Ben Platt's Collection

This play is just f*cking excellent. Bess Wohl’s writing is personal, funny, organic and emotionally potent. The ensemble is full of some of the finest actors of the NY stage, so many incredible performances anchored by Susannah Flood at the center who is shattering. For a play with such brilliant, big ideas, it’s shockingly intimate and character-driven. And hilarious. This is my number one rec, folks!

If I could pump this show directly into my veins I would. I went for my birthday, and it was the happiest night in recent memory. The cast is full of infectious joy and the ABBA songs sound better than ever. Special shoutout to Christine Sherril who is a thrilling Donna, and who’s “The Winner Takes it All” is my single favorite vocal performance of the year, full stop. Go to this to feel optimism return to your bloodstream!

This is one of my favorite musicals, equal parts funny and tender, a remarkable score, I loved the original so deeply as a kid. This production was wonderful at the Kennedy Center (directed by Danny Mefford who was our choreographer on Dear Evan Hansen), and I’m so thrilled that it’s coming into the city. Particularly in the wake of the loss of its brilliant composer William Finn, this is sure to be hilarious and heartfelt, and I hope it sticks around for a long time. Volunteer to be a speller and find yourself in the show!

This funny and moving play marks the NY stage return of Noah Galvin, an actor who I barely know! It explores the metaphorical and literal connections between alcoholism and dementia/Alzheimer’s and has a stacked cast of stage veterans supporting Noah’s central showcase. It’s sure to make you laugh and cry, and you’ll probably see me there!

This is possibly the best revival I’ve seen in my adult life. I’ve seen pieces improved upon and reimagined, but never have I seen a revival that feels like it finally puts a finger on why the material exists. Set in the world of ballroom and co-directed by the amazing Bill Rauch, this Cats is unrecognizable. It’s packed full of wildly talented queer and trans performers, thrilling choreography, and unmitigated joy. It was my favorite thing I saw last year and now that it’s on Broadway.