The Wallis

Tony winner Laura Benanti turns a solo evening into confessional comedy, taking aim at motherhood, people pleasing, and the slow indignities of getting older. Direct from Edinburgh Fringe and two sold out Off-Broadway runs, it pairs her Broadway voice with original songs and a New York Times Critic's Pick sense of humor.

RuPaul's Drag Race champion Sasha Velour traces queer history through a string of personas, from a witch burned at the stake to a clown who builds her own theatre. Travesty fuses lip sync performance with living history, turning drag into a study of resistance and survival across centuries.

Designer and entertainer Isaac Mizrahi holds court with his jazz band, moving between standards and pop while dropping candid stories and sharp cultural commentary. Equal parts cabaret and stand up, it's an evening built on his particular mix of style and wit.

Vegas headliner Rita Rudner brings her precisely timed one liners and offbeat observations to The Wallis for one night only. Expect the same unhurried, deadpan delivery that's made her a fixture of American stand up for decades.

Three-time Tony winner Jason Robert Brown, the composer behind Parade, The Last Five Years, and Songs for a New World, moves between performance and conversation for an evening built on the stories behind his songs. Joined by special guests, it's a rare close-up look at one of musical theater's most influential voices.

Los Angeles Ballet's mixed rep pairs Christopher Wheeldon's breakout Polyphonia, set to Ligeti, with Ma Cong's Carry Me Anew and a world premiere from Mate Szentes. Three choreographic voices, one program, tracing where contemporary ballet stands today.

After a decades long career playing Bach, Beethoven, and Gershwin as other people's stories, Hershey Felder turns the piano on himself. The Piano and Me traces his childhood in Montreal as the son of immigrants, told through the composers who shaped him.