


When the Grand Organ enters Saint-Saëns’ Third Symphony, the room changes.
When the Sydney Opera House Grand Organ roars to life the sound will shake the Concert Hall with its deep, resonant power – and just wait until you hear Anna Lapwood play. Her playing is technically brilliant, but her warmth and contagious energy makes this an unmissable event.
Bruch’s First Violin Concerto is one of the most beautiful ever written. From the brooding and impassioned opening to the lyricism and rhythmic fire of the second movement, this music asks the soloist to be storyteller and expert technician – and at just 22 years old, violinist María Dueñas is both. Already making waves with her focused intensity, The Strad calls her playing ‘poetic and magnetic.’
Conductor Alexander Soddy connects these beloved works with striking clarity and flair.

Step-free access with lifts and wheelchair seating, accessible bathrooms across multiple levels, assistive listening, captioned and audio-described performances, and registered service animals are welcome throughout the Sydney Opera House.
BY PUBLIC TRANSPORT: The Sydney Opera House is short six-minute walk from Circular Quay, with frequent trains, buses and ferries. An accessible shuttle also operates between Circular Quay and the venue for those who require assistance.
BY BICYCLE: Bike parking is available beneath the Monumental Steps.
BY CAR: Parking is available at Wilson Parking Sydney Opera House Car Park, open 24/7 with undercover access to the Lower Concourse. Accessible parking spaces are also available on site.
Conductor: Alexander Soddy
Violin: María Dueñas
Organ: Anna Lapwood
PROGRAM
MESSIAEN Les Offrandes Oubliées (does not appear in the Thursday performance)
BRUCH Violin Concerto No.1
SAINT-SAËNS Symphony No.3, Organ