





Colour. Fire. Elegance. Rhythm. The Metropolitan Orchestra’s second Met Concert for 2026 is a program built to captivate from the first note to the final blaze of sound. Under the direction of Chief Conductor Sarah-Grace Williams, this concert brings together some of the most vivid and emotionally charged works in the orchestral repertoire, creating an experience that is as thrilling as it is unforgettable.
At the heart of the program is a celebration of orchestral colour in all its forms. Few works capture this more brilliantly than Capriccio Espagnol from russian composer Nikolai Rimsky-Korsakov. Bursting with energy and inspired by Spanish folk melodies, this dazzling showpiece is a masterclass in instrumental brilliance. Every section of the orchestra is given a moment to shine, from virtuosic violin solos to bold brass flourishes and sparkling percussion. It is music that dances, flashes and surges with life, transporting audiences to sunlit streets and vibrant festivals. The effect is immediate and exhilarating.
In contrast, the program offers a moment of stillness and reflection with Maurice Ravel's "Pavane pour une infante défunte". This exquisite work is renowned for its restraint and poise, unfolding with a quiet, luminous beauty that lingers in the air. Ravel’s delicate orchestration allows every phrase to breathe, creating a sense of nostalgia that feels both intimate and expansive. It is a rare chance to pause, to listen deeply, and to be drawn into a sound world of subtle emotion and timeless grace.
Then comes the fire.
Few orchestral works ignite the imagination like The Firebird Suite by Igor Stravinsky. From its mysterious opening to its triumphant conclusion, this masterpiece is a journey through darkness, enchantment and blazing light. Stravinsky’s score shimmers with colour and intensity, building layer upon layer of rhythm and texture until it erupts in one of the most powerful finales in all of classical music. It is bold. It is cinematic. It is utterly electrifying in live performance.
Together, these works form a program of striking contrasts and seamless flow. Brightness and shadow. Stillness and movement. Intimacy and spectacle. Each piece reveals a different facet of the orchestra’s expressive power, showcasing the remarkable versatility and artistry of TMO’s musicians.
Alongside these iconic works, the concert also features a compelling new voice with the Australian premiere of Graeme Brown’s Endangered Species. This evocative composition reflects on the fragility of our natural world, weaving together musical ideas that suggest both vulnerability and hope. While firmly rooted in contemporary expression, it sits naturally within the broader program, adding a modern perspective to an evening defined by colour, storytelling and emotional connection.
What makes this concert truly special is not only the repertoire, but the way it is brought to life. Sarah-Grace Williams leads with clarity, energy and musical insight, drawing out the full richness of each score. Under her direction, The Metropolitan Orchestra becomes a living, breathing canvas of sound, capable of both explosive power and the finest nuance.
There is something uniquely powerful about experiencing this music live. The shimmer of strings, the resonance of brass, the heartbeat of percussion, all felt in real time. These are moments that cannot be replicated, only shared. Whether it is the fiery brilliance of Capriccio Espagnol, the quiet beauty of Pavane, or the breathtaking climax of The Firebird Suite, this is music that speaks directly to the senses.
For seasoned concertgoers, this program offers the thrill of hearing beloved masterpieces performed with passion and precision within the stunning surrounds of the Verbrugghen Concert Hall within the Sydney Conservatorium of music. For those newer to orchestral music, it is an ideal introduction, filled with works that are immediate, accessible and deeply engaging. Every piece has been chosen for its ability to connect, to excite and to leave a lasting impression. This is more than a concert. It is an experience of sound and story, of colour and contrast, of energy and emotion. It is a chance to step into a world where music transforms space and time, where every note carries meaning and every moment matters.
Join The Metropolitan Orchestra conducted by Sarah-Grace Williams for an evening that will shimmer, surge and soar. Book your seats and be part of a performance that promises to ignite the imagination and stay with you long after the final note fades.
1hr 30min. Incl. 1 Interval.
Concerts, Classical
6th June, 2026
6th June, 2026
Wheelchair-accessible, featuring lift access to balcony/gallery seating and accessible toilets. Located on Conservatorium Road, the venue offers flat building entry, but no on-site parking. For accessible parking, holders can use designated spots on Macquarie Street.
BY TRAIN: The closest stations are Circular Quay (5 min walk) or Martin Place (7 min walk).
BY FERRY: A 10-minute walk from Circular Quay Wharf.
BY BUS: Most buses to Circular Quay or along Macquarie Street provide easy access.
BY CAR: Limited street parking exists. The nearest parking station is the Sydney Opera House Car Park on Macquarie Street.
Conductor: Sarah-Grace Williams
With: The Metropolitan Orchestra
PROGRAM
BROWN Endangered Species (World Premiere)
RIMSKY-KORSAKOV Capriccio Espagnol
RAVEL Pavane pour une infante défunte
STRAVINSKY The Firebird Suite
Flare runs for 1hr 30min. Incl. 1 Interval.
Flare is at Sydney's Verbrugghen Hall | Sydney Conservatorium of Music, which is located at 1 Conservatorium Road, Sydney, 2000.
Flare tickets start at $64.
Check the top of this page for current availability on Flare tickets on TodayTix.