Elder Price. Elder Cunningham (wonderfully played by Jared Gertner) is rather overweight for his diminutive stature, and with his spectacles and curly mop of hair, hardly meets the manicured image of the other missionaries who all seem to have inherited identical Mormon genetics. Elder Cunningham cannot remember the basic sales patter which the missionaries are trained to deliver, and moreover has issues with telling the truth. Since the missionaries are sent off on their work in pairs and must never leave each others' sides, you can see where this set-up is heading. Yes, the supremely confident and smooth-operating Price is twinned with the unreliable and gawky Cunningham. Disaster seems imminent as winner is teamed with loser, and is more or less assured when the ill-matched pair are sent, not to Orlando as Price yearned, but to Africa. The results are more or less predictable, though there are some surprises.<iframe align="right" frameborder="0" src="https://embed.spotify.com/?uri=http://open.spotify.com/track/4YfNmQKnrX5DrlAxSAnMoA" style="width: 330px; height: 80px;"></iframe>Given that this is a satire directed against a particular religious group - who are still very much alive and preaching - this show might have attracted a whole string of legal actions, or at least a heated public exchange between the production team and the Mormons. But apparently not from what I can gather. The Mormons seem to have taken the show in their stride - which implies they see no threat and have, in avoiding a public row, preserved their dignity. But I don't really think they have much to worry about anyway. Sure, the show pokes fun at them and their beliefs. In particular, the actual '<a href="/show/the-book-of-mormon">Book of Mormon</a>' is scoffed at because of the incredulous nature of its origins. However, we see Elders Price and Cunningham not just as Mormons, but as individual human beings who find themselves in an extraordinary situation. In a sense, we laugh with them almost as much, if not more, than laughing at them. The satirical nature of the show is certainly never vicious or unduly cruel, though I found the reference to everyone in Africa having AIDS just the wrong side of bad taste for my liking. But most of the audience laughed at that remark as well much else besides.On the evening I caught the show the cast were word-perfect, the action was flawless and the orchestra was in great form. There was an almost audible buzz from the audience almost as soon as they entered the theatre and they seemed ready and willing to laugh, and they did, and very frequently at that. There was an instant standing ovation at the end which in my experience is fairly rare even with long-running and much-loved shows. And when I say a standing ovation, I am referring to the entire audience and not a few ardent fans who have already seen the show. And speaking of fans, I noticed that a couple of people in the front stalls seemed to have already taken the show to their hearts as they were dressed in the missionary uniform of white shirt, black tie and trousers, as well as a name badge. If that does not signify a hit, I am not sure what does - unless, of course, they were Mormon missionaries.I had to fight my way through hoards of people trying to buy last-minute tickets and there were a few dubious characters outside the theatre trying to buy-up any spares. So, whatever I or any other critic might say about this musical, it seems like it will be hard to dislodge it for some considerable time. In fact, the show is very funny - not the funniest I have seen in the past few years, but certainly one of them and very near the top of the 'funniest' list. It is cleverly written and extremely well-produced, and the excellent, energetic performances give the impression that the cast are loving every minute of it. It is enormously enjoyable, and the laughs keep coming even when the story-line seems about to run out of steam. Like the contents of the <a href="/show/the-book-of-mormon">Book of Mormon</a> itself, this show could well end-up being the stuff of legend.Note: This Review is from a preview performance.<a href="/show/the-book-of-mormon">Book of Mormon Tickets</a> are now on sale."While acknowledging that it is often damnably clever and sharp, I find it hard to warm to the show...The Book of Mormon strikes me as a decadent and self-indulgent musical, and its mixture of satire and syrup ultimately proves repellent." Charles Spencer for Daily Telegraph"I absolutely loved it...songs, though not especially memorable, have bounce and bite and colour." Paul Taylor for The Independent"I'm not sure its crude yet clever package is roll-in-the-aisles funny but it's deliciously entertaining and there is certainly nothing like it in the West End." Julie Carpenter for The Daily Express"Its satire is insistently US college-campus adolescent. I tired of it after ten minutes...This is a cowardly, coarse, cynical show, worth avoiding. Quentin Letts for The Daily Mail" Indecently funny...The music...is generally jaunty and from time to time soars operatically, though only three or four of the tunes are really memorable. Henry Hitchings for Evening Standard"A mildly amusing musical, with some knowingly parodic songs, that takes a few pot shots at religious credulity without ever questioning the need for belief. I had a perfectly pleasant time, but the idea that the show, which won nine Tony awards, is either daringly offensive or a Broadway breakthrough is pure codswallop...For all its rude words, this is essentially a safe, conservative show for middle America." Michael Billington for The Guardian

The Book of Mormon London Review

*The Book of Mormon* comes from South Park creators __Trey Parker__ and __Matt Stone__, and *Avenue Q* co-creator __Robert Lopez__. *The Book of Mormon*, winner of nine Tony Awards® and four Olivier Awards, including Best Musical for both, follows a pair of Mormon boys sent on a mission to a place that’s about as far away a from Salt Lake City as you can get. 

The Prince of Wales Theatre is one of the most prestigious locations in London's West End. Opened in 1884, it has since hosted a stunning array of shows, from musicals to comedies, dramas, and more. The theatre is lauded for its ornate decorations, grand yet intimate aura and state-of-the-art facilities. The auditorium boasts a capacity of over 1,000, all with unobstructed views of the stage. All this contributes to its powerful ability to provide every audience member with an immersive, unforgettable theatrical experience. 

## How to Get to the Venue 

The theatre is located at Coventry St, London W1D 6AS, very close to Leicester Square Tube Station. For those planning to drive, please note that the area falls under the London Congestion Charge Zone. Street parking is limited, but there are a few NCP Car Parks in the nearby vicinity. The theatre is well served by buses, with bus routes 3, 6, 9, 12, 13, 14, 15, 19, 22, 23, 38, 88, 94, 139, 159, 453 all stopping nearby. Please plan your journey ahead to enjoy a seamless experience.

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Prince of Wales Theatre

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LON | TT | App Carousel | Sabrage | 43664 | 24hr Offer

Sabrage - LON [43664]

Sabrage

LON | Sabrage | 43664

The finest acrobatic and cabaret talent from around the world are serving an intoxicating blend of vintage French glamour, high-end spectacle and titillating acts to infatuate, illuminate and inspire.

Lafayette

LON | TT | App Carousel | Stereophonic | 43662 | Onsale

Stereophonic - LON [43662] 

Stereophonic

LON | Stereophonic | 43662

Stereophonic mines the agony and the ecstasy of creation as it zooms in on a music studio in 1976.

The **Duke of York's Theatre** is one of the most prestigious theatres in the bustling city of London. Nestled in the heart of St Martin's Lane, it boasts a rich history dating back to its opening in 1892. The theatre is named after King George V and since its establishment, it has featured an array of stunning performances and world-renowned plays. The auditorium is an impressive spectacle in its own right, designed in proscenium style, with the capacity to accommodate up to 640 spectators. Over the years, it has maintained its classic Edwardian decor, adding to the immersive theatre experience it provides. Furthermore, the theatre has state-of-the-art technical facilities and provides excellent acoustics, ensuring an awe-inspiring experience. 

**How to get to the venue:** 

Duke of York's Theatre is well-connected to public transportation. The closest tube stations include Charing Cross, Leicester Square, and Covent Garden. Alternatively, several buses stop near St Martin's Lane. For those driving, there are car parks nearby. However, due to London's congestion charge, public transport is the most convenient and often, the easiest way to reach the theatre.

**Additional Information** 

Venue opens 1hr 30min before showtime. 
Please arrive with plenty of time. Latecomers will be admitted at a suitable point, which may be the interval.

Duke of York's Theatre - LON

Duke of York's Theatre

The Duke of York's Theatre is a prestigious historical venue in London, showcasing world-renowned plays with modern facilities. It's accessible via public transport.

LON | TT | App Carousel | Mean Girls | 35503

Ages 10+. Under 16s must be accompanied by and sat next to an adult (18+). Children under 3 years will not be admitted. 

Mean Girls - LON [35503]

Mean Girls

Mean Girls | Savoy Theatre - LON [35503] Product Media

IT’S NOT LIKE A REGULAR MUSICAL. 
IT’S A COOL MUSICAL. 

London's Savoy Theatre is one of the most renowned theatre venues in the heart of the city. This cherished venue exhibits a rich history that dates back to 1881. The Savoy indulges its patrons with a variety of performances, including plays, musicals, ballet, and concerts. The attractive architecture and interior details give the attendees a sense of a grand theatrical experience. The Savoy Theatre prides itself on having introduced electric lights to the theatre world. Remarkable luminaries such as Gilbert and Sullivan have graced its stage. The theatre has a seating capacity of 1,158, split between the Stalls, Dress Circle, and Upper Circle. Dedicated to providing full accessibility, the venue offers services for those with mobility, hearing, and visual impairments.

## How to get to the Savoy Theatre 
The Savoy Theatre is centrally located in London and is easily accessible by both public and private transport. The theatre is easily reachable by bus, tube, and rail services. The nearest tube stations are Charing Cross (Bakerloo and Northern lines), Embankment (District, Circle, Bakerloo, and Northern lines), and Covent Garden (Piccadilly line). For those who prefer buses, services 6, 9, 11, 13, 15, 23, 87, 91, 139, and 176 stop near the theatre. For patrons driving private vehicles, the closest Q-Park car park is available at the nearby Chinatown. The theatre also participates in the Q-Park Theatreland Scheme, offering a 50% discount on parking.

## Additional Information 

Venue opens 1hr 30min before showtime.

Please arrive with plenty of time, latecomers will be admitted at a suitable point, which may be the interval.

Savoy Theatre - LON

Savoy Theatre

The Savoy Theatre is a historic London venue offering diverse performances. It's centrally accessible by tube, bus, and car.

LON | TT | App Carousel | The Lion King | 302 

Ages 6+. Children under 3 are not permitted to enter the theatre. Anyone under 16 must be accompanied by an adult and may not sit on their own. All persons entering the theatre, regardless of age, must have a ticket.

The Lion King - LON [302]

The Lion King

The Lion King [302] - LON Product Media

It's been fifteen years almost to the week that I first saw Disney's<a href="/show/the-lion-king"> The Lion King</a> in what was its first year in the West End. I don't think even Disney could have predicted that sixteen years later the show would still be London's most popular musical, selling out performances eight times a week and playing to packed crowds.Judging the show against the current climate of the West End, I worried some of the magic may have faded, but Julie Taymor's staging and costume design remains some of the most innovative, impressive and breath-taking to ever be seen on stage - musical or otherwise.Disney Theatricals have grown in strength and statue since the production originally opened on Broadway in 1997, but <a href="/show/the-lion-king">The Lion King</a> remains the jewel in the crown for theatrical integrity and pure spectacle. Seeing the show again in context of Disney's more recent efforts 'The Little Mermaid', 'Newsies' and '<a href="/show/aladdin">Aladdin</a>', you realise how they pail in comparison in terms of creativity and kick yourself for taking Taymor's work for granted.Based on the 1994 animated film, one of the last in the period of the 'Disney Renaissance', the heart-warming tale follows the lion cub Simba as he learns to take his place in the great "circle of life" following the murder of his father Mufassa by his evil uncle Scar. The show combines low comedy (side-kicks Timon and Pumba) with shades of 'Hamlet', resulting in a near perfect and original story that delights both children and adults.The level of detail in the costumes, make up and puppetry is utterly staggering and Taymor creates a visual feast for the eyes aided by Garth Fagan's authentic and energetic choreography that makes you forget you are watching humans. This is blended with the subtlety of the direction that at its most powerful shows a waterhole drying up with just the simplest trick and binds together a fully immersive technical feat. There is simply nothing like this musical on a production level and the fact it stands the test of time and is yet to be bettered is proof alone of its success.The show has had some tightening up in recent years, with one song trimmed ("The Madness of King Scar") and one deleted all together ("The Morning Report") to keep the run time to a family friendly level. All of the set pieces are there - from the opening section where the animals come together to celebrate "The Circle of Life" to the Wildebeest stampede and the battle for Pride Rock. The ingenuity however comes from scenes such as "The Lioness Hunt" and "One By One" that bring a fresh authenticity to the score and showcase a universally talented, athletic and agile ensemble.<a href="/show/the-lion-king">The Lion King</a> is an outstanding creative and emotional musical and will no doubt remain the King of the West End for many years to come. As Disney Theatricals continue to grow their stock and with a Broadway production of 'Frozen' on the horizon, I hope the show isn't taken for granted, as theatre practitioners the world over can learn from Taymor's alchemy.

The Lion King Review

Set against the majesty of the Serengeti Plains and to the evocative rhythms of Africa, Disney's multi award-winning musical will redefine your expectations of theatre.

At its heart is the powerful and moving story of Simba - the epic adventure of his journey from wide-eyed cub to his destined role as King of the Pridelands. 

The Lyceum Theatre is a grand cultural establishment located in London's bustling West End. Featuring a magnificent façade, impressive entryway, and an interior adorned with deep-red velvet, chandeliers, and exquisite gold-leaf embellishment, the Lyceum offers a classic theatre experience with a blend of historic charm and contemporary convenience. It has a seating capacity of over 2,000 occupants, and is known for hosting a wide range of performances, but most notably, it has been the home of 'The Lion King' musical since 1999, attracting thousands of theatre-goers each year. Apart from shows, the theatre has bars on all levels and facilities for wheelchair users. 

## How to get to the venue

The Lyceum Theatre is easily accessible by a variety of transport methods. For those who prefer the tube, Covent Garden station on the Piccadilly Line is the nearest at a 5-minute walk away. There are also several bus routes that stop near the theatre and for those driving, there is designated theatre parking at Q-Park Centres in nearby Trafalgar Square and Chinatown. The theatre's central location also ensures plenty of restaurants, bars, and shops within quick reach.

## Additional Information

Venue opens 90m before showtime.

Lyceum Theatre - LON

Lyceum Theatre

The Lyceum Theatre in London's West End is a grand venue known for hosting 'The Lion King' musical and is easily accessible by various transport methods.

LON | TT | App Carousel | Six | 12201 | NBF

Ages 10+. Children under 16 must be accompanied by an adult.

SIX - LON [12201]

SIX - LON [12201] Product Media

The queens are back, and they're beautiful. Since their creation by Cambridge University students Toby Marlow and Lucy Moss in 2017, when they first sashayed before audiences at the Edinburgh Fringe Festival, these ritzily reincarnated wives of Henry VIII have stomped their way into the theatre history books. The show - more rock revue than musical - transferred to the West End and became an international hit. Its Broadway opening was delayed by the Covid crisis, but doubtless its conquering of the Great White Way is just a matter of time.A bedazzling sing-off by six women, each determined to wrest back control of her own narrative, Moss and Jamie Armitage's production is slick, witty, and so frenetically charged that resistance is pretty much useless. What's behind the glitter and the gloss, the astonishing vocals and the seductive strut, is in reality not much more profound than the Spice Girls' rallying cry of "Girl Power": it's a case of clever branding rather than serious substance. But it undeniably works: an audience dominated by young women and girls, many of them watching with their mums, whooped their appreciation, faces glowing. This may be feminism-lite, but it ignites powerful passions.And as a spectacle, it's eye-poppingly impressive. Emma Bailey's set, lit with blinding, blingy excess by Tim Deiling, is like a medieval chapel relocated to Las Vegas, purple neon in place of stained glass. Backed by an all-female band, the queens, in costume designer Gabriella Slade's mini farthingales or doublet and hose, crystal-encrusted and flesh-flashing, glide, pop and grind through choreographer Carrie-Ann Ingrouille's high-energy, geometric formations, to songs that musically reference a roll call of fabulous divas&nbsp;—&nbsp;Beyonce, Britney, Ariana Grande, Nicky Minaj, Rihanna, and Adele among them. They're here to decide who's life story was the most tragic - and she who had the worst of it will reign supreme.This is the show's major stumbling, if not chopping, block. Competing to be the biggest victim hardly sounds like empowerment, any more than the catfighting and bitchiness they indulge in; and the last-minute flipflop, in which they claim the whole thing was a set-up designed to make us question our own assumptions, feels like a bit of a cop-out. But if the sexual politics are hazy, the attitude is fierce. The current cast are all phenomenal, but I particularly enjoyed Courtney Bowman's faux-innocent Anne Boleyn, skipping insouciantly through her role in the Reformation via Lily Allen-ish rhymes ("everybody chill, it's totes God's will"), and Sophie Isaacs's Katherine Howard, radiating sparks of fury as she sings about the succession of men who have sexually exploited her.And there's a glorious sequence of overblown fantasy and pounding German techno when Alexa McIntosh's Anne of Cleves, who was famously (and, according to Henry, too flatteringly) painted by Holbein, recalls visiting the artist in his atelier: "Haus of Holbein" sends up beauty standards ("try these heels, so high it's naughty, but we can't guarantee you'll still walk at 40"), and, with the queens adopting oversized sunglasses and ludicrous posturing, reminded me deliciously of the eccentric, body-fascist fashion designer Karl Lagerfeld.The songs are insanely catchy, and if subtlety gets gleefully ground beneath the show's rhinestone-studded stiletto heel, that's not what anyone came for anyhow. It isn't profound, but this is a party - and it's unstoppable.SIX runs through 18 April at the <a href="https://www.londontheatre.co.uk/show/six-the-musical-lyric">Lyric Theatre</a>, then at the <a href="https://www.londontheatre.co.uk/show/six-the-musical">Arts Theatre</a> from 20 April.Photo credit:&nbsp;Courtney Bowman, center, in SIX: The Musical (Photo by Pamela Raith)

'SIX' brings the girl power party back to the West End

Read our review of the Olivier-nominated musical SIX at the Lyric Theatre on London Theatre.

SIX at the Lyric Theatre Review | London Theatre

SIX, ‘the most uplifting piece of new British musical theatre’ (✭✭✭✭✭ The Evening Standard) is the phenomenon everyone is losing their head over!

Critically acclaimed across the UK with a sound-track storming up the UK pop charts, the sell-out intoxicating Tudor take-off is back!

The Vaudeville Theatre is one of the most distinguished theatres in London. Perched on the Strand in London's West End district, the theatre has been a pillar of the city's performing arts scene and a symbol of London's rich cultural history. With a capacity of 690, it offers an intimate setting that brings audiences closer to the performances. The auditorium, embellished with opulent detailing, provides a breathtaking atmosphere that exalts the theatre experience. Historically, it has been home to notable plays and musicals featuring some of the world's most renowned actors and actresses. Beyond its aesthetic beauty and historic significance, it is celebrated for its commitment to presenting excellent productions which cater to a wide variety of theatrical tastes.### How to Get to the Venue ###It is readily accessible not only to the locals but also to foreign tourists. For those planning to arrive by tube, the nearest station is Covent Garden which is approximately 5 minutes walk. Alternative tube stations include Charing Cross (10 minutes walk) and Holborn Station (11 minutes walk). For anyone planning to use a bus, services 6, 9, 11, 15, 23, 77A, 91, 139, 176 all stop near the theatre. Those driving are suggested to use the MasterPark at Trafalgar Square and Chinatown car park.

Vaudeville Theatre - LON

Vaudeville Theatre

The Vaudeville Theatre is a historic venue in London's West End, known for its intimate setting and diverse productions.

LON | TT | App Carousel | MJ | 28638 | Exclusive Offer

LON | TT | App Carousel | MJ | 28638 | Black Friday 2024

Ages 8+. Under 16s must be accompanied and sat next to an adult (18+). Everyone must have their own ticket. Under 3s will not be admitted. 

MJ The Musical - LON [28638]

MJ The Musical

MJ The Musical - LON - 28638 Product Media

He is one of the greatest entertainers of all time. Now, Michael Jackson’s unique and unparalleled artistry is heading to the West End in the multiple Tony Award®-winning musical MJ.

The Prince Edward Theatre, one of London's most celebrated theatrical venues, is located in the heart of the city's West End. Opened in 1930, the theatre boasts a rich history and an impressive architectural style with art deco influences. The theatre is famous for hosting ground-breaking productions, with a focus on large-scale musicals. Its 1600-seat auditorium is renowned for the spectacular performances it entertains, and for its elegant and lavish interior. Notable productions include 'Evita', 'Miss Saigon', and the current long-running 'Aladdin'. The theatre was considered special even during its inception, as it was the first theatre built on a steel frame giving it a wider, roomier feel. The Prince Edward theatre is a must-visit for anyone wishing to immerse themselves in the captivating world of London Theatre.

## How to Get to the Venue
The Prince Edward Theatre is situated at Old Compton Street, in London's bustling Soho district. It is well served by public transport. To get there, you can take the Tube to Leicester Square or Tottenham Court Road station, and then walk for about five minutes. Be aware that this is a particularly busy area of London, so it may be advisable to allow extra time for your journey.

Prince Edward Theatre - LON

Prince Edward Theatre

The Prince Edward Theatre in London's West End is renowned for its history, architecture and large-scale musicals. It is easily accessible via Tube.

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