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Beaches on Broadway - NYC [46037]

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Beaches on Broadway

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The Majestic Theatre, located on Broadway in New York City, is a truly historical masterpiece. Originally opened on March 28, 1927, it was designed by renowned architect Herbert J. Krapp. The grandeur of the building's architecture and interior decor is evident from the moment you step through the doors. With a seating capacity of 1,681, the Majestic is one of the largest Broadway venues, making it the ideal location for prominent productions.

The theatre has been most notably associated with Andrew Lloyd Webber’s *The Phantom of the Opera*, which played there from 1988 to 2023. Every little detail of the Majestic Theatre adds up to an unforgettable overall experience. From the ornate moldings of the proscenium arch to the majestic mezzanine and balcony, the venue, renovated in 2024, inspires awe in visitors.

__How to get there:__ The Majestic Theatre is located at 245 West 44th Street, Manhattan. It’s easy to get to either by car, subway, or bus. The closest subway station is Times Square - 42nd Street/Port Authority Bus Terminal, serving Lines 1, 2, 3, 7, N, Q, R, W, and S. If you're driving, there are numerous parking lots nearby. Be warned that NYC traffic can be tricky, so give yourself extra time to arrive.

Majestic Theatre - NY

Majestic Theatre 

The Majestic Theatre is a historical landmark on Broadway, located in the heart of the Theatre District in New York City.

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Just in Time on Broadway - NYC [42905]

Just in Time on Broadway

Just in Time on Broadway - NYC [42905] 

The Circle in the Square Theatre is a renowned and intimate theatre venue nestled in the heart of New York City's bustling Broadway district. Established in 1951, it stands as one of the oldest and most distinctive theatres in the city, revered for its unique configuration and legacy of groundbreaking productions. The theatre boasts a thrust stage, meaning the stage extends into the audience on three sides, providing an intimate and immersive experience that feels both inclusive and dynamic. It offers 776 seats, all of which provide excellent sightlines due to the unique stage setup and the circular layout of the theatre. This venue is famed for its productions of plays and musicals in both Broadway and Off-Broadway categories, enhancing its reputation as a versatile and inclusive space for all types of theatrical performances. Over the years, it has hosted countless award-winning shows like 'Oklahoma!', 'Once on This Island', and 'The 25th Annual Putnam County Spelling Bee'. 

 **How to get there:** The Circle in the Square Theatre is conveniently located at 235 West 50th Street, in between Broadway and 8th Avenue. It is easily accessible by public transportation. If travelling by subway, take the C, E, or 1 train to 50th Street and Broadway, or the N, R, or W train to 49th Street and 7th Avenue. Numerous buses also stop near the theatre. If you’re driving, there are several paid parking garages in the vicinity.

Circle in the Square Theatre - NY

Circle in the Square Theatre

New York's Circle in the Square Theatre is a distinctive, intimate venue known for its unique seating and world-class performances.

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Ages 8+. Children under 4 will not be admitted into the theatre.

& Juliet on Broadway - NYC [25598]

& Juliet on Broadway

& Juliet on Broadway - NYC -  Product Media

Anne Hathaway – the wife of William Shakespeare, not the Oscar-winning actress – has a message for her famous husband. In a nutshell: Your star-crossed-lovers tragedy stinks. 

That’s the start of [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), a slim but cheeky and eager-to-entertain jukebox musical bursting with chart-toppers made famous by Britney Spears, Katy Perry, Bon Jovi, Celine Dion, Backstreet Boys, and other pop stars.

“What if Juliet didn’t kill herself?” muses Anne (Betsy Wolfe, goofy, gutsy, and serving gale-force vocals), who convinces Will (Stark Sands) to collaborate on a rebooted story. So long, Verona and stifling parents keen on locking her up in a nunnery. Freedom awaits! Juliet (the terrific Lorna Courtney), now 22 in the revised tale, considers life on her own terms.

She makes a beeline for Paris with her nurse (Melanie La Barrie, reprising her role from the show’s London premiere), a new non-binary BFF May (Justin David Sullivan), and another pal, April – who is actually Anne. She and Shakespeare write themselves into the revision; he’s a carriage driver. Along the way, some 30 hits from the Max Martin catalog, including “...Baby One More Time,” “Roar,” and “Since U Been Gone,” knit the narrative together.

This setup happens with surprising speed and economy. The early zippy energy is a big plus. Vibrant visuals are another. Director Luke Sheppard’s staging makes great use of projections, flying set pieces, and a levitating circular platform to showcase dramatic moments and athletic dance moves by choreographer Jennifer Weber. 

There's plenty of drama in France after Juliet and company meet Francois DuBois (Philippe Arroyo), who’s looking for love, and his stern father Lance (Tony winner Paulo Szot, game but frequently upstaged by his codpiece), who shares a secret history with Juliet’s nurse.

Thanks to Will’s desire to stir the plot, dim Romeo (Daniel Maldonado, in for Ben Jackson Walker at a recent performance) pops up. The newly undead guy descends in a superdope (to borrow his term) and glitzy entrance.

The action unfolds in Shakespeare’s era, but its heart and head are all about today. Costume designer Paloma Young pairs corsets, ruffs, and doublets with chunky boots and high-tops. There’s also a shoehorn lurking in the wings. As in any jukebox musical, some tunes are wedged in, but others fit surprisingly well.

“I Want It That Way” becomes a useful all-purpose expression of desire, while “Oops! … I Did It Again” neatly covers romantic missteps. “Stronger” lets Juliet’s defiance toll. Romeo and Juliet’s conflicted feelings churn into a raucous “Problem/Can’t Feel My Face.”

*Schitt’s Creek* writer David West Read penned the story, and it’s a mixed bag. *& Juliet*'s feminist attitude and celebration of gender fluidity make it topical. Mispronunciations of Francois’s surname makes way for (groan) DeBoy band jokes. And even with the youthful exuberance, the momentum sags whenever Anne and Will spar about the narrative — and they do it a lot. 

The script looks to history (or Wikipedia?) to connect the dots between Anne, who Shakespeare disregarded, and suicidal Juliet. Creative license abounds, of course, but the script breezes over the fact that if Romeo is alive, then Juliet is still married. That puts a kink in major plot developments. In the end, the show has no fewer than three separate conclusions.

To see or not to see any or all of that as just nitpicking? Theatregoers out for a silly good time likely won’t care as they hum along with *& Juliet*.

[*& Juliet* is at the Stephen Sondheim Theatre. Get tickets to *& Juliet* at New York Theatre Guide.](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets)

*Photo credit: Lorna Courtney (center) and the cast of & Juliet on Broadway. (Photo by Matthew Murphy)*

'& Juliet' review — the Bard meets 21st-century bops in energetic pop musical

The Stephen Sondheim Theatre is a treasured gem within the heart of New York City. Located in the bustling Times Square district, it stands proudly, retaining its historical charm midst contemporary edifices. The theatre, formerly known as Henry Miller's Theatre, is deeply rooted in theatrical history, having hosted numerous Broadway classics since its inception in 1918. It boasts art nouveau architecture bathed in gentle, welcoming lights, with intricate details that add to its grandeur. A walk inside reveals a relaxing ambiance with ornamented ceilings, beautiful chandeliers, red velvet seats, and a sizeable stage that brings performances to life. Dedicated to the legendary composer Stephen Sondheim, the theatre's rich legacy continues by staging some of the most critically acclaimed plays, musicals, and performances, all enjoyed from the comfort of its 1,055 seats. 

**How to Get There** 
Stephen Sondheim Theatre is conveniently located at 124 West 43rd Street, accessible via various modes of transportation. Visitors can reach the theatre by subway, taking the B, D, F, or M train to 42nd Street/Bryant Park or the 1, 2, 3, 7, N, Q, R, S, or W train to Times Square/42nd Street. Buses M5, M7, M20, M42, or M104 also offer routes to Times Square. For those who prefer driving, several paid parking garages are available nearby.

Stephen Sondheim Theatre - NY

Stephen Sondheim Theatre

The Stephen Sondheim Theatre is a cherished historical venue in Times Square, known for its Broadway classics and art nouveau architecture.

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Explore curated NYC theatre collections. From Tony-winning musicals to celebrity casts, our expert guides help you discover and book the best shows in New York.

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Ages 10+. Due to its vampire-themed content, which may be scary for young children.

The Lost Boys on Broadway - NYC [43812]

The Lost Boys on Broadway

Schmigadoon! on Broadway - NYC [45429]

Schmigadoon! on Broadway

Ages 10+.  Children under the age of 5 are not permitted.

Ragtime on Broadway - NYC [41025]

Ragtime on Broadway

Arthur Miller's Death of a Salesman on Broadway - NYC [45916]

Arthur Miller's Death of a Salesman on Broadway

Ages 12+. Children under the age of 4 are not permitted in the theatre.

CATS: The Jellicle Ball on Broadway - NYC [39754]

CATS: The Jellicle Ball on Broadway

The Rocky Horror Show on Broadway - NYC [43905]

The Rocky Horror Show on Broadway

Ages 12+. Children under 4 are not permitted in the theatre.

Two Strangers (Carry a Cake Across New York) on Broadway - NYC [45002]

Two Strangers (Carry a Cake Across New York) on Broadway

Ages 13+. Children under 4 are not permitted in the theatre.

The Balusters on Broadway - NYC [44389]

The Balusters on Broadway

Ages 12+. Children under 4 years old will not be admitted.

Chess on Broadway - NYC [44447]

Chess on Broadway

Fallen Angels on Broadway - NYC [43904]

Fallen Angels on Broadway

Joe Turner's Come and Gone on Broadway - NYC [44747]

Joe Turner's Come and Gone on Broadway

Titanique on Broadway - NYC [25241]

Titanique on Broadway

Set sail on the Ship of Dreams with Celine Dion, who has the inside scoop on what really happened to Jack and Rose on the doomed Titanic. Dion's greatest hits and up-to-the-minute pop culture jokes power this zany spoof on James Cameron's Oscar-winning film.

Dog Day Afternoon on Broadway - NYC [44515]

Dog Day Afternoon on Broadway

Becky Shaw on Broadway - NYC [44510]

Becky Shaw on Broadway

Every Brilliant Thing on Broadway - NYC [45675]

Every Brilliant Thing on Broadway

Ages 14+. Children under 4 are not permitted in the theatre.

The Fear of 13 on Broadway - NYC [46121]

The Fear of 13 on Broadway

Giant on Broadway - NYC [45280]

Giant on Broadway

2026 Tony Awards - Nominated Shows

Rush and Lottery

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Proof on Broadway - NYC [45003]

Proof on Broadway

Touch - NYC [46217]

Touch

Ages 13+. Children under 4 years old will not be admitted.

The 25th Annual Putnam County Spelling Bee - NYC [44388]

The 25th Annual Putnam County Spelling Bee

Data - NYC [45765]

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Browse Broadway, Off-Broadway, and live events in NYC. Same-day Rush tickets and Lottery on TodayTix.

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The **Hudson Theatre** located in the heart of New York City, is a prestigious broadway theatre on 44th street. Over a century old, it blends the rich history of New York with the modern NY life, rendering it an impeccable locale for a diverse range of events. It showcases traditional broadway shows, concerts, performing artist shows and many more. This quintessential theater boasts a seating capacity of around 970, spread over 3 levels, offering a meticulous proximity to the stage with unmatchable acoustics. It is adorned by a magically preserved antique design, offering a one-of-a-kind ambience that’s second to none.

**How to get to the venue:** The Hudson Theatre is accessible via various methods of transport. Driving to the theater provides the convenience of parking at Icon parking just across the street. Alternatively, the theater is easily reachable via public transit, being near to Times Square - 42nd Street Station served by multiple subway lines. The Port Authority Bus Terminal is just a short walk away, providing access to numerous bus routes.

Hudson Theatre - NY

Hudson Theatre

The Hudson Theatre is a historical Broadway theatre in New York City, accessible via car, subway, and bus.

NY | TT | Carousel - Web Homepage | Wicked | 1

Ages 8+. Children under 5 will not be admitted.

Wicked on Broadway - NYC [1]

Wicked on Broadway

Wicked Production Hero

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There have been moments in the history of musical theater when, like a twister, the sheer talent and whirling spectacle of a production have flattened any negative criticism that stood to get in its way. Take October, 2003 for example. That was the month that <a href="/show/wicked">Wicked </a>opened in New York to generally dour reviews. But since then, more than 8.8 million people have found the heart, nerve and wisdom to pay a visit, resulting in the happy scene of a Broadway house filled with as many teens as adults, and making a tale, born from a 115-year-old children's novel, one of the top five highest grossing shows of all time.The latest incarnation of this impeccably oiled entertainment machine finds a new gear courtesy of a British import. Reprising the role she played on the West End for three years, Rachel Tucker steps in as the green-skinned Elphaba, a.k.a. the Wicked Witch of the West, and nearly blows the roof off the massive Gershwin Theatre with her opening number, "The Wizard and I." As the song reaches its climax, Tucker raises her arms, not especially high, but in a crooked witchly fashion, showing off the kind of smart physicality she brings throughout the evening. Opposite her, as Glinda the Good, Kara Lindsay aces the delicate assignment of being both ditzy blonde and sensitive friend while showing off her clear soprano and great comic chops.Among the show's many happy surprises, Michele Lee turns up, in fine form, as the scheming Madame Morrible, and Arielle Jacobs charms us from a wheelchair as Nessarose, until that unfortunate incident with a falling house. James Lynn Abbott's best moment of choreography comes not from any of the numerous, raucous ensemble pieces, but from a beautifully rendered bit of quiet ballet that arrives unexpectedly during the energetic "Dancing Through Life." And Stephen Schwartz's classic score provides a wonderful playground for the cast to swing upon, while reminding us of this composer's important history. Close your eyes and hear strains of Pippin in "As Long as You're Mine." Find the hint of Godspell playfulness in the staccato beats of "What is this Feeling."The Wikipedia plot summary for Wicked is over 2100 words long, which speaks not only to the show's dedicated fan base, but to the fact that this is a musical with a lot going on. It's a romantic comedy with strong political undertones, an animal rights treatise with a talking goat and flying monkeys, a parable on the pitfalls of getting what you want, a warning on the limits of friendship, and an homage to a classic film. In the realm of mythology, green-hued creatures have never had a simple time of it (see Shrek, Hulk, et al.), and rare is the story, let alone the musical, that is centered on two women who are unrelated, yet have a complex emotional attachment, while still remaining starkly unique individuals. But Eugene Lee's epic scenic design provides the framework to tie everything together. The show is completely set within the machinations of a huge clock, the Clock of the Time Dragon to be precise. And whether or not you are up on your Oz lore, this seems, at first, incongruous with the magical proceedings on stage. Why is Glinda's bubble-mobile so pendulum like? But then the metaphor becomes clearer. "I would do anything to turn back the clock," laments Elphaba, and later she demands, "Wait just a clock tick!" Once a spell is cast, it cannot be undone. Life moves forward, and Wicked reveals itself to be, more than anything else, a cautionary tale about learning to live with one's choices.(Photo by Joan Marcus)

'Wicked' review

The Gershwin Theatre is a breathtakingly stunning Broadway theater located in the heart of New York City. Named in honor of renowned composer George Gershwin and his brother lyricist Ira Gershwin, it was opened in 1972 and currently remains the largest Broadway theater with a capacity of around 1933 seats. Designed by set designer Ralph Alswang, the architectural aesthetics of the theater are a delightful blend of Art Nouveau and Art Deco styles. Over the years, it has hosted some of the most iconic and award-winning Broadway shows including 'Show Boat', 'Sweeney Todd', and its longest running show, the 'Wicked' that has been playing since 2003. The interior is beautifully adorned with ornate details and offers modern technological features promising a remarkable theatrical experience. In addition to its captivating beauty and grandeur, the theater is also known for exceptional acoustics which enhances the enjoyment of each performance. 

**How to get to the venue**

The Gershwin Theatre is readily accessible by public transport with the closest subway stations being 50th Street on the 1 line and 50th Street on the C and E lines. Several bus lines also serve the area. If you prefer to drive, there are multiple paid parking lots in proximity to the theater. It is situated at 222 W. 51st St., perfectly positioned between Broadway and 8th Ave.

Gershwin Theatre - NY

Gershwin Theatre

What's on at Gershwin Theatre in New York City. Browse upcoming shows, check showtimes, and get tickets on TodayTix.

Gershwin Theatre — Shows & Tickets | NYC | TodayTix

The Gershwin Theatre, the largest Broadway venue, in New York City is known for its stunning aesthetics, exceptional acoustics, and iconic performances.

NY | TT | Carousel - Web Homepage | Cats: The Jellicle Ball | 39754

CATS: "THE JELLICLE BALL" - NYC - Product Media 

The Broadhurst Theatre is a prestigious, century-old Broadway venue located in Midtown Manhattan, New York. It was named after the renowned playwright George H. Broadhurst, an Anglo-American who was originally from Bristol, England. Constructed by the Shubert Brothers and designed by the architectural firm Kirchoff & Rose, Broadhurst Theatre opened its doors to the public on September 27, 1917, with its first-ever staged play, George Bernard Shaw’s 'Misalliance'. Spanning over a wide space of 20,000 square feet, it can comfortably seat slightly over 1,100 spectators on two levels. With its decorative ceilings, excellent acoustics, central location, and intimate seating arrangement, the Broadhurst Theatre has been attracting Broadway artists and audience for over 100 years. 
 
##How to get to the venue
The Broadhurst Theatre is centrally located at 235 West 44th Street, and this strategic location makes it easily accessible from all parts of the city. If you're using public transportation, Times Square's 42nd Street subway station is the closest, served by various train lines such as the 1, 2, 3, 7, N, Q, R, W, S. Also, multiple buses serve 44th Street, including the M20 and M104 lines. Hence, reaching the Broadhurst Theatre isn't difficult regardless of where you are starting your journey.

Broadhurst Theatre - NY

Broadhurst Theatre

Broadhurst Theatre is a historic Broadway venue in Manhattan, renowned for its intimate seating, excellent acoustics, and accessible location.

NY | TT | Carousel - Web Homepage | Masquerade | 44745

All guests must be 13+. Any guest under 16 must be accompanied by an adult.

Masquerade - NYC [44745]

Masquerade

Masquerade - NY

NY | TT | Carousel - Web Homepage | The Maids | 46378

The Maids - NYC [46378]

The Maids

The Maids - NYC [46378] - Product Media

St. Ann's Warehouse is a unique and captivating theatrical venue located in the heart of Brooklyn, New York. Known for its innovative performances and avant-garde approach to theatre and art. The warehouse was originally a tobacco factory, which, in 1980, was repurposed into the cultural hub it is today. Boasting a diverse array of shows, including music, film, dance, and theater performances, it attracts an eclectic audience drawn to its experimental and unconventional programming.

Its highly flexible and spacious interior design accommodates a wide range of performance styles and setups, and it often partners with other cultural institutions to enhance its offerings and reach wider audiences. The Warehouse also engages in community-based projects and educational outreach to connect with the local community. St. Ann's Warehouse has cemented itself as a vanguard of cutting-edge performance and an important part of Brooklyn's vibrant and ever-evolving arts scene.

### How to get to the venue:

St. Ann's Warehouse is located at 45 Water St, Brooklyn, NY. Easily accessible by public transportation, the venue is just a short walk from the York Street station on the F subway line and the High Street station on the A or C lines. There are also numerous public parking lots nearby for those who prefer to drive.

St. Ann's Warehouse - NY.

St. Ann's Warehouse 

St. Ann's Warehouse in Brooklyn is an innovative theater venue known for its diverse, avant-garde performances and rich history.

NY | TT | Carousel - Web Homepage | The Balusters | 44389

 The Balusters on Broadway - NYC [44389]

The Samuel J. Friedman Theatre is a historic Broadway theatre located in New York City. Established in 1925, the theatre is managed by Manhattan Theatre Club (MTC), a leading professional theatre producer. Originally named the Biltmore Theatre, it was renamed Samuel J. Friedman in 2008 to honor the late American publicist. The theatre seats over 650 people and is renowned for its excellent acoustics and state-of-the-art light and sound systems. It has also been the host to several notable productions and has welcomed some of the finest actors and actresses in the industry.

**How to Get There**

In the heart of the city, the Samuel J. Friedman Theatre is easily accessible through multiple modes of transportation. If commuting by subway, take the 1, 2, 3, 7, S, A, C, E, N, R, Q, W, Fourth Street lines to 42nd Street. From the station, it's just a short walk to the theatre. For those driving, numerous parking garages are available nearby. The theatre is also well-served by numerous bus lines. However, due to the busy nature of the city, public transport is a recommended choice.

Samuel J. Friedman Theatre - Manhattan Theatre Club - NY

Samuel J. Friedman Theatre

The Samuel J. Friedman Theatre, a historic Broadway theatre managed by Manhattan Theatre Club, accommodates over 650, with excellent acoustics and light systems.

NY | TT | Carousel - Web Homepage | New Born | 46489

New Born - NYC [46489]

New Born

New Born - Product Media - NYC [46489]

Minetta Lane Theatre, located in New York's historical Greenwich Village area, is a renowned performing arts venue. Hailed for its elegant brick exterior and cozy, inviting interior, the off-Broadway theatre's rich history dates back to its initial opening doors in 1984. Over time, the theatre has been a launchpad for a variety of successful shows, including 'Jefferson's Garden' and the wildly popular romantic comedy, 'Through the Night'. With a seating capacity of 391, it offers an intimate ambience, enabling attendees to indulge in the performance at close quarters. The theatre has outstanding acoustics and comfortable seating to ensure a pleasurable viewing experience. Sheltered amidst a neighborhood known for its creative and artistic vigor, the theatre aligns perfectly with the cultural ethos of its surroundings. The surrounding area is dotted with cafes, restaurants, and other cultural landmarks, providing ample opportunities for a comprehensive cultural experience before or after a show. 

**How to Get to the Venue:** Minetta Lane Theatre is located at 18 Minetta Lane in Greenwich Village, accessible via public transportation. The nearest subway station is West 4th St. – Washington Sq. (A, B, C, D, E, F, M), which is just a five-minute walk away. Alternatively, buses M5, M20, and M55 pass near the theatre.

Audible’s Minetta Lane Theatre - NY

Audible’s Minetta Lane Theatre

Minetta Lane Theatre is a well-known off-Broadway venue in New York's Greenwich Village, known for its variety of shows and intimate atmosphere. Convenient public transportation is available.

Based on the classic 1992 film, *Death Becomes Her* the musical follows two frenemies, actress Madeline Ashton and author Helen Sharp, who take a potion for eternal youth to outdo each other once and for all — but things don't go as planned. Now the recipient of 10 Tony Award nominations.

Death Becomes Her on Broadway

Save with limited-time discounts on tickets for this show.

US - Special offer

*Death of a Salesman* is a classic family drama about a father who works on the road, juggling his career, personal life, and the American Dream.

Save with limited-time offers on tickets for this show.

US - Special offer (Shubert)

Join the party at this new Broadway musical based on F. Scott Fitzgerald's iconic novel. The story of a mysterious millionaire and his quest to win back his former flame is now a splashy musical that brings the Roaring Twenties to life via colorful song and dance.

The Great Gatsby on Broadway

*Two Strangers (Carry a Cake Across New York)* is an original, new musical comedy about two ordinary people, a cheery Brit and a lifelong New Yorker, who go on a city adventure and spark a connection along the way.

Based on the bestselling novel, *Ragtime* is a musical epic that features three fictional families as they move through a rapidly changing New York in pursuit of the American Dream.

*Proof* is a modern play about two sisters grieving their father's death while also wrestling with his legacy, and which sister has inherited his genius.

*The Lost Boys* introduces a new generation to the cult classic movie, in which teenagers move to California and uncover their small town’s underground population of bloodthirsty vampires.

How did the Wicked Witch of the West become wicked? This *Wizard of Oz* prequel musical explores her and Glinda the Good Witch's untold origin stories. Hear now-classic showtunes like "Defying Gravity" at Broadway's fourth-longest-running show.

How does a show about an American Founding Father go on to revolutionize Broadway? Experience Lin-Manuel Miranda's Pulitzer- and Tony-winning hip-hop musical about how Alexander Hamilton fought, feuded, and financed his way into the history books.

Hamilton on Broadway

*Schmigadoon!* is a musical comedy based on the hit TV show that spoofs Broadway's Golden Age.

The Grammy-winning, landmark Cuban album by the same-named music group is now the basis for a vibrant, celebratory musical, which has been nominated for 10 Tony Awards. Relive the Golden Age of Cuban music while hearing the renaissance of genres like son, bolero, and danzón.

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