Boston Symphony Orchestra: Juanjo Mena conducts Britten, Mozart and Brahms
About Boston Symphony Orchestra: Juanjo Mena conducts Britten, Mozart and Brahms
Juanjo Mena conducts Britten, Mozart and Brahms with Garrick Ohlsson
Includes Prelude Concert starting at 6pm in Ozawa Hall
BRITTEN Four Sea Interludes from Peter Grimes
MOZART Piano Concerto No. 9 in E-flat, K.271
BRAHMS Symphony No. 3
Program is subject to change
Please note that children under the age of 5 are not permitted in the Koussevitzky Music Shed. Free lawn tickets are available for Young People under the age of 18. Young Person's tickets may be picked up on the day of the concert at the Box Office.
297 West Street, Lenox, MA 01240
In August 1934, a group of music-loving Berkshire summer residents arranged for members of the New York Philharmonic to perform three outdoor concerts at Interlocken, a successful venture that was repeated in 1935. The Festival Committee then invited Serge Koussevitzky and the Boston Symphony Orchestra to take part the following year. The orchestra's Trustees accepted, and on August 13, 1936, the BSO gave its first concert in the Berkshires, at Holmwood. The three-concert series was given under a large tent for an audience of nearly 15,000. In the winter of 1936, Mrs. Gorham Brooks and Miss Mary Aspinwall Tappan offered Tanglewood, the Tappan family estate, with its buildings and 210 acres of lawns and meadows, as a gift to Koussevitzky and the orchestra. The offer was gratefully accepted, and on August 5, 1937, the festival's largest crowd so far assembled under a tent for the first Tanglewood concert, an all-Beethoven program. At the all-Wagner concert that opened the 1937 festival's second weekend, rain and thunder twice interrupted the Rienzi Overture and necessitated the omission altogether of the "Forest Murmurs" from Siegfried, music too delicate to be heard through the downpour. At the intermission, Miss Gertrude Robinson Smith, one of the festival's founders, made an appeal to raise funds for a permanent structure, and soon thereafter, plans were underway for a "music pavilion." The architect, Eliel Saarinen, proposed a design that proved both too elaborate and too costly. His second, simplified plans were still too expensive; he finally wrote that if the Trustees insisted on remaining within their budget, they would end up with "just a shed." The Trustees then turned to Stockbridge engineer Joseph Franz. The building he erected was inaugurated on August 4, 1938, and remains, with modifications, to this day. It has echoed with the music of the Boston Symphony Orchestra every summer since, except for the war years 1942-45. In 1959, the installation of the Edmund Hawes Talbot Orchestra Canopy, along with other improvements, produced the Shed's present world-famous acoustics. For its fiftieth anniversary in 1988, the Shed was rededicated as "The Serge Koussevitzky Music Shed." In 1940, the Berkshire Music Center (now the Tanglewood Music Center) began its operations. By 1941, the Theatre-Concert Hall, the Chamber Music Hall, and several small studios were finished, and the festival was attracting nearly 100,000 visitors annually. The 1986 addition of the adjacent Highwood estate expanded Tanglewood's public grounds by 40 percent. The newly acquired property became the site for a new concert hall to replace the outmoded Theatre-Concert Hall and for improved Tanglewood Music Center facilities. Inaugurated on July 7, 1994, Seiji Ozawa Hall provides a new venue for TMC concerts, and for varied recital and chamber music concerts. Today Tanglewood annually draws over 350,000 visitors. Each season offers not only a vast quantity of music, but also a vast range of musical forms and styles, all of it presented with a regard for artistic excellence that makes the festival unique.