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Our evening begins in 1940s America, where what the French call the “polar”—the dark crime novel or film—is invented only to be imitated and transcended in France.
Adam Gopnik discusses the evolution of ‘noir’ sensibility in Paris and New York, from Baudelaire’s infatuation with Poe through the impact of American films, such as Double Indemnity, on tastemakers at Cahiers du Cinéma.
Melissa Errico sings simmering, dark noir songs with Tedd Firth on piano, including “Blues in the Night,” “Laura,” and “I’m a Fool to Want You,” as well as the world premiere of a bilingual song by Gopnik and Peter Foley, written specially for the occasion: “We Live, We Love, We Lie, We Die.
May 6th, 2021
May 7th, 2021
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