How I Learned to Drive on Broadway Tickets
How I Learned to Drive on Broadway: What to expect - 1
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New York, NY

How I Learned to Drive on Broadway Tickets

A legendary production returns to New York with its original stars.
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How I Learned to Drive on Broadway Tickets

About How I Learned to Drive on Broadway

Nominated for the 2022 Tony Award® for Best Revival of a Play, this thrilling Broadway premiere of Paula Vogel’s Pulitzer Prize-winning masterpiece How I Learned to Drive reunites the two original stars with their award-winning director for a new production. Tony Award® winner Mary-Louise Parker (Proof) and Tony nominee David Morse (The Iceman Cometh) are joined by Tony Award® nominee Johanna Day, Alyssa May Gold, and Chris Myers in this remarkably timely and moving memory play about a woman coming to terms with a charismatic uncle who impacts her past, present and future life. Directing is Mark Brokaw (Heisenberg).

Start date

29th March, 2022

End date

11th June, 2022

Categories

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386 Reviews

John Ned

John Ned

166 Reviews | 177 Followers
89
Great acting, Great writing, Ambitious

See it if You want to experience two great actors revisiting roles years later that brought them acclaim. A great play.

Don’t see it if If you need actors to be the ages of the characters in order to be believable… or a set that is realistic and not minimal.

Wish I Could See Them All

Wish I Could See Them All

786 Reviews | 249 Followers
92
Thought-provoking, Disturbing, Intense, Great writing, Great acting

See it if Acutely uncomfortable at first. Then the depth of the characters and mystery of where it is going takes over. Stunning ending.

Don’t see it if You can't bear getting more and more uncomfortable yet riveted as the play goes on. Non-linear timeline (starts in the middle).

Piwacket

Piwacket

110 Reviews | 69 Followers
91
Screamingly quiet.

See it if You appreciate superb writing and brilliant actors.

Don’t see it if You are looking for a linear story. This is a memory play that jumps around a lot with a 3-person chorus filling in a lot of details.

JoeyFranko

JoeyFranko

1198 Reviews | 485 Followers
91
Must see, Absorbing, Riveting, Great acting, Great writing

See it if You want to experience MUST SEE theatre! Exquisitely staged, every nuance of this production keeps you squirming in your seat.

Don’t see it if You can’t handle very real reminisces of incest and pedophilia and the damage it leaves on young lives…how whole families can become broken.

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How I Learned to Drive on Broadway cast and creative team

By: Paula Vogel
Director: Mark Brokaw
Producer: Manhattan Theatre Club, Daryl Roth, Cody Lassen, and The Dodgers, in association with the Vineyard Theatre
Cast list: Mary-Louise Parker (as Li’l Bit) and David Morse (as Uncle Peck)
Design: Rachel Hauck
Lighting: Mark McCullough
Costume: Dede Ayite
Sound: David Van Tieghem
Other info: Video
Design: by Lucy Mackinnon and Dialect Coaching by Deborah Hecht

Venue

Samuel J. Friedman Theatre

261 West 47th Street, New York, NY, United States, 10036

Accessibility

Elevator access, wheelchair access, assisted listening devices, on-demand closed captioning, open captioning, audio description, Braille and large print Playbills

More information about How I Learned to Drive on Broadway

Park yourself in a seat and brace yourself for the twists and turns of Paula Vogel’s play How I Learned to Drive. Her award-winning work is making its Broadway debut, stirring New York audiences with the story of an adolescent girl sexually abused by her uncle. How I Learned to Drive tickets are available now. Get How I Learned to Drive Broadway tickets on TodayTix.

How I Learned to Drive is a play narrated by a woman nicknamed Li’l Bit. Now 35 years old, she recounts various, non-chronological memories from her youth. A Greek chorus of three people populates various family members in her memories, but the most dominant presence is her suave Uncle Peck, who, under the guise of driving lessons, pursued a sexual relationship with her. Vogel uses driving as a metaphor to tackle themes of manipulation and trauma. For Li’l Bit, driving becomes a source of confusion, as the young girl wonders how harmful her uncle could be when he has taught her such a valuable lesson. However, it also becomes a means of freedom, ultimately allowing Li’l Bit to take control and move on from her past.

The play first premiered to acclaim at the Vineyard Theatre in 1997 and quickly became Vogel’s most awarded play. The production received four Lucille Lortel awards, four Obie Awards, three Drama Desk awards, a Drama Critics’ Circle Award, and an Outer Critics Circle Award, and Vogel earned the Pulitzer Prize for Drama. Now, for the Broadway production at Manhattan Theatre Club, Mary-Louise Parker and David Morse are reprising their roles of Li’l Bit and Uncle Peck, which they originated in the 1997 premiere. Mark Brokaw, who directed the premiere production, is set to helm How I Learned to Drive once more.

The show also features set design by Rachel Hauck, costume design by Dede Ayite, lighting design by Mark McCollough, original music and sound design by David Van Tieghem, and video design by Lucy Mackinnon.

Get How I Learned to Drive Broadway tickets on TodayTix now.

What to Watch For

  • Did you know? Vogel first wrote How I Learned to Drive for the Perseverance Theatre in Juneau, Alaska, in about two weeks.
  • Vogel has said that the play contains some autobiographical elements, but it is not a true story of her life.
  • According to a 2018 American Theatre essay, Vogel was once approached about making How I Learned to Drive into an HBO movie, but Vogel did not believe the film could be made safely.
  • Better late than never! Playwright Paula Vogel’s Broadway debut happened in 2017 with Indecent, which was nominated for the Tony Award for Best Play.
  • Between its premiere and its current Broadway production, How I Learned to Drive has been performed on six continents in countries including Iceland, China, Spain, Australia, Chile, South Africa, and Croatia. Ironically, Vogel wrote in the American Theatre essay that she was told for years that How I Learned to Drive was not “universal” and would not be suitable for Broadway.
  • Vineyard Theatre, where the play premiered, housed the productions of Lucas Hnath’s Dana H. and Tina Satter’s Is This a Room before the pandemic. These shows played in repertory on Broadway in 2021 before How I Learned to Drive arrived on Broadway.

Tickets

Unfortunately, tickets for this event are no longer available.

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