Rebecca Lucy Taylor reveals her go-to West End favourites. Music-forward, rich character work, and stories that hit with wit and heart.

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I am so excited about bringing Teeth 'n' Smiles to the West End 50 years after its debut! I'm hoping to shake the foundations of the Duke of York's Theatre with Maggie and her band and I can't wait for you to meet them and get messy with us!

LON | TT | Tastemakers | Rebecca Lucy Taylor | Teeth 'N' Smiles | 45248

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The 50th anniversary revival of David Hare’s rebel play.

Rebecca Lucy Taylor recently brought her "quasi-theatrical experience" *A Complicated Woman Live* to the West End. She will next star in David Hare’s rebel play *Teeth n Smiles* at the Duke of York's Theatre.

Known professionally as Self Esteem, she gained widespread recognition for her critically acclaimed albums 'Prioritise Pleasure' and 'Compliments Please', before venturing into theatre. Her stage debut came as Sally Bowles in *Cabaret* at the Kit Kat Club, and she composed the soundtrack for *Prima Facie* starring Jodie Comer in London's West End and on Broadway. Her music career has earned her numerous accolades including BBC Music Introducing's Artist of the Year and nominations for the Mercury Prize and BRIT Awards.

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The **Duke of York's Theatre** is one of the most prestigious theatres in the bustling city of London. Nestled in the heart of St Martin's Lane, it boasts a rich history dating back to its opening in 1892. The theatre is named after King George V and since its establishment, it has featured an array of stunning performances and world-renowned plays. The auditorium is an impressive spectacle in its own right, designed in proscenium style, with the capacity to accommodate up to 640 spectators. Over the years, it has maintained its classic Edwardian decor, adding to the immersive theatre experience it provides. Furthermore, the theatre has state-of-the-art technical facilities and provides excellent acoustics, ensuring an awe-inspiring experience. 

**How to get to the venue:** 

Duke of York's Theatre is well-connected to public transportation. The closest tube stations include Charing Cross, Leicester Square, and Covent Garden. Alternatively, several buses stop near St Martin's Lane. For those driving, there are car parks nearby. However, due to London's congestion charge, public transport is the most convenient and often, the easiest way to reach the theatre.

**Additional Information** 

Venue opens 1hr 30min before showtime. 
Please arrive with plenty of time. Latecomers will be admitted at a suitable point, which may be the interval.

Duke of York's Theatre - LON

Duke of York's Theatre

The Duke of York's Theatre is a prestigious historical venue in London, showcasing world-renowned plays with modern facilities. It's accessible via public transport.

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The Duke Of York’s Theatre opened as the Trafalgar Square Theatre in 1892.The playhouse received its current name three years later in 1895, in honour of the future King George V. 

Famous productions to play at the Duke Of York’s Theatre include David Belasco’s *Madame Butterfly* in 1900 – Puccini was in the audience and famously turned the story into an opera. J. M. Barrie's famous creation *Peter Pan, or The Boy Who Wouldn’t Grow Up* opened at the theatre on 27 Dec. 1904.

Typically, the Duke of York's Theatre is home to short-running plays, with West End and Broadway stars appearing.

## Duke of York's Theatre Seating Information

The auditorium has three levels – Stalls, Royal Circle and Upper Circle.

The Stalls offer good legroom throughout, and the raking of the seats is very good, noticeably from Row D onwards. 

In the Royal Circles, there is no visual obstruction from the Upper Circle. 

The seats in the Upper Circle curve towards the stage. The final two rows of the Upper Circle are bench seats.

## Additional Information

Venue opens 1hr 30min before showtime. 
Please arrive with plenty of time. Latecomers will be admitted at a suitable point, which may be the interval.

Duke of York's Theatre - London Theatre

Duke of York's theatre, initially Trafalgar Square Theatre in 1892, was renamed in 1895. It typically showcases short-running plays with West End, Broadway stars, and has three auditorium levels.

Duke of York's Theatre - TodayTix

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Still the best production of the greatest musical of all time. Design and direction still reduce even me to a husk of goosebumps.

LON | TT | Tastemakers | Rebecca Lucy Taylor | Cabaret | 23939

Ages 12+. At parent/guardian's discretion.

Cabaret - LON [23939]

Cabaret

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## What to Watch For:

- For *Cabaret* in London, the Playhouse Theatre will be renovated into an in-the-round auditorium. Audience members will be able to sit at tables to evoke a club setting, rather than a traditional proscenium arch theatre. As a result, the seating capacity at the Playhouse Theatre has been reduced to accommodate 550 patrons per performance. 

- The *Cabaret* musical was first staged in 1966 featuring Joel Grey as the Emcee. However Cabaret became a popular twentieth-century musical thanks to the 1972 Cabaret movie starring Liza Minnelli as Sally Bowles. 

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Life is a cabaret, old chum! Don't miss this revival of a Kander and Ebb classic, and be immersed into the Kit Kat Club with the incredible transformation of the Playhouse Theatre. Leave all your troubles at the door and see this seven-time Olivier Award-winning production of *Cabaret* in London's West End.

Willkommen. Bienvenue. Welcome to the Kit Kat Club. The Playhouse Theatre is newly transformed, so get ready to step into a theatrical paradise. *Cabaret* tickets are available on London Theatre now.

Set in early 1930s Berlin, American writer Cliff Bradshaw meets English cabaret singer Sally Bowles, a performer at the Kit Kat Club. But the rise of Nazism threatens this hedonistic Weimar Republic haven. 

*Cabaret*’s enduring success is partly down to Kander and Ebb’s indelible score, with songs like “Wilkommen,” “Don’t Tell Mama,” “Meir Herr,” “Money,” and, or course, the great torch song “Maybe This Time.” This production offers an exciting chance to discover, or revisit, Kander and Ebb’s still hugely resonant musical. 

The Cabaret London musical won seven Olivier Awards, with original cast members Eddie Redmayne, Jessie Buckley, Liza Sadovy, and Elliot Levey. The show features luxury casting, as well as a transformed theatre to provide optimum watching for one of the most-known musicals of all time. Rebecca Frecknall directs, with Tom Scutt providing set and costume design, and choreography by Julia Cheng.

The celebrated *Cabaret* musical opened on Broadway in November 1966, directed by Harold Prince, and has been a hit on both stage and screen, with Bob Fosse’s film version, starring Liza Minnelli, winning eight Oscars. 

Dame Judi Dench led the original West End version, and, in 1993, Sam Mendes’s Donmar Warehouse production, starring Jane Horrocks and Alan Cumming, was greatly acclaimed. Cumming returned for the 2014 Broadway revival, which starred first Michelle Williams, then Emma Stone, and finally Sienna Miller. 

### Who wrote the Cabaret musical?

Cabaret is based on Christopher Isherwood’s short stories in Goodbye to Berlin, and John Van Druten’s play, *I Am a Camera*. Harold Prince led the Cabaret musical creation, teaming up with Joe Masteroff, John Kander and Fred Ebb to bring the stories to life. Find out more about Cabaret in London.

### Where is *Cabaret* playing?

This new *Cabaret* West End production plays at the Kit Kat Club. It promises a very special audience experience. The theatre is reconfigured to seat viewers in the round, creating more intimacy and immersing audiences in the action — there's a limited seating capacity of 550. 

Tickets to *Cabaret* are available now. Book your *Cabaret* tickets on London Theatre today.

__Please note:__ The Producers cannot guarantee the appearance of any particular artist – which is always subject to illness, injury and statutory holiday entitlement.

Both __Reeve Carney__ and __Eva Noblezada__ final performance will be Saturday 24 January 2026.

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Buy Cabaret tickets showing at The Kit Kat Club, London. Choose your own seats with the best availability at LondonTheatre.co.uk.

Cabaret Tickets | Kit Kat Club | London Theatre

What good is sitting alone in your room– get immersed in the Kit Kat Club. This award-winning production transforms the Playhouse Theatre, with strictly limited capacity for a unique, intimate experience. It’s the perfect way to experience this classic story of a cabaret singer at the dawn of Nazi Germany. Book your place with *Cabaret* tickets today. 

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We have no troubles here. In here, life is beautiful.The<a href="https://www.londontheatre.co.uk/theatres/kit-kat-club"> Kit Kat Club</a> is the ultimate escape. After a difficult or even ordinary day, the fanfare, glitz, and glamour feel like a portal to another time, where you'll be greeted with complimentary schnapps, dancing chorus members, and a lascivious pre-show smorgasbord.&nbsp;From the gilded lobby, disco-lit basement, and everywhere in between, the space creates an all-encompassing atmosphere, right down to the aptly named cabaret tables, a design element director Sam Mendes also used in his 1993 production at the Donmar and later&nbsp;on Broadway, where it was revived in 2014.&nbsp;However, here, director Rebecca Frecknall levels up the concept, and maybe this time, the stakes are a little higher and a little more intense. Coupled with Tom Scutt's immersive design and Isabella Byrd's atmospheric lighting, this production feels like a world away from outside.&nbsp;Or does it really? The headlines feel eerily similar today as when Joe Masteroff, John Kander, and Fred Ebb wrote their iconic musical about an American writer and a struggling nightclub performer in 1920s Berlin, who find themselves torn between a struggle to survive in love and life amid the rising glare of Nazism. There are, in fact, many troubles here.&nbsp;And Frecknall doesn't pull any punches with her high-concept approach, which takes a cue from Christopher Isherwood's Goodbye to Berlin and John van Druten's 1951 play, on which the show is based. The approaching horror and absurdism of this escape is at the forefront, and her highly choreographed tableau feels like a ballet or a marionette show, where someone calculating is pulling all the strings.&nbsp;At the center of this circus stands the Emcee, played here with impish wackiness by Eddie Redmayne. Redmayne slithers around the stage, contorting his being every which way to almost distracting effect. Redmayne is not a commanding showman, as is a tempting take for the Emcee, but instead he uses gesture and sensuality to make the audience lean in. As the musical gets progressively darker, Redmayne's Emcee becomes more and more absurd, almost half American Horror Story: Freakshow and half Martha Graham dancer, and his final iteration is the most horrific.&nbsp;In contrast to Redmayne, Jessie Buckley is all bravado and belt. Her Sally Bowles is the ultimate starlet, taking a note or three from Liza Minelli's iconic film performance in the role, and she dominates the stage with effortless charisma and appeal. She's irresistible. Even in the quieter, heartbreaking moments, she conveys an emotional depth and density, and she nails the 11 o'clock title song. (While many may argue that Sally Bowles as a character is not supposed to be a good singer, neither this production nor Buckley respect that take.)This production highlights the ensemble nature of the show, featuring a chorus of extremely talented dancers, seemingly inventing new ways to move with Julia Cheng's choreography, and the supporting cast offers a deep emotional contrast to the more showy club scenes.&nbsp;As Fraulein Scheider and Herr Schultz, Liza Sadovy and Elliot Levey hold the beating heart of the piece and shatter it into pieces. Anna-Jane Casey stands out as Fraulein Kost, and Omari Douglas does his best naive fish-out-of-water as American writer Clifford Bradshaw.&nbsp;<a href="https://www.londontheatre.co.uk/show/23939-cabaret">Cabaret</a> feels like a story we need and also don't need right now. On the one hand, it's a glorious ode to escapism and forgetting the troubles that bind us. But some of the "troubles" we're going through right now aren't that far off from Jazz Age Berlin, with abortion legislation under fire in the United States and government oversight of Covid-19 brewing further division.&nbsp;And Frecknall's searing, haunting final stage portrait seems to imply that escapism only lasts so long. Sooner or later, if we don't face our troubles, our troubles will find us. After all, life isn't really a cabaret, old chum.<a href="https://www.londontheatre.co.uk/show/23939-cabaret">Cabaret is playing at the Kit Kat Club. Book tickets to Cabaret on London Theatre.&nbsp;</a>

'Cabaret' at the Kit Kat Club review — Come to the cabaret with Eddie Redmayne and Jessie Buckley

Eddie Redmayne and Jessie Buckley in Cabaret (Photo by Marc Brenner)

The Kit Kat Club at the Playhouse Theatre is an iconic venue rooted deep in London's cultural heart. Immortalized by the legendary play 'Cabaret', this famous locale comes alive every night, brimming with elegance, sophistication, and a richly provoking ambiance. The Satine interior design is steeped in history, featuring rich, dark reds and a stunning crystal chandelier. Parquet floors and large French windows looking out over the busy London streets further imbue the Kit Kat Club with an irresistible allure. Here, the sounds of decadence echo long into the night, as theatre fanatics, tourists, and curious wanderers seek solace in its welcoming atmosphere.

### Getting to the Venue

Centrally located, the Kit Kat Club at the Playhouse Theatre is easily accessible. The nearest underground station is Embankment (Circle, District, Bakerloo, Northern lines) which is just a short walk away. Also, Charing Cross Station (National Rail services, Northern and Bakerloo lines) is close by. Numerous buses service the Strand, and there are taxi ranks at Charing Cross. There are car parks at Trafalgar Square or on the South Bank. Whether by public transport, car, or on foot, getting to the Kit Kat Club at the Playhouse Theatre is convenient and effortless.

### Additional information

Venue opens 75min before showtime.

Please arrive with plenty of time, latecomers will be admitted at a suitable point, which may be the interval.
Please note that once the show begins, we cannot guarantee readmission to the auditorium if you need to leave your seat for any reason. This is for both your safety and the safety of the performers. It may be up to a 30 minute wait before you are allowed back to your seat. If you have any requirements which mean you're likely to need to leave the auditorium mid-show, please speak to member of staff before the show begins.

Kit Kat Club at the Playhouse Theatre - LON

Kit Kat Club at the Playhouse Theatre

The Kit Kat Club at the Playhouse Theatre is a historic, iconic theatre venue in London, easily accessible via multiple transport options.

Eva Noblezada is starring as Sally Bowles opposite Reeve Carney as the Emcee in Cabaret in the West End.

She played Eurydice in the West End cast of *Hadestown*. She was a part of the original Broadway cast.

Her other stage credits include West End and Broadway musicals such as *Les Misérables, Cabaret* and *The Great Gatsby*.

Eva Noblezada - LON

Ages 4+. Children under the age of 4 (including babes in arms) will not be admitted into the theatre

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Eva Noblezada and Reeve Carney

Broadway power couple, Grammy Award winners and stars of Hadestown, Reeve Carney and Eva Noblezada, will perform together in an intimate concert at His Majesty’s Theatre in London for one-night-only next month. This concert will be a celebration of their chemistry on and off the stage.

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Reeve Carney is starring in Cabaret as the Emcee opposite Eva Noblezada as Sally Bowles.

He recently reprised the role of Orpheus in *Hadestown* in the West End and was a part of the original Broadway cast.

His other credits include *Spider-Man: Turn Off the Dark* and the 2016 movie musical *The Rocky Horror Show: Let's Do the Time Warp Again*.

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Kit Kat Club at the Playhouse Theatre - TodayTix

The Kit Kat Club in London is a refurbished Playhouse Theatre. The Playhouse Theatre opened in 1882, and was originally called the Royal Avenue Theatre. After 23 years of production, the theatre was closed for refurbishment. Sadly, renovation works killed six people as the roof of Charing Cross railway station collapsed during the refurbishment.

The Playhouse Theatre then reopened in 1907. Early shows include plays by George Bernard Shaw, as well as performances from the [Almeida Theatre](https://www.londontheatre.co.uk/theatres/almeida-theatre). More recently, the Playhouse has been home to West End revivals including *An Inspector Calls*, *1984* and *La Cage Aux Folles*.

After a world premiere at the [Young Vic](https://www.londontheatre.co.uk/theatres/young-vic), *The Jungle* transferred to the Playhouse Theatre in 2018. To stage the production, the auditorium was redesigned to allow for audiences to sit on multiple sides of the stage. 

## Playhouse Theatre Seating Information

The Playhouse Theatre has a seating capacity of 786 seats - Stalls, Dress Circle and Upper Circle. The Playhouse Theatre was renovated in order to house *Cabaret* at the Kit Kat Club.

## Where is *Cabaret* in London?

*Cabaret* is at the Kit Kat Club at the Playhouse Theatre. The Playhouse Theatre is located in the West End and is close to the Trafalgar Theatre.

### Additional information

Venue opens 75min before showtime.

Please arrive with plenty of time, latecomers will be admitted at a suitable point, which may be the interval.
Please note that once the show begins, we cannot guarantee readmission to the auditorium if you need to leave your seat for any reason. This is for both your safety and the safety of the performers. It may be up to a 30 minute wait before you are allowed back to your seat. If you have any requirements which mean you're likely to need to leave the auditorium mid-show, please speak to member of staff before the show begins.

Kit Kat Club at the Playhouse Theatre - London Theatre

The Kit Kat Club in London, a refurbished Playhouse Theatre originally called the Royal Avenue Theatre, hosts performances such as *Cabaret*. This venue has a tragic history involving a roof collapse during renovations.

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I was insanely excited that it was coming to the West End already, and to then find out one of my favourite contemporary performers of recent years, Mason Alexander Park, is opening the run blew my mind. I was counting down the days to opening night!

LON | TT | Tastemakers | Rebecca Lucy Taylor | Oh, Mary! | 45447

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Oh, Mary!

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*Oh, Mary!* is one of Broadway’s most unexpected breakouts, having been praised for its audacity and inventiveness. Escola’s script twists American history into an absurdist tale, imagining Mary Todd Lincoln as the frustrated, unsatisfied wife whose ambitions are thwarted by her gay, closeted husband and a world that doesn’t take her seriously.

The play is quick and hilariously self-aware, filled with slapstick humour and the theatrical equivalent of a fever dream. Beneath the absurdity, however, lies a piece of tender exploration of repression and the desire to be loved and seen. 

This London staging boasts a wonderful creative team, including costume designer Holly Pierson, lighting designer Cha See, sound designers Daniel Kluger and Drew Levy, and original music by Daniel Kluger. 

This staging of *Oh, Mary!* offers a rare chance to see a genuine cult hit for yourself. It’s bold, cheeky, and unlike anything else on the London stage.

## What to watch for 

- Cole Escola wrote *Oh, Mary!* during the pandemic, after sitting on the idea for over a decade.
- John Wilkes Booth was actually a theatre actor and came from a famous acting family.
- The play that President Lincoln was watching when he was fatally shot (*Our American Cousin*) was a comedy.
-  Mary Todd Lincoln had severe overspending habits, and once bought 400 pairs of gloves over the course of 4 months.

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Please note that in order to unlock and access the 'TodayTix Rush' section of the app, you will on each occasion first be invited (but not required) to post content about it to your registered account with Twitter or Facebook from within the app. Although such content will never involve your endorsement of a third party product or service (other than the then-current musical/theatrical performance featured on the locked screen of the 'TodayTix Rush' section of the app) please do not proceed to post such content unless you agree with all of it. Your decision to post content will not affect the ticket(s) available to you in the 'Rush' section of the app and/or their price. Regardless of whether or not you post content, the app will display a payment page to pay for the discounted price ticket(s). You must then pay for the ticket(s) without delay to secure them.

Please note that the discounted price tickets sold through the 'TodayTix Rush' section of the app are for the stated performance time of the featured musical/theatrical performance which will always be later on the same date. The discounted price tickets are very limited in quantity and subject to availability sold on a 'first come first served basis'. If either there is:

less that 1 hour until the featured musical/theatrical performance; or all the discounted price tickets have been sold for it, then the 'TodayTix Rush' section of the app shall not be able to be unlocked from such point until the following date on which discounted price tickets are available for purchase through the 'TodayTix Rush' section of the app – either for the same or a different musical/theatrical performance.

PROMOTION PERIOD. You may purchase 2 discounted price tickets for the featured musical/theatrical performance from as soon as these are marketed within the 'TodayTix Rush' section of the app. The closing time/deadline for the purchase of such tickets is either: 1 hour until the featured musical/theatrical performance; or all the discounted price tickets have been sold. In either case the 'TodayTix Rush' section of the app shall not be able to be unlocked from such point until the following date on which discounted price tickets are available for purchase through the 'TodayTix Rush' section of the app.

Only 2 tickets may be purchased for any particular performance per person.

ELIGIBILITY. This sales promotion is open to anyone aged 18 years or over resident in the UK only, who selects the 'TodayTix Rush' section of the app, excluding employees of the Promoter and their families, the Promoter's service providers, agents and anyone professionally associated with this sales promotion.

HOW TO PARTICIPATE IN THIS SALES PROMOTION. To participate, please select the 'TodayTix Rush' section of the app and post the proposed content about this sales promotion to your registered account with Twitter or Facebook from within the app. If you decide to proceed and post such content then the app will then display a payment page to pay for the discounted price ticket(s). You must then pay for the ticket(s) without delay and always within 1 hour of the relevant performance to secure them (otherwise you will lose the opportunity to purchase them).

All instructions within the 'TodayTix Rush' section of the app will form part of these promotional terms.

THE PROMOTER'S LIABILITY. Except that the Promoter does not exclude or limit its liability for personal injury or death caused by its negligence or for fraudulent misrepresentation or any other liability that may not, by law, be limited or excluded, the Promoter accepts no liability in relation to a participant's participation (or inability to participate) in this sales promotion, including without limitation any use made by a participant of (or inability to use) the purchased ticket(s).

If this sales promotion cannot be executed as planned due to technical problems or circumstances beyond the Promoter's control, the Promoter shall not incur any liability and no payment or ticket(s) of any kind will be awarded.

The Promoter's determination and decision on all matters will be final and no correspondence will be entered into. Any dispute or situation not covered by these promotional terms will be resolved by the Promoter's management in a manner it deems to be the fairest to all concerned and, subject to the following section, that decision will be binding on all participants.

APPLICABLE LAWS AND JURISDICTION. This sales promotion and these promotional terms shall be governed by English law, and a participant agrees that any dispute between him/her and the Promoter regarding this sales promotion or these promotional terms will only be dealt with by the English courts, provided that, if a participant lives in a part of the United Kingdom other than England, the applicable law of that part of the United Kingdom will govern and any dispute will only be dealt with by the courts there.

If any part of these promotional terms is found to be unenforceable as a matter of law, all other parts of these promotional terms shall be unaffected and shall remain in force.

Any queries and comments concerning this sales promotion should be directed in writing to "TodayTix Rush", TodayTix, 5 New Street Square London EC4A 3TW.

I unlocked £30 Rush tickets for Oh, Mary! on @TodayTixUK! https://www.todaytix.com/london/shows/45447?share=unlock

Oh, Mary! Unlocked

Oh, Mary! - LON - TT Override

TT LON - PDP - Oh, Mary! writer - Manual

TT LON - PDP - Oh, Mary! director - Manual

Don’t miss Cole Escola’s Tony-winning, smashing dark comedy *Oh, Mary!* as it storms into the West End, starring Mason Alexander Park as Mary Todd Lincoln. Directed by Sam Pinkleton, this critically acclaimed comedic masterpiece is unlike anything else on the London stage.


Oh, Mary! is an uproariously dark comedy about a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination.

Rebecca Lucy Taylor's Collection