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Artifact Suite The American choreographer William Forsythe revolutionised the European dance scene, reimagining classical technique and challenging his dancers with extended shapes. Devotees of his In the Middle, Somewhat Elevated, shown most recently as part of our Vitesse program, will relish experiencing the ensemble work that defined his groundbreaking style: clarified speed, extensions of form and dynamically fast weight changes. Bach's sublime Chaconne for solo violin is contrasted to the repetitive urgency of piano pieces by composer Eva Crossman-Hecht.
Raymonda (Act III) The third act of Marius Petipa’s Raymonda depicts the wedding of the hero and heroine. As in his Sleeping Beauty and Paquita, Petipa uses the celebration to create a sparkling display of classical technique, with Hungarian-inflected dances culminating in one of ballet’s most famous solos for a leading ballerina. This staging, based on the traditional Petipa choreography, will be David Hallberg’s first for The Australian Ballet.
1hr 40min (inc interval)
Suitable for all ages
27th April, 2021
15th May, 2021
Choreography: , stage, light and costume design William Forsythe Music: Part I J.S. Bach Chaconne from Partita Nr.2 BWV 1004 in D-Minor performed by Nathan Milstein Part II Eva Crossman-Hecht
__Tschaikovsky Pas de Deux
Choreography: George Balanchine
©The George Balanchine Trust
Music: Piotr Illyich Tchaikovsk Excerpt from Swan Lake, Op. 20, Act III
__Raymonda (Act III)
Choreography: after Marius Petipa
Staged by David Hallberg
Music: Aleksandr Glazunov
Costume: and set design: Hugh Colman
__With Opera Australia Orchestra
Step-free access with lifts and wheelchair seating, accessible bathrooms across multiple levels, assistive listening, captioned and audio-described performances, and registered service animals are welcome throughout the Sydney Opera House.
BY PUBLIC TRANSPORT: The Sydney Opera House is short six-minute walk from Circular Quay, with frequent trains, buses and ferries. An accessible shuttle also operates between Circular Quay and the venue for those who require assistance.
BY BICYCLE: Bike parking is available beneath the Monumental Steps.
BY CAR: Parking is available at Wilson Parking Sydney Opera House Car Park, open 24/7 with undercover access to the Lower Concourse. Accessible parking spaces are also available on site.
"The juxtaposition of Raymonda and Artifact Suite shows the evolution of classical ballet. Raymonda adheres to tradition and pageantry; Forsythe took this history and ‘imitated’ it, creating a work that overwhelms both dancers and audience with gestural references given new meaning. These seminal works both counteract and perfectly complement each other." David Hallberg, Artsitc Director
"William Forsythe’s choreographic masterpiece fiercely resonates today." FJORD Review
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