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Trust no one.

Just 18 years old, and already the Queen of France, Mary Stuart is poised, politically savvy, and confident in her divine claim to the Scottish throne. However, the Scotland she returns to bears little resemblance to the one she left behind as a child, and she will need every ounce of resolve to hold onto her crown.

In Mary, Queen of Scots, composer Thea Musgrave brings one of history’s most captivating figures to the stage with a score as bold and compelling as its heroine. As Mary navigates a treacherous political landscape, she leans on her closest advisors: her calculating half-brother James, Earl of Moray; the enigmatic Earl of Bothwell; and her charming, but weak-willed future husband, Lord Darnley. Slowly, but surely, each man’s hunger for her power reveals itself in increasingly manipulative ways, and Mary must outmaneuver one betrayal after the next.

Making her company debut, Clelia Cafiero conducts this co-production with English National Opera by director/designer Stewart Laing sets 16th-century intrigue against a backdrop of contemporary Scottish life and sectarian violence, lending fresh resonance to an almost 500-year-old story.